Continuing on Faith and Knowledge (1802), Ch. 1 and 2. We start off by discussing how beauty might give us a window into things-in-themselves according to the Romantics, who were in part following Kant's lead. Also, what version of the ontological argument for the existence of God does Hegel believe? We try to figure out what Hegel is praising in Kant's positing of synthetic a priori claims, and yet how he thinks Kant didn't understand the implications of this view.

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Richard played with art-rock band Japan from 1975 through their five albums, then continued to collaborate with members of that group, releasing several increasingly atmospheric albums as Jansen-Barbieri, Jansen-Barbieri-Karn, Rain Tree Crow, et al. He joined Porcupine Tree in 1995 and has played on their 20+ albums, and began putting out ambient solo releases in 2004 (perhaps seven albums' worth to this point) while continuing to collaborate.

We discuss "A New Simulation" from Hauntings (2026), "All Fall Down" from Stranger Inside (2008), and "Sleepers Awake" by Jansen-Barbieri from Stone to Flesh (1995). End song: "Waiting to Be Born" by Steve Hogarth and Richard Barbieri, recorded 2015 and released in 2023. Intro: "The Experience of Swimming" by Japan, from Gentlemen Take Polaroids (1980). More at richardbarbieri.bandcamp.com.

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In light of the new, well-acted and well-shot BBC/Netflix adaptation, we discuss William Golding's 1954 novel Lord of the Flies and its previous (1963, 1991) adaptations. Featuring Mark, Lawrence, Sarahlyn and Al.

What do we think of the updates made for this retelling? Its pacing? Its repeated close-up shots of kids' silent faces? Is this per usual obviously inferior to the novel, or does it actually present deeper characters and a more visceral presentation of their degradation?

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On Faith and Knowledge (1802), Ch. 1 and 2. Famously, Kant critiqued Reason to effectively forbid theology and metaphysics, and a young G.W.F. Hegel was not happy about that. He argues against the reduction of Reason to merely applying to the realm of experience, which makes religion merely a subjective, insubstantial matter. Hegel thought he could do better.

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Your four hosts review the critiques of modernity, try to figure out where Kant fits in, and then discuss Habermas' characterization of Nietzsche's anti-Enlightenment project.

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We are REELING from our REDACTED episode, and so we talk about the lessons we learned from that and start thinking about what it is to be out of one's comfort zone: how do fear and ego issues interact? Is playfulness a lack of professionalism? Are both arrogance and humility products of fear?

Plus, cutting-edge surgery reality shows, Schrödinger's hostile cat and Dr. Brenda's sentient food samples, Bishop Jim vs. Trudy the Innocent, and more!

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On Faith and Knowledge (1802), Ch. 1 and 2. Famously, Kant critiqued Reason to effectively forbid theology and metaphysics, and a young G.W.F. Hegel was not happy about that. He argues against the reduction of Reason to merely applying to the realm of experience, which makes religion merely a subjective, insubstantial matter. Hegel thought he could do better.

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Continuing on on The Philosophical Discourse of Modernity, Ch. 1, 2, and 5 with guest John Ganz. We further discuss Habermas' characterizations of Hegel's take on modernity and eventually get to Adorno and Horkheimer, whose dismissals of modernity Habermas thinks go too far.

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We discuss the career of Meryl Streep in light of The Devil Wears Prada 2, insofar as we (Mark, Lawrence, Sarahlyn, and Al) have a hold of it; she's been in over 65 films! Is she really the best actor on the planet? Did Prada need a sequel?

We all brought in our own experiences with her catalog, touching on Sophie's Choice, Kramer vs. Kramer, A Cry in the Dark, Adaptation, The Iron Lady, Death Becomes Her, Postcards From the Edge, Doubt, The Laundromat, Let Them All Talk, Florence Foster Jenkins, et al.

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On Jürgen Habermas' The Philosophical Discourse of Modernity (1985), featuring guest John Ganz.

Habermas defines modernity as Enlightenment ideals, discusses what's wrong with them (subjectivity), how Hegel argues constructively that a social element needs to be added this this, and how many other critics (e.g. Adorno, Nietzsche, and Foucault) instead argue more destructively against Enlightenment values like Truth, liberty, and justice.

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