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Author, critic and film scholar Jerome Charyn rejoins the show to celebrate his new book, BIG RED: A Novel Starring Rita Hayworth & Orson Welles (Liveright Books). We get into how Hollywood created Jerome's childhood & youth, his fascination with the tragic life of Rita Hayworth and her triumph of Gilda, his love of Orson Welles and Citizen Kane, and why he couldn't write this novel in either of their voices. We talk about genius in many guises, from Welles to Melville to Dickinson to Shakespeare to Robert Caro to LeBron, and what it means when genius dissipates. We also discuss Jerome's years teaching film criticism and why it was his favorite job (hint: it's about learning to look deeply), what the mirror scene in The Lady from Shanghai is really telling us, why Hank Quinlan in Touch of Evil may be Welles' greatest role, how Hemingway was the best writer in the world when he was in Paris and the worst writer in the world when he left Paris, whether his book editor (past guest Robert Weil) was touchy about how a film editor is one of Big Red's antagonists, why Kane was really about Welles himself & not William Randolph Hearst, why LeBron should have left Hollywood this offseason, the revelation of interviewing Paul Newman, and more! Follow Jerome on Twitter • More info at our site • Support The Virtual Memories Show via Patreon or Paypal
By Gil Roth4.9
9595 ratings
Author, critic and film scholar Jerome Charyn rejoins the show to celebrate his new book, BIG RED: A Novel Starring Rita Hayworth & Orson Welles (Liveright Books). We get into how Hollywood created Jerome's childhood & youth, his fascination with the tragic life of Rita Hayworth and her triumph of Gilda, his love of Orson Welles and Citizen Kane, and why he couldn't write this novel in either of their voices. We talk about genius in many guises, from Welles to Melville to Dickinson to Shakespeare to Robert Caro to LeBron, and what it means when genius dissipates. We also discuss Jerome's years teaching film criticism and why it was his favorite job (hint: it's about learning to look deeply), what the mirror scene in The Lady from Shanghai is really telling us, why Hank Quinlan in Touch of Evil may be Welles' greatest role, how Hemingway was the best writer in the world when he was in Paris and the worst writer in the world when he left Paris, whether his book editor (past guest Robert Weil) was touchy about how a film editor is one of Big Red's antagonists, why Kane was really about Welles himself & not William Randolph Hearst, why LeBron should have left Hollywood this offseason, the revelation of interviewing Paul Newman, and more! Follow Jerome on Twitter • More info at our site • Support The Virtual Memories Show via Patreon or Paypal

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