We're now moving on to the "mind" portion of our discussion, covering how reason motivates us, how free will is possible, and the degree to which the mind is passive or active.

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Mark and Mary are joined by improvisor-comedian-actress-filmmaker-host Vickie to talk about code switching and authenticity. Can you be authentic and still work a day job? Can Problem Solvers, Inc. solve the office restroom schedule? Are authentic hippies really beatniks? Also, displaying comic America on Korean talk shows, ethical pornography, commerce vs. art, granola in your hair, and more.

Vickie sticks around for a bit of post-game (usually restricted to supporters but shared with you this time), where we talk about the improv lessons and techniques from the episode and refresh what the point of this podcast is.

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Continuing on bits of Thomas Aquinas: Selected Philosophical Writings, completing our analysis of his arguments for the existence of God and then turning to eternity and the possibility of actually talking about God, given our finitude.

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It's a special two-hander where Mark and Lawrence reflect on the appeal of horror and how the new Monster: Ed Gein Netflix show has to contribute, given that it is not merely a (very loose) presentation of real events, and itself a horror drama, but also a commentary on the Hollywood properties influenced by the Ed Gein murders, including Psycho, The Texas Chainsaw Massacre, and Silence of the Lambs. We bring this up to date by including discussion of the Terrifier films as well as the work of Rob Zombie.

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Singer-songwriter-multi-instrumentalist Jonathan (currently based in Minneapolis) has been putting out indie rock solo albums since 1992, but has also ventured into traditional Finnish folk music and has multiple releases of tunes that I won't call Christian rock, but more rock that grapples with being someone who goes to church.

We discuss "Diner by the Train" (and listen at the end to "Evidence") from Waves (2025), "Home Unknown" from Look Up (2015), "Tape" from Recital (1997), and "Failing Rockstar Attempt" from Sound Theology (2000). Intro: "When I Get Bored" from 11 Years and 28 Days in the Yellow Room (1992) More at junathanrundman.com.

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On selections from Thomas Aquinas: Selected Philosophical Writings, mostly taken from the Summa Theologica (1268).

Given our flawed, finite human nature, how do we fit into the universe? In particular, how can we know and talk about things far beyond our experience such as God and eternity? In this part, we discuss arguments for the existence of God.

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How does your body talk to you? Your favorite hosts-of-a-philosophy-and-improv-comedy show Mark Linsenmayer and Merry Mary Hynes re-connect after both being sick to get a bit Halloweeny so as to talk about various food-related monsters, experiencing art by disgraced creators, inner homunculi a la "Inside Out," movie talk, Nietzsche's nose fetish, and more.

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Continuing on "Directions for Decomposition" from A Short History of Decay (1949). What is it that humans are inevitably trying to avoid that seems so bad to us? It's our existential separation from others, our essential, incommunicable solitude. Plus, ennui, sloth, and being a "traitor to existence."

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Mark, Lawrence, Sarahlyn, and Al watched Spinal Tap and its new sequel, and we throw these into a mix with K-Pop Demon Hunters and other films and shows involving made-for-TV (and film) bands, including We Are Lady Parts, That Thing You Do, Fear of a Black Hat, CB4, Atlanta, The Blues Brothers, The Commitments, Almost Famous, The Rutles, and The Monkees.

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Adrian has applied his distinctive, spacey dub mixing techniques to numerous recordings since 1978 including Ministry, Nine Inch Nails, Lee "Scratch" Perry, Sinéad O'Connor, and Spoon and has released nine albums under his own name since 2003. He has effectively served as a key band member in several groups including Creation Rebel and African Head Charge.

We discuss "Body Roll" from The Collapse of Everything (2025), "Starship Bahia" from Survival & Resistance (2012), and "Sharp as a Needle" by Barmy Army from The English Disease (1989). End song: "Make Up Your Mind" by Coldcut (Ninja Tunes), et al from Outside the Echo Chamber (2017). Intro: "Movement in Space" by Creation Rebel from Starship Africa (1980). More at adriansherwood.com.

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