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Surrealism came from the social discontent that existed after WWI. Andre Breton wrote the first Surrealist Manifesto in 1924. It grew to a powerful artistic, political and philosophical movement that still has a strong intranational following today.
Penelope Rosemont has been a guiding force in this movement since the 1960s. In this interview she discusses the origins of the surrealist movement, its growth and relationship to economic depression and war, and its organizational crisis after Breton's death in 1966. She also looks to a vibrant future for the movement as it continues to inspire adherents with an increasing international reach.
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Carl Sandburg wrote numerous poems during the 1916-18 period about war and the burdens of war falling on working people. We will look at four of these poems in this episode - Buttons, And They Obey, Wars, Grass - which are not specific to World War I but are about the relationship of those who fight and those who lead them.
Sandburg was in the army during the Spanish-American War of 1898 and he combines his experiences then to the horrors of war in general and to the specific events of the "War to End All Wars". He identified as a socialist during this period and his poems reflect this humanistic reaction to world events.
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Percy Shelley, one of Britain's greatest poets, was tremendously affected by the events of 1819 when the British army and local militia attacked a peaceful demonstration of working people at St. Peter's Field in Manchester. 18 died and hundreds were wounded. This event was called the Peterloo Massacre - a nod to the army helping to defeat Napoleon at Waterloo four years earlier.
Shelley was already a critic of British politics but this event heightened his disgust. The four short poems used in this episode show the extent to which his criticism of British government became revolutionary.
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Hosted on Acast. See acast.com/privacy for more information.
Kyle Gilbertson, a social justice advocate in Chicago, set up a go-fund-me campaign to help a family in Gaza a couple years ago. Here he discusses his story on feeling secure in the process - and what to look for. He follows this discussion with a short report on an action he and others organized to confront a military contractor at a conference in the city,
We end our program with the sound of children singing to oud music at a service center in Gaza. This happened in early April.
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Hosted on Acast. See acast.com/privacy for more information.
Hosted on Acast. See acast.com/privacy for more information.
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