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It’s something every actor can relate to: you walk in the room, onstage on in front of the camera. Your heart is racing, your mouth is dry, and before you even speak, you know your nerves are getting the best of you. In that moment, instead of trusting all the work you’ve done and living off the given circumstances, you fall back into “performance mode,” that same, old, tired gimmicky “thing” you’ve been getting by on all your life. This, according to Milton, is just part of the process. Eventually, we begin to trust that the work we’ve done is in us and it’s enough. Brought to you by weaudition.com
4.8
101101 ratings
WANT MORE? Become a subscriber for bonus content!
https://podcasters.spotify.com/pod/show/actingclass/subscribe
It’s something every actor can relate to: you walk in the room, onstage on in front of the camera. Your heart is racing, your mouth is dry, and before you even speak, you know your nerves are getting the best of you. In that moment, instead of trusting all the work you’ve done and living off the given circumstances, you fall back into “performance mode,” that same, old, tired gimmicky “thing” you’ve been getting by on all your life. This, according to Milton, is just part of the process. Eventually, we begin to trust that the work we’ve done is in us and it’s enough. Brought to you by weaudition.com
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