With Parade Of The Old New, artist Zoe Beloff has created a panoramic history painting documenting the depths of the Trump years. We get into the impetus for that project, its enormous scale (140 feet long), its Brechtian roots, and its reproduction as a 19-foot accordion book (available only from Booklyn). We talk about notions of rights and responsibilities for artists, the debate over displaying Philip Guston's work, the angry e-mail Zoe received from a white male Marxist that critiqued her for "her own benefit", and why Parade Of The Old New is getting exhibited in Europe & Russia but not America. We also dive into her fascination with artists and thinkers of the interwar era, like Bertolt Brecht & Walter Benjamin, her family's refugee history and why it left her feeling like a Rootless Cosmpolitan, the ways she interweaves painting, film, installation, picture-storytelling (or cartooning) and other forms, the vision of NYC that brought her to the city in her 20s from Scotland, and why being a story-scavenger rather than an inventor means she gets to live in the worlds of her art. Also, we talk about her new multimedia project to celebrate essential workers, my no-fly list for pod-guests, why telling her mother and grandmother's refugee story is the closest she'll come to autobiography, and a LOT more. Follow Zoe on Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal