Mark, Wes, and Dylan continue to look at Ludwig Feuerbach's "Principles of the Philosophy of the Future" (1843), recounting his story about how increasingly mature notions of God should lead philosophy eventually to a materialism where the sensual is the real.

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Where the repetitions of ordinary life threaten to overwhelm any sense of the sublime, the poet Conrad Aiken seems to suggest that they can be transformed into a way of being connected to it. The mundane order is, after all, just a part of the cosmic. When we get ready to go to work, it is on a “swiftly tilting planet” that “bathes in a flame of space.” The sun is “far off in a shell of silence,” but its light decorates the walls of our homes. We might wonder, in light of modernity’s crisis of faith, if the sublime is meant to replace the divine, and if so whether what Aiken calls “humble offerings” to a “cloud of silence” are enough. Wes & Erin discuss Aiken’s “Morning Song of Senlin,” and whether humanity’s religious impulses can be fully compensated with an aesthetic or ironic relation to nature and cosmic scale. 

We're coming up on the 125th anniversary of L. Frank Baum's children's book, The Wizard of Oz, and the film version of (the first half of) the musical Wicked has been released. Mark, Lawrence, Sarahlyn and Al talk about the landmark 1939 film musical, the 1978 film The Wiz, Gregory Maguire's 1995 novel Wicked, the stage musical, the other Oz books by Baum, Maguire, et al, and other films like 1985's Return to Oz and 2013's Oz the Great and Powerful.

How does this film stack up to other recent Broadway-to-film adaptations? Will there ever be a faithful film or TV adaptation of the books?

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We dig in and start our detailed treatment of Ludwig Feuerbach's essay "Principles of the Philosophy of the Future" (1843).

Feuerbach claims that people don't realize that the entity they worship is really just whatever it is about humanity and the world that we value, wrongly posited as an independent entity. So God is a mirror for any given society.

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Learn about Mark's spring Core Texts in philosophy class at partiallyexaminedlife.com/class. Buy the PEL book for someone cool at partiallyexaminedlife.com/book.

Loudon has released 30 albums since 1970. He's the quintessential singer-songwriter, relying on crafty, personal lyrics delivered dynamically and typically solo, though his studio work has varied in production style and orchestration level over the years.

We discuss "How Old is 75" from Lifetime Achievement (2022), "Road Ode (Live)" from Career Moves (1993), and "Be Careful There’s a Baby in the House" from Album II (1971). We wrap up by listening to "Missing You" from Last Man on Earth (2001). Intro: "The Swimming Song" from Attempted Mustache (1973). Learn more at lw3.com.

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It's a TEAM PLAY episode just in time for the holiday season! Returning guests improviser and podcaster Sarah and recovering Philosophy Bro Tommy join Mark and Bill to talk AND EXPERIENCE friendship, with our longest single improv scene to date. What is friendship? Do you know your friends enough to imitate them? Does one friendship or fast-casual restaurant have to die so that another may emerge? 

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On Ludwig Feuerbach's "Principles of the Philosophy of the Future" (1843) and the introduction to The Essence of Christianity (1841).

What was the original point of religion? Can we retain what was emotionally good about it yet direct our efforts to purely practical matters? Feuerbach says yes, and this was a key influence on Marx.

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Learn about Mark's spring Core Texts in philosophy class at partiallyexaminedlife.com/class.

Steve Martin was the biggest comic celebrity in the late '70s, became a huge movie star, and now delivers gentle comedy and fast banjo licks according to his desired rich guy schedule. In light of the popularity of Only Murders in the Building, we consider his many talents. Our 50ish hosts Mark and Sarahlyn are all in on this guy, but our 40ish hosts Lawrence and Al are not necessarily tickled.

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Adam and Barbara Maitland are dead, but their troubles have just begun. The farmhouse decor of their home is under threat from the pretentious modernism of Delia Deetze, and her plan to remake it in her own image could turn their post-life purgatory into earthbound hell. Solving this problem leaves them with an impossible choice between figuring out how to navigate an intractable netherworld bureaucracy, or seeking the help of a renegade demon whose perverse remedies are worse than what they’re supposed to cure. Their way out of this impasse involves teaming up with Delia’s step-daughter Lydia, whose goth style seems to lend itself to communicating with the dead. Wes and Erin discuss “Beetlejuice,” and what its battle royale between conflicting aesthetic sensibilities—rustic, gothic, and avant-garde—has to say about the connections between love, mortality, and the many pitfalls of growing up.

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Continuing on "Estranged Labor," "Private Property and Communism," and "The Power of Money on Bourgeois Society" with guest Lawrence Dallman.

Does capitalism give rise to alienation, or is it alienation that is responsible for capitalism? Does a person (capitalist) have to be responsible for someone's alienation? What would we be like unalienated?

Get more at partiallyexaminedlife.com. Visit partiallyexaminedlife.com/support to get ad-free episodes and tons of bonus discussion, including a supporter-exclusive part three to this discussion. 

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