
Sign up to save your podcasts
Or


When people ask you "How's it going?" or "Hey, what's on your mind these days?", I'd be surprised if you always give an honest answer. In fact, even if you decide to sound honest and authentic, you may be covering over the real facts. And under the "real" facts of your outward -- and more importantly, your inward -- life, you may even be covering something else. It's "Human Nature" (M. Jackson, 1982).
Human inwardness, let alone one's outward conversation and demeanor, can be a charade from top to bottom. I've seen more than one instance of this during my life, both personally and pastorally.
This cast begins with something that happened "Not Too Long Ago" (Nick Lowe & Los Straitjackets, 2014). It pulled the curtain on a charade through a pretty dramatic chain of events. Guess I'm talking about the real shipwrecks of life, not the charades we pretty much construct to disguise them.
The cast ends with an excerpt from a piece of music by Jan Hammer, which he wrote to accompany a searing honest talk between two detectives at the end of an episode in the first season of Miami Vice. The point of the excerpt is to give some meditative cover for the listener's own confession. Think the ending of Manon of the Spring (1968).
LUV U.
By Mockingbird4.8
6969 ratings
When people ask you "How's it going?" or "Hey, what's on your mind these days?", I'd be surprised if you always give an honest answer. In fact, even if you decide to sound honest and authentic, you may be covering over the real facts. And under the "real" facts of your outward -- and more importantly, your inward -- life, you may even be covering something else. It's "Human Nature" (M. Jackson, 1982).
Human inwardness, let alone one's outward conversation and demeanor, can be a charade from top to bottom. I've seen more than one instance of this during my life, both personally and pastorally.
This cast begins with something that happened "Not Too Long Ago" (Nick Lowe & Los Straitjackets, 2014). It pulled the curtain on a charade through a pretty dramatic chain of events. Guess I'm talking about the real shipwrecks of life, not the charades we pretty much construct to disguise them.
The cast ends with an excerpt from a piece of music by Jan Hammer, which he wrote to accompany a searing honest talk between two detectives at the end of an episode in the first season of Miami Vice. The point of the excerpt is to give some meditative cover for the listener's own confession. Think the ending of Manon of the Spring (1968).
LUV U.

16,078 Listeners

1,880 Listeners

8,702 Listeners

14,296 Listeners

1,131 Listeners

5,191 Listeners

1,043 Listeners

7,184 Listeners

121 Listeners

81 Listeners

1,094 Listeners

402 Listeners

209 Listeners

40,802 Listeners

581 Listeners