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Jason Langer's photography is poetic, but the photographer has a lot he articulates beautifully about why we take pictures and how we look at them. I've long been a fan of his moody and noirish images of cities and strangers. But beyond those specifics, Langer describes his process and as expected, it was inspiring. Truly one of the best conversations about photography I've had in ages. A must for any new photography fan.
There's something about Burning Man... maybe its ephemerality (like a sand mandala) that is created with love and then wiped away without a trace, that not only feels like an interesting metaphor for all living, but how it highlights the nature of photography to grasp at the transient and make it permanent. Anyway, its a dusty nightmare that is a photographic dream. My experience:
We met Brooks Fletcher when we started working with Peak Design. But not everyone you bump into in the workworld is as interesting a photographer and artist. Introducing Brooks!
Where Suzanne and Rubin explore the painful conflict between processing grief and the desire to take photos. Pulling a camera out at a funeral or in a hospital room is almost taboo, yet we cannot argue that birth and death are all part of our human experience and the act of photography can be an important part of these natural moments.
Hawk is the quintessential photographic hobbiest, with a goal on publishing a million images over the course of his life. With a busy day job, a large young family, Hawk squeezes his passion into the nooks of his world. [NB: there is some bg audio noise in the first minute that clears up]
Morning meandering thoughts on life with a camera and the lessons of using film, even if you've never used film. Lessons for beginners. And a message from "Sundays are for lovers" - There's a difference between how you look, and how I see you.
When Suzanne and Rubin take a break from guests and dig into some of their favorite quotations about photography, and other meandering photographic thoughts.
Pritchard's new award-winning documentary (Risk: Women on the Frontline) shines light on three remarkable photojournalists.
Burnett's images have long been synonymous with Time magazine — his images of the Iranian Revolution, presidents, historical moments worldwide. Who is this real-life Sean O'Connell (the mysterious globe-trotting photographer in "The Secret Life of Walter Mitty")?
From the publisher's feed