The Partially Examined Life Philosophy Podcast

The new official crew of Mark Linsenmayer, Mary Hynes, and "Jus' Jenny" Hansen kicks off our new endeavor to explore ancient self-help/psychologically therapeutic philosophical traditions via Martha Nussbaum's book "The Therapy of Desire," which we've read the intro of. We talk and/or act about preconceptions about philosophy, AA, a single-celled support group, a foul-mouthed poetry slam, and more.

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Finishing up U.T. Place's "Is Consciousness a Brain Process?" (1956) and starting on J.J.C. Smart's "Sensations and Brain Processes" (1959).

Place argues against the "phenomenological fallacy," i.e. the reality of the contents of one's inner life. Then Smart considers objects against mind/brain identity: Must qualities of sensations be something over and above qualities of brain processes? Finally, is mind/brain identity a scientific hypothesis at all?

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Joan Wasser started as violinist/support member in the 90s for The Dambuilders and then for Mind Science of the Mind and Antony and the Johnsons. In the mid-90s, she co-led a band called Black Beetle that released nothing, but taught her songwriting. She's had 13 solo releases, as she has continued to guest and tour with major artists including Iggy Pop, and Gorillaz.

We discuss "Eternal Flame" from Real Life Evolution (2026), "I Defy" from Real Life (2006), and "Full-Time Heist" from Lemons, Limes and Orchids (2024). Intro: "The Magic" from The Deep Field (2011). End song: "Valid Jagger" from Damned Devotion (2018). More at joanaspolicewoman.com.

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We discuss high school drama TV shows and films in light of the genre-breaking, star-birthing teen drama Euphoria. Mark, Lawrence, Sarahlyn and Al touch on Riverdale, Skins, Degrassi, John Hughes films, Buffy, Saved By the Bell, 90210, and many others.

How much of the plots are driven by "affluenza?" What do they have to say about friendship? Is there something very white about even shows like Euphoria that have plenty of POC characters? Do the "genre" shows (e.g. The Craft) count? What about anime?

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On U.T. Place's "Is Consciousness a Brain Process?" (1956) and J.J.C. Smart's "Sensations and Brain Processes" (1959), w/ guest Chris Heath.

Is there some a priori reason for denying that the mind can actually be the brain? Obviously those two words don't mean the same thing, but can we think of them as a single thing under two descriptions? Place argues that the identity is not unlike other scientific identities, like lightning being the same as a motion of electric charges.

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Mark and Seth rejoin to complete our treatment of Consciousness Explained, focusing on Dennett's responses to Frank Jackson's Mary the Color Scientist thought experiment, Searle's Chinese Room, inverted qualia, and more.

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As an interlude between our Philosophy vs. Improv seasons, here's an interview left over from July with Mark's former classmate, actor/director/writer David, who runs Actor Class on Times Square. We talk about his career and his insights about Broadway, Shakespeare, contemporary entertainment, theory in acting, and more.

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Continuing on Consciousness Explained, ch. 12-14, especially responding to Dennett's discussion of Nagel's "What Is It Like to Be a Bat?" which which gets us in a whole conversation about animal consciousness. What is it like to be any languageless creature? How is the debate relevant to ethical issues?

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On "Are We Explaining Consciousness Yet" (2001), an article published with and commenting on papers by psychologists, neurologists, etc. on the state of consciousness studies at the time, featuring his newer metaphor for consciousness, "fame in the brain."

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To begin our new season, we're up to the moment covering the first season of Elizabeth Meriwether's Hulu crime drama Furious, about an abused detective pursuing, and ultimately relating to, an abused revenge killer. The first half is spoiler free!

How does this relate to other revenge fantasy films (e.g. Kill Bill) or other shows where we're supposed to be attracted to a female killer (Killing Eve)? It it good in the manner of The Wire? We talk a lot about casting, the showrunner, and especially decisions made in ending the season. Would this have been much better as a mini-series than as something that will now have a second season that may well jump the shark?

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