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In her new graphic memoir, All The Sad Songs (Retrofit Comics), Summer Pierre uses the mix-tapes of her 20s and 30s to tell us the story of her life, one wrong boyfriend, one cross-country drive, one Boston folk stage set at a time. We talk about the soundtracks to our lives, the memoir & comics influences that gave her permission to tackle her PTSD issues on the page, the discovery that she was making a 104-page comic instead of the 25-page one she set out to draw (or "getting used by the muse"), and how surprised she was that college students know what a mix-tape is. We also get into her artistic maturation out of the kamikaze-style of making comics, the Boston folk music scene she was in/around in her 20s, the somatic therapy that helped her deal with PTSD, the notion that mixes are self-portraits, and wanting to be her mother's biographer, but realizing she knew almost nothing about her mom's insane life. • More info at our site • Support The Virtual Memories Show via Patreon or Paypal
By Gil Roth4.9
9595 ratings
In her new graphic memoir, All The Sad Songs (Retrofit Comics), Summer Pierre uses the mix-tapes of her 20s and 30s to tell us the story of her life, one wrong boyfriend, one cross-country drive, one Boston folk stage set at a time. We talk about the soundtracks to our lives, the memoir & comics influences that gave her permission to tackle her PTSD issues on the page, the discovery that she was making a 104-page comic instead of the 25-page one she set out to draw (or "getting used by the muse"), and how surprised she was that college students know what a mix-tape is. We also get into her artistic maturation out of the kamikaze-style of making comics, the Boston folk music scene she was in/around in her 20s, the somatic therapy that helped her deal with PTSD, the notion that mixes are self-portraits, and wanting to be her mother's biographer, but realizing she knew almost nothing about her mom's insane life. • More info at our site • Support The Virtual Memories Show via Patreon or Paypal

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