You're not a journalist covering your vacation, so you might want to relax a little when you're taking pictures on your trip. Pick a few moments to "cover". We also discuss the pros and cons of anonymous subjects in your pictures.

You do not need to learn any stupid rules of composition. You need to look at these 50 images, really look, and you will learn composition -- your photos will be better immediately.

Starting from the "document" side of photography, and moving into the poetic.

It's all about your composition. It's the only thing you have to practice. And it's free and easy.

More explorations of ways to play with your pictures and explore the power in juxtaposition -- whether in collage, book layouts, or wall displays.

Professionals can deliver the goods. So when are those moments when it's worth getting a pro versus just handling a picture yourself? And how do you even hire a pro?

Seems like it would be easy: everyone has lots of pictures and all you have to do is select one and get it enlarged and framed. So what's the problem? Clearly there's more to it than this. We dig in.

It's hard not to want to make your photos "perfect" whatever that might mean -- skin with no blemishes, compositions elegant, no reflections... but embracing the imperfect is part of improving your pictures. Learn about the philosophy of wabi-sabi...

We're back and looking at moody lighting opportunities and how the think about them. Also, we dig into some reasons to limit how much you shoot, and how to organize the things you keep. But mostly it's about the light.

One of the most fun and challenging subjects for photographers is nude figures; but how do you start? what do you say? In this episode Rubin reflects on his process in ways that are applicable to all sorts of every day photography.