In this podcast, Paul Wee talks to Pianist editor Erica Worth about his unique double career – that of barrister and pianist. He also talks about why he’s turned to the late sonatas of Beethoven for his latest album, the challenges of having small hands, and the reasons why he’s not yet ready to tackle Schumann.

In this podcast, Graham Fitch talks to Pianist editor Erica Worth about the joys of teaching all types of pianists and why he always knew that teaching was his vocation. He also discusses how he helps other piano teachers improve their own teaching methods, why he loves being a judge for music festivals across the UK, plus he offers up invaluable advice for amateurs on how to improve.

In this podcast, Lucy Parham talks to Pianist editor Erica Worth about her Composer Portrait series and all the many actors she works with. She also explains why teaching the piano plays such an important role in her musical life, how learning to play a good simple cantabile melody is just as ‘difficult’ as playing a prestissimo run, and – even if she can’t live without his music – why she’ll leave Bach to the experts.

In this podcast, Marc-André Hamelin chats with Pianist editor Erica Worth about his latest release for Hyperion Records, Found Objects / Sound Objects. Marc also talks about how he would have loved to play for Liszt, why understanding Theory is of the utmost importance for all musicians, and why he’s not yet ready to tackle the Chopin Préludes.

In this podcast, Anna Geniushene talks to Pianist editor Erica Worth about her recent release, Opus 1, which includes the first Opus works by composers Chopin, Tchaikovsky, Schumann, Berg and Brahms. Anna also explains why she’s not yet ready to tackle Bach, what it’s like being married to a fellow concert pianist, and why we should all accept our imperfections at the piano.

In this podcast, Ivana Gavrić talks to Pianist editor Erica Worth about her upcoming release,

Throwback to Dance, which includes an assortment of solo works by Grieg, Ravel, Chaminade,

Pejačević and Cheryl Frances-Hoad. We will also find out what she likes to eat before giving a

performance, the reasons why she’s not yet ready to tackle Brahms, and why it’s so important to

immerse oneself in all art forms – whether it be visiting a museum or listening to an opera. Her

biggest piece of playing advice? Remember to ‘breathe’.

In this podcast, Clare Hammond talks to Pianist editor Erica Worth about her latest album – of British Piano Concertos by Britten, Walton and Tippett – which was released this month on the BIS label. Clare also talks about her passion for off-the-beaten-track repertoire, the technical issues of learning left-hand repertoire, and why it’s so important to bring music to a wider audience.

In this podcast, Jean-Efflam Bavouzet talks to Pianist editor Erica Worth about his latest album, the Complete Works of Ravel, which was released in April this year to tie in with the 150th anniversary of Ravel’s birth. Bavouzet talks about the musical differences between Ravel and Debussy, why Haydn always puts him in a great mood, and how his biggest hobby in life has always been model railways! His one piece of advice for aspiring amateur pianists? Practise every day – even if just for 15 minutes.

In this podcast, Dominic Ferris and Ugne Peistaraite talk discuss Performance Anxiety and Emotional Intelligence. They talk through such topics as: the importance of practising performing, how to deal with audience distractions mid-performance (such as a phone ringing), looking at anxiety as something positive (rather than negative), how to learn from mistakes in performance and focusing on being in the moment and not the anxiety beforehand.

And who knew there were similarities between giving a piano performance, performing surgery and flying a plane? All is revealed.

In this podcast, harpsichordist Mahan Esfahani talks to Pianist editor Erica Worth about what makes the C major Prelude from Bach’s Well-Tempered Clavier Book 1 such a work of art, how it’s OK to play Bach with rubato, and why Bach shouldn’t be put on a pedestal. Plus, Mahan’s two biggest pieces of advice for amateur pianists: Have an achievable goal at each practice session, and always write in your fingerings!