This our first of many episodes this year celebrating 25 years of Pearl Jam's excellent Binaural tour from 2000. This was the first tour year that the band produced bootlegs of every show that could be easily attainable at any big box or local record store. You may have seen on some of these CD's a little icon that features a silhouette of an ape and a human. These shows were a part of the Ape/Man collection, which were specific shows that the band selected as stand outs from this tour. Tampa is an Ape/Man show, and they were absolutely right to use the moniker for it.

This was the seventh show on a bit of a tumultuous first leg run in North America. Taking place shortly after the Roskilde tragedy, a few of the early shows had some unease and tension on stage, but for this night they were able to compartmentalize what happened to put on a phenomenal shows with boundless amounts of energy. Eight Binaural songs are played at this show, including a handful that are incredibly rare to hear today such as God's Dice, Evacuation and Sleight Of Hand. We'll talk about how this era sounded sonically where the band, specifically Mike, put heavy emphasis on utilizing pedalboards more than any tour year to that point. You'll hear a lot of that come through in songs like Nothing As It Seems, the Daughter jam and Rearviewmirror.

This is a great show that should be on everyone's list to listen to, and we hope to guide you in that direction! Also in this episode we'll talk about the Last Exit mishap, hydraulic machines and one of the strangest things that Ed's ever uttered at a Pearl Jam show, which will bring up a semi-obscure reference to a King Of The Hill episode.

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