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If you discovered this series through Apple podcasts, or because you heard that we won a Peabody Award for our work; WELCOME! For our longtime listeners who have heard these episodes before, your weekly dose of On the Media will be available as ever, on Friday afternoon. Enjoy!
Episode 3: The Liberal Bias Boogeyman
How did the right get their vice grip of the airwaves, all the while arguing that they were being silenced and censored by a liberal media? In this episode we look at the early history of American radio to reveal that censorship of far-right and progressive voices alike was once common on radio. And we learn how, in the post-war and Civil Rights period, the US government encouraged more diverse viewpoints on the airwaves — until it didn’t.
The Divided Dial was edited by On the Media's executive producer, Katya Rogers. With production support from Max Balton and fact-checking by Tom Colligan, Sona Avakian, and Graham Hacia. Music and sound design by Jared Paul. Jennifer Munson is our technical director. Art by Michael Brennan. Special thanks this episode to Tianyi Wang.
With support from the Fund for Investigative Journalism.
On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing [email protected].
4.6
86318,631 ratings
If you discovered this series through Apple podcasts, or because you heard that we won a Peabody Award for our work; WELCOME! For our longtime listeners who have heard these episodes before, your weekly dose of On the Media will be available as ever, on Friday afternoon. Enjoy!
Episode 3: The Liberal Bias Boogeyman
How did the right get their vice grip of the airwaves, all the while arguing that they were being silenced and censored by a liberal media? In this episode we look at the early history of American radio to reveal that censorship of far-right and progressive voices alike was once common on radio. And we learn how, in the post-war and Civil Rights period, the US government encouraged more diverse viewpoints on the airwaves — until it didn’t.
The Divided Dial was edited by On the Media's executive producer, Katya Rogers. With production support from Max Balton and fact-checking by Tom Colligan, Sona Avakian, and Graham Hacia. Music and sound design by Jared Paul. Jennifer Munson is our technical director. Art by Michael Brennan. Special thanks this episode to Tianyi Wang.
With support from the Fund for Investigative Journalism.
On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing [email protected].
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