The Count takes a long hard look at himself, Penny plays a CD, and Harrow comes home. The theme of tonight’s episode is Foresights.

(To avoid spoilers, content warnings are listed at the end of this episode description).

The bonus story that goes with this episode is ‘Front Door’, and is available for Hallowoods patrons on the show’s Patreon, along with behind-the-scenes, exclusive merchandise, and more! Because the show runs without ads or sponsors, we rely on support from fans to guarantee the survival of this LGBTQ+ horror podcast.

Hello From The Hallowoods is written and produced by William A. Wellman, a queer horror author. You can visit their website for more information! 

The transcript for this episode is available on the Hello From The Hallowoods Website. Click here to read!

You can also find Hello From The Hallowoods on social media! The show is on Facebook, Instagram, and Twitter at @thehallowoods. If you’d like to connect with other fans of the show, there’s even a fan-run Discord Server!

Music for this episode was used under license from Artlist.com. The soundtracks featured were: 

‘Rhea’, by Yehezkel Raz, 
‘Morning Sunbeams’, by Yehezkel Raz,
‘Lost’, by Lars Bork Anderson,
‘Dawn’, by Eva Tiedemann,
‘Goliath’, by Ian Post, 
‘Touche’, by Idokay,
‘Days Pass’, by ANBR, 
‘A Moon Walk - Instrumental Version’, by Yehezkel Raz,
‘Five Sense Prison’, by Roie Shpigler, 
‘Alike’, by ANBR, 
‘For the Broken Hearted’, by Yehezkel Raz,
‘Streets’, by ANBR,
‘Waiting’, by Laurel Violet,
‘Titan’, by Yehezkel Raz,
‘Space Sauce’, by Bunker Buster,
‘Rhea’, by Yehezkel Raz,
And ‘Farewell’, by Maya Belsitzman and Matan Ephrat

Content warnings for this episode include: 

Kidnapping and abduction, Blood, Birds, Static (including sfx), Body horror, Imprisonment