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Chris Carter's The X-Files is weird on its face: a dramatic series that, from the start, presented itself as more than drama, an exploration of the reality of the paranormal using the tools of fiction, a fantasy posing as reality (or is it the other way around?). Strangely prescient, undeniably zany, and truly "hyperstitious," the series is likely to strike contemporary viewers as equal parts naive and prophetic. In this episode, music scholar and Weird Studies assistant Meredith Michael joins Phil and JF for a deep dive into the archival sublime of the filing cabinet marked "X."
To purchase tickets to JF and Phil's December 19th solstice event on Weirdosphere, with live music by Pierre-Yves Martel, to to weirdosphere.org.
Support us on Patreon.
REFERENCES
Cut-up technique
Special Guest: Meredith Michael.
Learn more about your ad choices. Visit podcastchoices.com/adchoices
4.8
532532 ratings
Chris Carter's The X-Files is weird on its face: a dramatic series that, from the start, presented itself as more than drama, an exploration of the reality of the paranormal using the tools of fiction, a fantasy posing as reality (or is it the other way around?). Strangely prescient, undeniably zany, and truly "hyperstitious," the series is likely to strike contemporary viewers as equal parts naive and prophetic. In this episode, music scholar and Weird Studies assistant Meredith Michael joins Phil and JF for a deep dive into the archival sublime of the filing cabinet marked "X."
To purchase tickets to JF and Phil's December 19th solstice event on Weirdosphere, with live music by Pierre-Yves Martel, to to weirdosphere.org.
Support us on Patreon.
REFERENCES
Cut-up technique
Special Guest: Meredith Michael.
Learn more about your ad choices. Visit podcastchoices.com/adchoices
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