Great American Novel Podcast 24 considers Joan Didion’s 1970 novel Play It as It Lays, which shut the door on the 60s and sped down the freeway into the 70s, eyes on the rearview mirror all the while.  In a wide-ranging discussion which touches not only upon Didion and her screenwriter husband but also John Wayne, Ernest Hemingway, the Manson cult, the Mamas and the Papas and Lloyd Cole and the Commotions, we drive down the interstate with Didion and her Corvette as we consider Hollywood, Las Vegas, the desert, Hippies and Hipsters, and the legacy of the 1960s.  As always, listeners are warned, there be spoilers here.

 The Great American Novel podcast is an ongoing discussion about the novels we hold up as significant achievements in our American literary culture.  Additionally, we sometimes suggest novels who should break into the sometimes problematical canon and at other times we’ll suggest books which can be dropped from such lofty consideration.  Your hosts are Kirk Curnutt and Scott Yarbrough, professors with little time and less sense who nonetheless enjoy a good book banter.  All opinions are their own and do not reflect the points of view of their employers, publishers, relatives, pets, or accountants. 

Intro and outro music is by Lobo Loco.  The intro song is “Old Ralley,” and the outro is “Inspector Invisible.”  For more information visit: https://locolobomusic.com/.  Clip from the trailer for the film Play It As It Lays, dir. 1972 by Frank Perry, monologue spoken by Tuesday Weld, written by Didion and John Gregory Dunne.  Excerpt from “Rattlesnakes” by Lloyd Cole and the Commotions, on the album Rattlesnakes, 1984 Polydor/Geffen, prod. Paul Hardiman.

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