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Orson Welles made F for Fake in the early seventies, while still bobbing in the wake of a Pauline Kael essay accusing him of being cinema's greatest fraud. Ostensibly a documentary on the famous art forger Elmyr de Hory and his biographer Clifford Irving (a talented faker in his own right), the film blurs the line between fact and fiction in an effort to explore art's weird entanglement with illusion, magic, and ultimately, the search for truth. This is a film unlike any other, and it is arguably Welles's most important contribution to the evolution and theory of film aesthetics.
Join the Weirdosphere online learning community by enrolling in Phil and J.F.'s inaugural course, [THE BEAUTY AND THE HORROR](www.weirdosphere.org), starting June 20th.
Support us on Patreon.
RERERENCES
Orson Welles, F for Fake
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By SpectreVision Radio4.8
586586 ratings
Orson Welles made F for Fake in the early seventies, while still bobbing in the wake of a Pauline Kael essay accusing him of being cinema's greatest fraud. Ostensibly a documentary on the famous art forger Elmyr de Hory and his biographer Clifford Irving (a talented faker in his own right), the film blurs the line between fact and fiction in an effort to explore art's weird entanglement with illusion, magic, and ultimately, the search for truth. This is a film unlike any other, and it is arguably Welles's most important contribution to the evolution and theory of film aesthetics.
Join the Weirdosphere online learning community by enrolling in Phil and J.F.'s inaugural course, [THE BEAUTY AND THE HORROR](www.weirdosphere.org), starting June 20th.
Support us on Patreon.
RERERENCES
Orson Welles, F for Fake
Learn more about your ad choices. Visit megaphone.fm/adchoices

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