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In this first of two episodes devoted to the music of the weird, Phil and JF discuss two works that have bowled them over: the second movement of Ligeti's Musica Ricercata, used to powerful effect in Stanley Kubrick's Eyes Wide Shut, and the opening music to Cronenberg's film Naked Lunch, composed by Howard Shore and featuring the inimitable stylings of Ornette Coleman. After teasing out the intrinsic weirdness of music in general, the dialogue soars over a strange country rife with shadows, mad geniuses, and skittering insects. And to top it all off, Phil breaks out the grand piano.
Header image by Bandan, Wikimedia Commons
REFERENCES
Ligeti, Musica Ricercata, 2nd movement
Schopenhauer, The World as Will and Representation
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By SpectreVision Radio4.8
586586 ratings
In this first of two episodes devoted to the music of the weird, Phil and JF discuss two works that have bowled them over: the second movement of Ligeti's Musica Ricercata, used to powerful effect in Stanley Kubrick's Eyes Wide Shut, and the opening music to Cronenberg's film Naked Lunch, composed by Howard Shore and featuring the inimitable stylings of Ornette Coleman. After teasing out the intrinsic weirdness of music in general, the dialogue soars over a strange country rife with shadows, mad geniuses, and skittering insects. And to top it all off, Phil breaks out the grand piano.
Header image by Bandan, Wikimedia Commons
REFERENCES
Ligeti, Musica Ricercata, 2nd movement
Schopenhauer, The World as Will and Representation
Learn more about your ad choices. Visit megaphone.fm/adchoices

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