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Rachael Dunville manages to mix her work with physical intimacy with her photographic portraits, producing wonderfully personal stories of her subjects.
Why can something LOOK cool, and you take a pic of it, but the picture is flat and dull?? What is that? Shouldn't the photo look as good as the way you see it -- and if not, what to do about it.
Photographer-models are a special group, bringing a unique perspective to the ideas of seeing and being seen. Ellian begins our ongoing series of chatting with photographers who are also models.
Jefferson Hayman's photography was already haunting, with images in the pictorialist style... but a few years ago he began finding antique frames and pairing them with his images to create beautiful and unique creations.
Great pictures are just part of the art of photography; selecting a few to tell a story is a totally different skill and critically important, particularly for journalists (but really: for everyone). Meet The New Republic magazine's photo director Stephanie Heimann as we discuss telling stories.
Neomodern isn't the only company with a passion for getting images off your phone and onto your wall: Fracture is a growing company that has tapped into the challenges of printing on glass, in the tradition of Ansel Adams and even back to the original daguerreotypes, all photographic processes on glass.
Why does every wall-sign in the Neomodern gallery include the photographer's age? The answer was a long time in the making...
Photo manipulator Frederick Barnes mesmerizes his 100K followers on Instagram with his complex still-image animations, and his work begs the question whether a non-moving image is enough to capture the interest in the public.
Chris Lunt and I discuss the zen arts and it's application in photography.
Where we talk about scale, and the power in size to communicate, in addition to an image. Bryant uses his photographs to connect, with nature and himself.
I want to say this once: a LIFE SIZE PHOTOGRAPH of a whale. Think about that. And think about the power of an image. To connect us to the things around us, and our place in the world, from our tiny vantage point. I wanted to talk to someone about the importance of SCALE for an image, whether it's small or giant, in communicating about the subject. It's not just an abstract attribute of a photograph, the size itself confers meanings. My guest is a photographic artist who feels deeply about the world, and uses scale to contribute to his thoughtful and powerful photographs.
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