With his new book Disaster Mon Amour (Yale University Press), legendary film critic & writer David Thomson explores the intersection of disaster-as-entertainment and disaster-as-real-life. We get into how the imminent destruction from catastrophes like the pandemic, climate change, and authoritarianism have made us more cynical, why we thrill to CGI'd destruction, how his book evolved from his 2019 pitch, and how it pairs with his previous one, Murder And The Movies. We also talk about what we lose when we stop seeing movies in theaters, why romantic/screwball comedies of the '40s and not noir are the best American films, his Pauline Kael story, the decade he most adores, and whether after 45 years in the US he's ever felt quite American. Plus, we discuss whether he'll do another revision to The Biographical Dictionary of Film, his upcoming essay about The Godfather and whether he'll pretend the third one didn't happen, his literary upbringing and the radio adaptations that set him on his literary path, my lightning-round questions of Dostoevsky vs. Tolstoy and Bleak House vs. Middlemarch, and much more! • More info at our site • Support The Virtual Memories Show via Patreon or Paypal