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This week, we discuss adjusting the colors on full-color pages to fit the story and the problem-solving that comes with cell phone exchanges (6:20), those times when you need to sit down to write (14:15) those times when you need to get away from your project for a day or two (26:00), writing where the heat is (32:20), working with public domain (and not so public domain) characters (37:10), cutting pages and cutting dialogue in the interest of the story and why lettering your own writing is so helpful (42:20) before we get to this week's main topic: what makes a cover a cover (48:00).
By Keith Foster and Scott Lost4.9
3434 ratings
This week, we discuss adjusting the colors on full-color pages to fit the story and the problem-solving that comes with cell phone exchanges (6:20), those times when you need to sit down to write (14:15) those times when you need to get away from your project for a day or two (26:00), writing where the heat is (32:20), working with public domain (and not so public domain) characters (37:10), cutting pages and cutting dialogue in the interest of the story and why lettering your own writing is so helpful (42:20) before we get to this week's main topic: what makes a cover a cover (48:00).

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