Host Austin Williams curates a listening experience with themes of feedback. Feedback is often associated with harsh sounds that are created when a microphone is placed too close to the speaker that it is amplified through.

While this is a way feedback can be aurally achieved there are many ways composers implement feedback and other broad strokes of recursion into their works! We cut back to an interview that Austin had with Paula Mathusen this past summer and listen to how she implements these ideas into her works.

We also look at feedback systems that composers create be-it through specific mic and speaker arrangements or internal feedback systems with no-input mixing.