Host Aaron Odom (@TridentTheatre) and TikTok celebrity Jason Roy Gaston discuss the development of a strange but lovely modern opera, its fanbase, and an unfortunate incident when that fanbase felt threatened.

For the first episode in front of a live audience, host Aaron Odom (@TridentTheatre) hosts guests photojournalist Matt Gaston and returning guest and Theatre Instructor Dustin Hebert, in which they discuss nudity in theatre, and the first stage appearance of one of the most iconic pop culture actors of all time.

Host Aaron Odom (@TridentTheatre) welcomes back returning guest Zach Schneider to discuss the final stage appearance of the iconic actor Daniel Day-Lewis.

Host Aaron Odom (@TridentTheatre) welcomes back Dalen and Ashley O'Connell for their horror stories involving raw meats, wardrobe malfunctions, and unfortunate weather effects on stage.

Host Aaron Odom (@TridentTheatre) brings back to the show producer Brand Birtwistle of The Brand Productions to discuss a plague unleashed upon North America out of respect for William Shakespeare.

Host Aaron Odom (@TridentTheatre) and guest Shannon Corder (@shannonsboobs) discuss Antonin Artaud, one of the oddest and most influential characters in 20th century theatre, and his Theatre of Cruelty

Host Aaron Odom (@TridentTheatre) and guest Laurel Rockall of the Hightailing Through History podcast continue their discussion about  some of the most significant flops in commercial theatre history.

Host Aaron Odom (@TridentTheatre) and guest Laurel Rockall of the Hightailing Through History podcast begin to discuss some of the most significant flops in commercial theatre history.

Host Aaron Odom of Trident Theatre and London-based theatre producer Richard Jordan continue their discussion from episode 34, about why the musical "The Book of Mormon" worked so well, despite a pitch that could have producers, investors, and potential audience members scratching their heads.

Host Aaron Odom of Trident Theatre and London-based theatre producer Richard Jordan discuss why the musical "The Book of Mormon" worked so well, despite a pitch that could have producers, investors, and potential audience members scratching their heads.