Continuing on Capital, Ch. 1 on commodities. We go into detail on his account of how money gets derived from the continued comparison of various commodities, how use value comes back into play when we compare the economic value of one commodity as compared to another, and finally, the details of commodity fetishism.

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Django is a singer/songwriter/guitarist who released his first solo album in 1996 and has released seven albums with The Old Ceremony since 2004 plus several more solo releases.

We discuss The Old Ceremony songs "Too Big to Fail" (and listen to "Hangman's Party at the end) from Earthbound (2024), "The Disappear" from Walk On Thin Air (2009), and "Reservations" from Our One Mistake (2006). Intro: "Beautiful" from Folding Stars (1996). More at theoldceremony.com.

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On Capital (1867), Ch. 1, "The Commodity."

What makes something we buy or sell valuable? Marx says it's ultimately the labor that goes into it, though there are some wrinkles in formulating this accurately, and the commodities and surrounding marketplace activity blind us to labor's role and its ethical import.

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In light of the recent release of the James Mangold film A Complete Unknown, Mark, Lawrence, Sarahlyn, and Dylan superfan Al discuss the man, the myth, and the music.

The film clearly aimed to make the music, environment, and political activity of the '60s come alive today, but does the simplification required to make a coherent film undermine that goal? We also touch on his Chronicles, plus I'm Not There and other Dylan-related films.

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Mark and Wes read through and discuss Karl Marx's The German Ideology (1846), delving deep into the middle of his critique of Max Stirner's The Ego and Its Own. 

Marx articulates and criticizes Stirner's attempt to distinguish the mere common egoism of an unthinking person from the enlightened egoism that Stirner is recommending.

Read along with us, starting on p. 259 (PDF p. 255).

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We continue on the introduction to Marx's Grundrisse, going through his criticisms of prior economists who were too ahistorical and didn't understand how production, consumption, distribution and exchange hang together as a single system.

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Randy is a literature guy who has written a couple of books about improv and here joins Mark and Bill to talk about WINGING IT: Improv's Power and Peril in the Age of Trump, wherein he basically blames improv for giving us the orange man. Our scenes are about Trumpers hustling a fast food joint and improv for dogs.

Mark and Bill stick around for some post-game bringing in yet another metaphor: music and its stylistic development.

Watch this as unedited video, if you so choose.

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On the intro to Marx's Grundrisse (1857) and "Theses on Feuerbach" (1845). Why economics, and why do it the way Marx does? We see Marx argues that Feuerbach's materialism was not materialistic enough, start looking at production, consumption, distribution, and exchange as moments within a single process, and talk about why anyone would want to read a historical economic text.

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In light of Robert Eggers' film Nosferatu and the end of What We Do in Shadows, Mark, Lawrence, Sarahlyn, and Al discuss the many vampire shows and films all the way back to Bram Stoker's 1897 novel.

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Continuing on The Ego and Its Own, focusing now on the sections "The Owner" and "My Power." Stirner lets us know that his egoism ("ownness") is not compatible with liberal egalitarianism, which he sees as just a continuation of the Christian project of perfecting humanity.

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