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Who can top the memoir of his mother's infidelity with the biography of a sideshow pinhead? Legendary cartoonist Bill Griffith, that's who! Bill rejoins the show to talk about his new graphic biography, Nobody's Fool: The Life and Times of Schlitzie the Pinhead (Abrams ComicArts), the empty nest syndrome that led him to dive into it right after finishing his first longform book, the challenges of separating fact from fiction in Schlitzie's life, and how a 1963 viewing of Tod Browning's movie Freaks changed Bill's life forever and led him to create Zippy The Pinhead. We also get into Bill avoidance of cheap sentiment in the process of humanizing Schlitzie, the familial support network of sideshow folk, the decision by circus-owners to present to Schlitzie on stage as female, and how to answer the crucial question of whether sideshow work was exploitative. Along the way, we also get into Bill's comics-making lessons, why Zippy is more about word-play (or word-jazz) than absurdity and non sequiturs, how that strip's long stories fed into Bill's book-length work, the biography of Nancy cartoonist Ernie Bushmiller he's working on next (and why he'd like to do fiction for his 4th book), the riddle of his middle-of-the-night Post-Its, his dad's very odd idea about keeping his son off skid row, and more! • More info at our site • Support The Virtual Memories Show via Patreon or Paypal
By Gil Roth4.9
9595 ratings
Who can top the memoir of his mother's infidelity with the biography of a sideshow pinhead? Legendary cartoonist Bill Griffith, that's who! Bill rejoins the show to talk about his new graphic biography, Nobody's Fool: The Life and Times of Schlitzie the Pinhead (Abrams ComicArts), the empty nest syndrome that led him to dive into it right after finishing his first longform book, the challenges of separating fact from fiction in Schlitzie's life, and how a 1963 viewing of Tod Browning's movie Freaks changed Bill's life forever and led him to create Zippy The Pinhead. We also get into Bill avoidance of cheap sentiment in the process of humanizing Schlitzie, the familial support network of sideshow folk, the decision by circus-owners to present to Schlitzie on stage as female, and how to answer the crucial question of whether sideshow work was exploitative. Along the way, we also get into Bill's comics-making lessons, why Zippy is more about word-play (or word-jazz) than absurdity and non sequiturs, how that strip's long stories fed into Bill's book-length work, the biography of Nancy cartoonist Ernie Bushmiller he's working on next (and why he'd like to do fiction for his 4th book), the riddle of his middle-of-the-night Post-Its, his dad's very odd idea about keeping his son off skid row, and more! • More info at our site • Support The Virtual Memories Show via Patreon or Paypal

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