In this podcast, harpsichordist Mahan Esfahani talks to Pianist editor Erica Worth about what makes the C major Prelude from Bach’s Well-Tempered Clavier Book 1 such a work of art, how it’s OK to play Bach with rubato, and why Bach shouldn’t be put on a pedestal. Plus, Mahan’s two biggest pieces of advice for amateur pianists: Have an achievable goal at each practice session, and always write in your fingerings!