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In Part 1 of Lynn’s interview with Quentin Tarantino, the filmmaker covers everything from his decades-long admiration of the late New Yorker film critic Pauline Kael to how he rejects the characterization of Once Upon a Time… In Hollywood as a “love letter” to Los Angeles. He goes deep on the process of writing his first script, True Romance, with Roger Avary, and recalls his early attempts at screenwriting (he never made it past page 30). Tarantino says that, when he was younger, going after his dream of making movies felt almost non negotiable: “Everything else was just so depressing by comparison that I had no choice but to live my dream. It was the only outlet I had."
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In Part 1 of Lynn’s interview with Quentin Tarantino, the filmmaker covers everything from his decades-long admiration of the late New Yorker film critic Pauline Kael to how he rejects the characterization of Once Upon a Time… In Hollywood as a “love letter” to Los Angeles. He goes deep on the process of writing his first script, True Romance, with Roger Avary, and recalls his early attempts at screenwriting (he never made it past page 30). Tarantino says that, when he was younger, going after his dream of making movies felt almost non negotiable: “Everything else was just so depressing by comparison that I had no choice but to live my dream. It was the only outlet I had."
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