Great American Novel

The Red Badge of Courage (1895) is a singularly unique war novel: whereas most depictions of the horrors of combat and the trauma of the battlefield are naturalistic, attempting to inflict upon the reader the violence the prose describes and terrifying us with the prospect that humans do not rise to heroic occasions, Stephen Crane's novel is impressionistic, blurring detail at the edges and giving scattershot glimpses of confusion, guilt, regret, and even envy and resentment. Through the story of Private Henry Fleming (aka "The Youth"), Red Badge is arguably the novel that best encapsulates the phrase "the fog of war," a term credited to the 19th-century military theorist Carl von Clausewitz. In this episode we explore how Crane---who was not yet born when the battle of Chancellorsville that is the setting occurred---managed to capture the experience so authentically that Union veterans assumed he had worn the blue alongside them. The novel launched its twenty-four-year-old author into the type of fame few writers experience: as a journalist, pulp writer, and celebrity observer of international conflagrations (not to mention fan of bordellos), Crane epitomized the image of the author as a globetrotting adventurer---an image only elevated to tragic irony when he died from tuberculosis in 1900.   

The Great American Novel Podcast episode 28 considers JD Salinger’s landmark 1951 classic, The Catcher in the Rye.  Your hosts discuss Salinger’s famous reclusiveness, the book’s continuing appeal, and its influence on both the genre of so-called “young adult literature” and post-breakdown lit.  We examine the novel in its role of the creation of the American teenager as a marketing sector and artistic project.  We don’t dodge the thorny issues of Salinger’s life while separating artist from the art, and perhaps we even disagree, just a little, on where we place this novel when all is said and done. 

The Great American Novel podcast is an ongoing discussion about the novels we hold up as significant achievements in our American literary culture.  Additionally, we sometimes suggest novels which should break into the sometimes problematical canon and at other times we’ll suggest books which can be dropped from such lofty consideration.  Your hosts are Kirk Curnutt and Scott Yarbrough, professors with little time and less sense who nonetheless enjoy a good book banter.  All opinions are their own and do not reflect the points of view of their employers, publishers, relatives, pets, or accountants. 

Correction: in the episode Scott refers incorrectly to George Bush as an Army Air Force Pilot; he was a naval pilot.

Intro and outro music is by Lobo Loco.  The intro song is “Old Ralley,” and the outro is “Inspector Invisible.”  For more information visit: https://locolobomusic.com/.  

We may be contacted at greatamericannovelpodcast (@) gmail.com.

Often hailed as the quintessential exemplum of Reagan-era postmodernism, Don DeLillo's eighth novel, White Noise (1985), is part academic satire, part media excoriation, and part exploration of the "simulacrum" or simulated feel of everyday life. With its absurdist asides on the iconicity of both Elvis and Hitler, the unrelenting stress of consumer choices (the supermarket is the site of modern neuroses), and the pharmacopic management of anxiety, the novel can sometimes feel a little smirky, a little too self-consciously zany, in its treatment of 1980s' suburban life. But readers interested in what DeLillo has to say about the emotional connections between husbands and wives and fathers and children will find a deeper, more somber effort to de-clutter the static of misinformation systems and chemical controls, whether in the blood or in the air, to forge organic bonds. To call White Noise the Babbitt of the "Greed is Good" era is no slight---DeLillo may have written better and more important books (including Libra, his treatment of the conspiracy theories surrounding the Kennedy assassination) but this is the novel that best captures the weird unease of the second-to-last decade of the twentieth century.    

The 26th episode of the Great American Novel Podcast delves into Carson McCullers’ 1940 debut novel The Heart Is a Lonely Hunter. Published when the author was only 23, the novel tells the tale of a variety of misfits who don’t seem to belong in their small milltown in depression-era, 1930s Georgia.  Tackling race, disability, sexuality, classism, socialism, the novel catapulted McCullers to fame.  It’s been an Oprah book and it’s been adapted to film.  The Modern Library chose it for its list of 100 best novels in English of the 20th Century.  But the question asked by your intrepid hosts is this: is it truly a great American novel?

The Great American Novel podcast is an ongoing discussion about the novels we hold up as significant achievements in our American literary culture.  Additionally, we sometimes suggest novels who should break into the sometimes problematical canon and at other times we’ll suggest books which can be dropped from such lofty consideration.  Your hosts are Kirk Curnutt and Scott Yarbrough, professors with little time and less sense who nonetheless enjoy a good book banter.  All opinions are their own and do not reflect the points of view of their employers, publishers, relatives, pets, or accountants. 

Intro and outro music is by Lobo Loco.  The intro song is “Old Ralley,” and the outro is “Inspector Invisible.”  For more information visit: https://locolobomusic.com/.  Clip from the trailer for the 1968 film The Heart is a Lonely Hunter, directed by Robert Ellis Miller, with lines spoken by Sondra Locke.

We may be contacted at greatamericannovelpodcast (@) gmail.com.

Published in 1881, The Portrait of a Lady was Henry James's seventh novel and marked his transition away from the novel of manners that only three years earlier had made his novella Daisy Miller a succès de scandale toward the more meticulous, inward study of individual perception, or what would come to be known as psychological realism. The story of an independence-minded young woman named Isabelle Archer who visits distant relatives in England, the novel broadens James's trademark theme of American innocents confronting the corrupt sophistication of European cosmopolitans to explore the sussing out of hidden and deceptive motives. As Isabelle is drawn into a marital trap set for her by a conniving Madame Merle and the odious, controlling aesthete Gilbert Osmond, James questions not only the meaning of marriage, money, and friendship but how we read social signals. Only too late does Isabelle recognize that a gesture can be a guise, but her response to her predicament makes her one of the most compellingly ambiguous heroines in American literature.     

Great American Novel Podcast 24 considers Joan Didion’s 1970 novel Play It as It Lays, which shut the door on the 60s and sped down the freeway into the 70s, eyes on the rearview mirror all the while.  In a wide-ranging discussion which touches not only upon Didion and her screenwriter husband but also John Wayne, Ernest Hemingway, the Manson cult, the Mamas and the Papas and Lloyd Cole and the Commotions, we drive down the interstate with Didion and her Corvette as we consider Hollywood, Las Vegas, the desert, Hippies and Hipsters, and the legacy of the 1960s.  As always, listeners are warned, there be spoilers here.

 The Great American Novel podcast is an ongoing discussion about the novels we hold up as significant achievements in our American literary culture.  Additionally, we sometimes suggest novels who should break into the sometimes problematical canon and at other times we’ll suggest books which can be dropped from such lofty consideration.  Your hosts are Kirk Curnutt and Scott Yarbrough, professors with little time and less sense who nonetheless enjoy a good book banter.  All opinions are their own and do not reflect the points of view of their employers, publishers, relatives, pets, or accountants. 

Intro and outro music is by Lobo Loco.  The intro song is “Old Ralley,” and the outro is “Inspector Invisible.”  For more information visit: https://locolobomusic.com/.  Clip from the trailer for the film Play It As It Lays, dir. 1972 by Frank Perry, monologue spoken by Tuesday Weld, written by Didion and John Gregory Dunne.  Excerpt from “Rattlesnakes” by Lloyd Cole and the Commotions, on the album Rattlesnakes, 1984 Polydor/Geffen, prod. Paul Hardiman.

We may be contacted at greatamericannovelpodcast (@) gmail.com.

William Faulkner's fifth published novel, As I Lay Dying (1930), is a self-described tour de force that the author cranked out in roughly two months while working as the night manager at the University of Mississippi power plant in his hometown of Oxford. This dark tragicomedy about a family on a quest to bury its matriarch helped win the author his early reputation for sadistically heaping woe and misfortune upon his Southern grotesques but has more recently come to be seen as a complex artistic effort to empathize with the often marginalized rural population in America whose supposed primitivism leads to the caricatures found in Erskine Caldwell's Tobacco Road and God's Little Acre, two contemporaneous novels. Telling the story of the Bundren family through fifteen different narrators and a tapestry of styles that weaves dialect with hypnotic poetry, Faulkner crafted a tightly plotted but expansively interiorized tale in which unforgettable characters such as Addie, Darl, Dewey Dell, and Vardaman cope with grief, language, and understanding. If you've ever wondered why the phrase "My mother is a fish" is a meme, this podcast is for you. 

In Great American Novel Podcast Episode 22, we wrestle with the old Thoreau quote "The majority of men lead lives of quiet desperation" as we delve into the soul-sapping mid-century suburbs in Richard Yates' 1961 novel Revolutionary Road.  Join the hosts for a  conversation that considers other suburban chroniclers such as Updike and Cheever and other  treatments from the film adaptation to Mad Men to Seinfeld.  Ultimately the hosts have to confront this essential question: not whether they should move to France, but whether we can call Revolutionary Road a Great American Novel?  Listeners are warned: there be spoilers here. 

The Great American Novel podcast is an ongoing discussion about the novels we hold up as significant achievements in our American literary culture.  Additionally, we sometimes suggest novels who should break into the sometimes problematical canon and at other times we’ll suggest books which can be dropped from such lofty consideration.  Your hosts are Kirk Curnutt and Scott Yarbrough, professors with little time and less sense who nonetheless enjoy a good book banter.  All opinions are their own and do not reflect the points of view of their employers, publishers, relatives, pets, or accountants. 

All show music is by Lobo Loco.  The intro song is “Old Ralley,” and the outro is “Inspector Invisible.”  For more information visit: https://locolobomusic.com/.  Revolutionary Road film dir. Sam Mendes, 2008.

We may be contacted at greatamericannovelpodcast (@) gmail.com.

Only thirty years old this year, Ernest J. Gaines' A Lesson Before Dying (1993) is a powerful testament to social justice and to the search for individual dignity in an oppressive legal system. Set in the late 1940s in a small Louisiana community, the book tells the story of two men, one a convicted murderer on death's row (Jefferson) and the other his reluctant tutor (Grant) who is asked to teach the doomed man how to face death and injustice with a sense of self-worth. Almost instantly canonized upon publication, A Lesson Before Dying is a deceptively straightforward work. Although eminently accessible, it asks weighty questions about the complicity of state-sanctioned execution and the healing power of community. Electric with religious imagery, it challenges readers' sense of the purpose of faith and the elusiveness of truth. Most of all it makes a passionate plea for relinquishing personal bitterness and finding transcendence in serving others.

In Great American Novel Podcast Episode 20, your fearless (or is it feckless) hosts find themselves in the damp swamps and thick scrublands of north central Florida in the post-Reconstruction era as we struggle to survive with the settlers of the brush country in Marjorie Kinnan Rawlings' Pulitzer Prize winning 1938 novel, The Yearling. We discuss how this Maryland native came to work with the editor of Hemingway, Fitzgerald, and Thomas Wolfe, and how she came to love the Florida brush country she wrote about.  

As always, these discussions are operating according to the rules of literary criticism, or as Melville might have put it, there be spoilers here.

 The Great American Novel podcast is an ongoing discussion about the novels we hold up as significant achievements in our American literary culture.  Additionally, we sometimes suggest novels who should break into the sometimes problematical canon and at other times we’ll suggest books which can be dropped from such lofty consideration.  Your hosts are Kirk Curnutt and Scott Yarbrough, professors with little time and less sense who nonetheless enjoy a good book banter.  All opinions are their own and do not reflect the points of view of their employers, publishers, relatives, pets, or accountants. 

All show music is by Lobo Loco.  The intro song is “Old Ralley”; and the outro is “Inspector Invisible.”  For more information visit: https://locolobomusic.com/.  The theme to "Rawhide" was written by Ned Washington and Dimitri Tiomkin, 1958, performed by Frankie Laine.  Trailer for The Yearling, 1946, dir. Clarence Brown, produced by Sidney Franklin, released by MGM. 

We may be contacted at greatamericannovelpodcast (@) gmail.com.