This week it's men on MEN as Chris and Steven discuss Alex Garland's MEN.  But don't worry, Allison-with-an-I joins us to represent all women as we attempt to decipher the gendered themes of this unsettling British pastoral thriller.

Plus: Allison reviews THE EXORCIST: BELIEVER, Chris reviews FIVE NIGHTS AT FREDDY'S, and Patrick sends in a deranged message from Tokyo with haunting instructions.

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Join us this week as we discuss yet another boarding school chiller, THE BLACKCOAT'S DAUGHTER, in which Kiernan Shipka, Emma Roberts, and Lucy Boynton negotiate various evils during a chilly and austere February in upstate New York.

Plus: Patrick and Steven review THE FALL OF THE HOUSE OF USHER, Patrick and Chris review SAW X, and Chris recaps this year's Halloween content in Call of Duty.

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EHMON Productions would like to thank the families of Patrick Dunn, Allyson Miko, Rowan Fraser, Xylia Fraser, and the police departments in their respective jurisdictions.

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We have returned from our brief hiatus/trip to the bayou and are back to discuss the long takes and turns of Gasper Noé's CLIMAX.  We also briefly discuss Gasper Noé's other work, consider his talents as a director, and share tales of parties gone wrong.

Plus: Chris and Patrick review SAW X, Steven reviews THE FOURTH KIND, and we all discuss our experiences with the gray alien thriller NO ONE WILL SAVE YOU.

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This week we head to the seaside to watch Robert Eggers' THE LIGHTHOUSE. Join us as we try to unpack its metaphors, debate turning subtitles on when watching a movie, and discuss the various genres this film occupies.  Plus: after 101 years, Patrick finally watches NOSFERATU.

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This week the gang watches the winning selection from our charity auction to benefit the Entertainment Community Fund: Yorgos Lanthimos' THE KILLING OF A SACRED DEER.  Join us as we try to discern what the hell kind of movie is this, study the role choices of Colin Farrell, and debate the pros and cons of having a drunk surgeon.  Thank you to all who helped us send a total of $190 to the Entertainment Community Fund, especially EHMON fan Bree for making the winning bid and picking this week's film.

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Donate to the Entertainment Community Fund at: https://entertainmentcommunity.org

This week we check out the latest from auteur Ari Aster, BEAU IS AFRAID.  Join us as we try to make sense of this surreal, winding, epic and figure out what it means to us and what it means to cinema!

Speaking of cinema: this week's format change is our way of showing solidarity with the striking members of WGA and SAG-AFTRA (the people who make cinema possible!).  We are further supporting the strike effort by auctioning off a very special opportunity for YOU- yes, you!- to pick our next episode:  bid NOW at https://www.everyhorrormovieonnetflix.com/auction ... bidding ends on Friday, September 1.

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This week we check out the manga-inspired GANTZ: O and watch some uncanny CGI heroes shoot, slash, and smash their way through a gauntlet of sick monsters, critters, and creatures.  How does this compare to the comic series that we barely know anything about?  We'll attempt to answer that question and much more.

Plus:  Patrick and Chris recap their visit to southeast Michigan's premier horror convention, Motor City Nightmares.

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This week we watch CIRCLE, the game-show-adjacent sci-fi thriller that was made in 2015 but feels like it's been on Netflix longer than that.  We also discuss our gun-toting neighbors, share various interpretations of the film's inscrutible ending, and Steven reveals his aptitude for working in public relations.

Plus: Chris and Patrick review INSIDIOUS: THE RED DOOR.

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This week we get cursed and watch the 2002 horror classic THE RING and ponder the similarities and differences with its Japanese predecessor RINGU, childhood Spider-Man deprivation, if the digital domain is as scary as the analog domain, and what this movie means for the Supreme Court.

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