Great American Novel

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William Faulkner's fifth published novel, As I Lay Dying (1930), is a self-described tour de force that the author cranked out in roughly two months while working as the night manager at the University of Mississippi power plant in his hometown of Oxford. This dark tragicomedy about a family on a quest to bury its matriarch helped win the author his early reputation for sadistically heaping woe and misfortune upon his Southern grotesques but has more recently come to be seen as a complex artistic effort to empathize with the often marginalized rural population in America whose supposed primitivism leads to the caricatures found in Erskine Caldwell's Tobacco Road and God's Little Acre, two contemporaneous novels. Telling the story of the Bundren family through fifteen different narrators and a tapestry of styles that weaves dialect with hypnotic poetry, Faulkner crafted a tightly plotted but expansively interiorized tale in which unforgettable characters such as Addie, Darl, Dewey Dell, and Vardaman cope with grief, language, and understanding. If you've ever wondered why the phrase "My mother is a fish" is a meme, this podcast is for you. 

Canon Busters: Erskine Caldwell's Tobacco Road and God's Little Acre, 

 All opinions are the hosts' own and do not reflect the points of view of their employers, publishers, relatives, pets, or accountants. 

All show music is by Lobo Loco.  The intro song is “Old Ralley”; the intermission is “The First Moment,” and the outro is “Inspector Invisible.”  For more information visit: https://locolobomusic.com/.

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In Great American Novel Podcast Episode 22, we wrestle with the old Thoreau quote "The majority of men lead lives of quiet desperation" as we delve into the soul-sapping mid-century suburbs in Richard Yates' 1961 novel Revolutionary Road.  Join the hosts for a  conversation that considers other suburban chroniclers such as Updike and Cheever and other  treatments from the film adaptation to Mad Men to Seinfeld.  Ultimately the hosts have to confront this essential question: not whether they should move to France, but whether we can call Revolutionary Road a Great American Novel?  Listeners are warned: there be spoilers here. 

The Great American Novel podcast is an ongoing discussion about the novels we hold up as significant achievements in our American literary culture.  Additionally, we sometimes suggest novels who should break into the sometimes problematical canon and at other times we’ll suggest books which can be dropped from such lofty consideration.  Your hosts are Kirk Curnutt and Scott Yarbrough, professors with little time and less sense who nonetheless enjoy a good book banter.  All opinions are their own and do not reflect the points of view of their employers, publishers, relatives, pets, or accountants. 

Canon Fodder this episode: short discussion of Bright Lights, Big City, by Jay McInerney, and Little Children, by Tom Perotta. 

All show music is by Lobo Loco.  The intro song is “Old Ralley,” and the outro is “Inspector Invisible.”  For more information visit: https://locolobomusic.com/.  Revolutionary Road film dir. Sam Mendes, 2008.

We may be contacted at greatamericannovelpodcast (@) gmail.com.

 All opinions are the hosts' own and do not reflect the points of view of their employers, publishers, relatives, pets, or accountants. 

All show music is by Lobo Loco.  The intro song is “Old Ralley”; the intermission is “The First Moment,” and the outro is “Inspector Invisible.”  For more information visit: https://locolobomusic.com/.

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Only thirty years old this year, Ernest J. Gaines' A Lesson Before Dying (1993) is a powerful testament to social justice and to the search for individual dignity in an oppressive legal system. Set in the late 1940s in a small Louisiana community, the book tells the story of two men, one a convicted murderer on death's row (Jefferson) and the other his reluctant tutor (Grant) who is asked to teach the doomed man how to face death and injustice with a sense of self-worth. Almost instantly canonized upon publication, A Lesson Before Dying is a deceptively straightforward work. Although eminently accessible, it asks weighty questions about the complicity of state-sanctioned execution and the healing power of community. Electric with religious imagery, it challenges readers' sense of the purpose of faith and the elusiveness of truth. Most of all it makes a passionate plea for relinquishing personal bitterness and finding transcendence in serving others.

Canon Fodder:  A Gathering of Old Men, also by Gaines .

 All opinions are the hosts' own and do not reflect the points of view of their employers, publishers, relatives, pets, or accountants. 

All show music is by Lobo Loco.  The intro song is “Old Ralley”; the intermission is “The First Moment,” and the outro is “Inspector Invisible.”  For more information visit: https://locolobomusic.com/.

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In Great American Novel Podcast Episode 20, your fearless (or is it feckless) hosts find themselves in the damp swamps and thick scrublands of north central Florida in the post-Reconstruction era as we struggle to survive with the settlers of the brush country in Marjorie Kinnan Rawlings' Pulitzer Prize winning 1938 novel, The Yearling. We discuss how this Maryland native came to work with the editor of Hemingway, Fitzgerald, and Thomas Wolfe, and how she came to love the Florida brush country she wrote about.  

As always, these discussions are operating according to the rules of literary criticism, or as Melville might have put it, there be spoilers here.

 The Great American Novel podcast is an ongoing discussion about the novels we hold up as significant achievements in our American literary culture.  Additionally, we sometimes suggest novels who should break into the sometimes problematical canon and at other times we’ll suggest books which can be dropped from such lofty consideration.  Your hosts are Kirk Curnutt and Scott Yarbrough, professors with little time and less sense who nonetheless enjoy a good book banter.  All opinions are their own and do not reflect the points of view of their employers, publishers, relatives, pets, or accountants. 

Canon fodder: Killing Mr. Watson, Matthiesen (Watson Trilogy later rolled up into Shadow Country) 

The theme to "Rawhide" was written by Ned Washington and Dimitri Tiomkin, 1958, performed by Frankie Laine.  Trailer for The Yearling, 1946, dir. Clarence Brown, produced by Sidney Franklin, released by MGM. 

We may be contacted at greatamericannovelpodcast (@) gmail.com.

 All opinions are the hosts' own and do not reflect the points of view of their employers, publishers, relatives, pets, or accountants. 

All show music is by Lobo Loco.  The intro song is “Old Ralley”; the intermission is “The First Moment,” and the outro is “Inspector Invisible.”  For more information visit: https://locolobomusic.com/.

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Season three kicks off with a fiftieth anniversary celebration of Thomas Pynchon's postmodernist whirl-a-gig Gravity's Rainbow. Originally published on February 28, 1973, this encyclopedic inquiry into the systematicity of existence, power, and technology was just this week described by Esquire as "one of the weirdest, richest, most frustrating, inscrutable, brilliant, gorgeous, exhilarating, inexplicable, disgusting, hilarious, remarkable, and goddamn frustrating again novels ever published in America"---a novel so discombobulating, in fact, that the Pulitzer board refused to award it the fiction prize it assuredly deserved for its sheer display of ambition and erudition.  Ostensibly about an American Army lieutenant, Tyrone Slothrop, whose sexual adventures in World War II-blasted London predict German V2 rocket bombings, Gravity's Rainbow encompasses so much more than a plot. With nearly 400 (often wackily named) characters and wild tangents into shadowy conspiracies hatched by secret organizations with names like ACHTUNG and PISCES, the narrative tries to find some natural humanism within the wide battery of political bureaucracies and regulatory bodies that administrate lives and minds. As we decide, Pychon's heart is always with the counterforce, with those who by letting their lives run counter to the machine transcend the inevitable rainbow's arc of precision that's meant to keep us all in our place and the trains running on time. Love it or hate it, Rainbow's Gravity feels like riding a rocket: we can only strap in and feel the G-force.   

Canon Fodder: The Recognitions, by Gaddis; Infinite Jest by DF Wallace 

 All opinions are the hosts' own and do not reflect the points of view of their employers, publishers, relatives, pets, or accountants. 

All show music is by Lobo Loco.  The intro song is “Old Ralley”; the intermission is “The First Moment,” and the outro is “Inspector Invisible.”  For more information visit: https://locolobomusic.com/.

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In Great American Novel Podcast Episode 18, our final Season 2 episode, we plunge ourselves into New Orleans of the fin de siècle in Kate Chopin's 1899 novel The Awakening. Edna Pontellier wrestles with a life she never chose, beset by a bore of a husband, a flimsy excuse for a lover, and a patriarchal society which has tried to restrain her choices to almost nothing. One of the great early feminist novels, we discuss its slow but steady climb from obscurity to ubiquity.

The Great American Novel podcast is an ongoing discussion about the novels we hold up as significant achievements in our American literary culture.  Additionally, we sometimes suggest novels who should break into the sometimes problematical canon and at other times we’ll suggest books which can be dropped from such lofty consideration.  Your hosts are Kirk Curnutt and Scott Yarbrough, professors with little time and less sense who nonetheless enjoy a good book banter.  All opinions are their own and do not reflect the points of view of their employers, publishers, relatives, pets, or accountants. 

Canon Fodder: The House of Mirth, by Edith Wharton

 All opinions are the hosts' own and do not reflect the points of view of their employers, publishers, relatives, pets, or accountants. 

All show music is by Lobo Loco.  The intro song is “Old Ralley”; the intermission is “The First Moment,” and the outro is “Inspector Invisible.”  For more information visit: https://locolobomusic.com/.

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Saul Bellow's 1953 breakthrough novel The Adventures of Augie March is perhaps, of all the great American novels we've discussed, the one whose cultural imprint has faded the most. Even among Bellow fans this freewheeling exploration of American identity tends to take a backseat to subsequent classics such as Herzog (1964) and Humboldt’s Gift (1975).  Yet for readers who recognize the Whitmanesque strain within Bellow's insistently intellectual worldview, Augie March offers a garrulous, propulsive portrait of the representative American as a picaro, the rogue hero who lives by his wits. In this epic novel in which the journey itself is the destination, Bellow synthesizes a host of influences (Cervantes, Henry Fielding, Twain, Dickens) to celebrate the sheer gusto of American exuberance and the foundational belief that the self is one's clay to mold without rules to follow.  If as one original reviewer declared, Augie March is a rolling stone (a decade before that term became synonymous with rock 'n' roll), this rambling, swaggering embodiment of restless American energy is more Muddy Waters than Bob Dylan: perfectly happy to keep on keepin' on, Augie March doesn't need "no direction home."  

Canon fodder: The Apprenticeship of Duddy Kravitz, Richler; Goodbye Columbus, Roth.

 All opinions are the hosts' own and do not reflect the points of view of their employers, publishers, relatives, pets, or accountants. 

All show music is by Lobo Loco.  The intro song is “Old Ralley”; the intermission is “The First Moment,” and the outro is “Inspector Invisible.”  For more information visit: https://locolobomusic.com/.

Send us Fan Mail

The Great American Novel podcast is an ongoing discussion about the novels we hold up as significant achievements in our American literary culture.  Additionally, we sometimes suggest novels who should break into the sometimes problematical canon and at other times we’ll suggest books which can be dropped from such lofty consideration.  Your hosts are Kirk Curnutt and Scott Yarbrough, professors with little time and less sense who nonetheless enjoy a good book banter.  

For this 16th episode we went a different route and discuss a smorgasbord of fine American Noir, novels about detectives and criminals and femme fatales and button men, gunsels and grifters, sharps and snakes.  We discuss works by Dashiell Hammett, James M. Cain, Raymond Chandler, Dorothy B. Hughes, Vera Caspary, Patricia Highsmith, Chester Himes, Jim Thompson,  and Horace McCoy. 

 Film audio clips are from Double Indemnity (Billy Wilder, 1944) and The Big Sleep (Howard Hawkes, 1946).  

All show music is by Lobo Loco.  The intro song is “Old Ralley”; the intermission is “The First Moment,” and the outro is “Inspector Invisible.”  For more information visit: https://locolobomusic.com/.

We may be contacted at greatamericannovelpodcast (@) gmail.com.  As always, the views of the hosts do not necessarily reflect the views of their home institutions. 

 All opinions are the hosts' own and do not reflect the points of view of their employers, publishers, relatives, pets, or accountants. 

All show music is by Lobo Loco.  The intro song is “Old Ralley”; the intermission is “The First Moment,” and the outro is “Inspector Invisible.”  For more information visit: https://locolobomusic.com/.

Send us Fan Mail

John's Steinbeck's 1939 tale of an "Oakie" family who crosses Route 66 seeking to escape the Dust Bowl only to discover California isn't the paradise it's been advertised as is one of the most iconic Great American Novels in our literary history. Its impact was profound and immediate: rarely has a novel been so viciously denounced simply for promoting the belief that all Americans deserve to make a living. But the novel has also been celebrated as a testament to democratic protest, inspiring folks songs by Woody Guthrie and Bruce Springsteen that have in turn been covered by later generations of musicians such as Rage Against the Machine. This episode explores what makes the novel such a fan favorite, as well as the pros and cons of tackling politics in literature. We examine the curious role of Steinbeck's intercalary chapters, which, alternating with the story of the displaced Joad family, raise their plight to mythic levels. We also dig deep into the journalistic inspiration for the novel as well as its Hollywood legacy with John Ford's classic 1940 adaptation. 

Canon Fodder: Babb, Whose Names are Unknown; Non-fiction fodder: McWilliams, Factories in the Field.

 All opinions are the hosts' own and do not reflect the points of view of their employers, publishers, relatives, pets, or accountants. 

All show music is by Lobo Loco.  The intro song is “Old Ralley”; the intermission is “The First Moment,” and the outro is “Inspector Invisible.”  For more information visit: https://locolobomusic.com/.

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The 14th episode is a ride into the evening redness in the west as your hosts consider one of the more notorious books on our short list: Cormac McCarthy’s epic subversive western, BLOOD MERIDIAN, or, The Evening Redness in the West.  This 1985 tome of McCarthy’s has engaged constant discussion and speculation due to the high poetry of its language and the stark horror of its violence.  Saddle up and touch your heels to your horse to hear our wide-ranging discussion of this novel.

The Great American Novel podcast is an ongoing discussion about the novels we hold up as significant achievements in our American literary culture.  Additionally, we sometimes suggest novels who should break into the sometimes problematical canon and at other times we’ll suggest books which can be dropped from such lofty consideration.  Your hosts are Kirk Curnutt and Scott Yarbrough, professors with little time and less sense who nonetheless enjoy a good book banter.  All opinions are those of the hosts and do not reflect the views of their home institutions. 

Canon buster...or is it fodder?  Owen Wister's The Virginian. 

We may be contacted at greatamericannovelpodcast (@) gmail.com.

 All opinions are the hosts' own and do not reflect the points of view of their employers, publishers, relatives, pets, or accountants. 

All show music is by Lobo Loco.  The intro song is “Old Ralley”; the intermission is “The First Moment,” and the outro is “Inspector Invisible.”  For more information visit: https://locolobomusic.com/.