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Author, critic, professor and now biographer Willard Spiegelman rejoins the show to talk about his amazing new book, NOTHING STAYS PUT: The Life and Poetry of Amy Clampitt (Knopf). We get into his winding history with Amy Clampitt, why he thought a biography of her would be impossible and why he decided to write it anyway, what made her poems so special, and what it was like to have such a late-blooming career (she first published at 58). We talk about the learning curve of writing his first (and only) biography, why he thinks Clampitt stubbornly stuck with prose instead of poetry for decades (and why she stuck with a terrible play about the Wordsworth circle in her last few years), how coastal Maine helped her write about her home prairies of Iowa, and why Willard choose to use the poems to expand on phases of her life from decades earlier. Plus we discuss Clampitt's resonances with Emily Dickinson, the epiphany she had at the Cloisters that started her on the path to poetry, her spiritual and political engagement and how she felt about being a "female poet", and her enthusiasm for enthusiasm. Plus, Willard looks back at the 10 years since we first recorded! • Listen to my conversations with Willard from 2013, 2016, and 2018 • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack
By Gil Roth4.9
9595 ratings
Author, critic, professor and now biographer Willard Spiegelman rejoins the show to talk about his amazing new book, NOTHING STAYS PUT: The Life and Poetry of Amy Clampitt (Knopf). We get into his winding history with Amy Clampitt, why he thought a biography of her would be impossible and why he decided to write it anyway, what made her poems so special, and what it was like to have such a late-blooming career (she first published at 58). We talk about the learning curve of writing his first (and only) biography, why he thinks Clampitt stubbornly stuck with prose instead of poetry for decades (and why she stuck with a terrible play about the Wordsworth circle in her last few years), how coastal Maine helped her write about her home prairies of Iowa, and why Willard choose to use the poems to expand on phases of her life from decades earlier. Plus we discuss Clampitt's resonances with Emily Dickinson, the epiphany she had at the Cloisters that started her on the path to poetry, her spiritual and political engagement and how she felt about being a "female poet", and her enthusiasm for enthusiasm. Plus, Willard looks back at the 10 years since we first recorded! • Listen to my conversations with Willard from 2013, 2016, and 2018 • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack

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