Your hosts reflect upon 2024 and their podcasting experience, including some stats about the books they read in the last year. They also award some superlatives, such as "Best Supporting Character," "Best Re-read," and "World Most Likely to Kill Us Instantly."


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Thanks to the following musicians for the use of their songs:

- Amarià for the use of “Sérénade à Notre Dame de Paris”

Licensed under Creative Commons: By Attribution 4.0 License

Your hosts finally reach the end of their Discworld reread with The Shepherd's Crown by Terry Pratchett, and they're feeling all sorts of ways about it. They talk about Tiffany Aching's arc over her mini-series as a whole, tying up (and leaving) loose threads, and everyone's favorite Kelda, Jeannie.

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Thanks to the following musicians for the use of their songs:

- Amarià for the use of “Sérénade à Notre Dame de Paris”
- Josh Woodward for the use of “Electric Sunrise”

Licensed under Creative Commons: By Attribution 4.0 License

Your hosts discuss The Escher Man by T. R. Napper. They consider what makes a story better fit for a movie format. They also talk about characters they're emotionally invested in, family dynamics, and cybernetic enhancements.

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Thanks to the following musicians for the use of their songs:

- Amarià for the use of “Sérénade à Notre Dame de Paris”
- Josh Woodward for the use of “Electric Sunrise”

Licensed under Creative Commons: By Attribution 4.0 License

In this episode your hosts discuss the TV show Firefly, and Lilly fundamentally misunderstands "tie-in" novels. They also talk about colonialism vs. capitalism and what Wash's shirt actually looks like.


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Thanks to the following musicians for the use of their songs:

- Amarià for the use of “Sérénade à Notre Dame de Paris”
- Josh Woodward for the use of “Electric Sunrise”

Licensed under Creative Commons: By Attribution 4.0 License

Your hosts are baffled by Raising Steam, the penultimate Discworld novel by Terry Pratchett. They debate which miniseries it ought to belong in, talk about how long it takes for the plot to take off, and actually enjoy all of the wife characters we see in the book. They rejoice in pro-goblin propaganda and have a brief Words are Weird discussion about smut.

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Thanks to the following musicians for the use of their songs:

- Amarià for the use of “Sérénade à Notre Dame de Paris”

Licensed under Creative Commons: By Attribution 4.0 License

Your hosts indulge in some serious escapism with Fourth Wing by Rebecca Yarros. They talk about how terribly Basgaith War Academy is run, ask themselves why anyone would want to attend it, and yet defend to the death their right to enjoy this book.




Thanks to the following musicians for the use of their songs:

- Amarià for the use of “Sérénade à Notre Dame de Paris”
- Josh Woodward for the use of “Electric Sunrise”

Licensed under Creative Commons: By Attribution 4.0 License

Your hosts read Sleeping Worlds Have No Memory by Yaroslav Barsukov (and get a little distracted argreeing [that's arguing and agreeing at the same time] over how it's different from Kushiel's Dart). They discuss political plotlines in SFF, both relatable and antagonistic characters, and assign an exact genre-percentage-breakout between Fantasy, SciFi, and Horror.

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Thanks to the following musicians for the use of their songs:

- Amarià for the use of “Sérénade à Notre Dame de Paris”
- Josh Woodward for the use of “Electric Sunrise”

Licensed under Creative Commons: By Attribution 4.0 License

Your hosts spend 17 minutes talking about some tropes they didn't love in Snuff by Terry Pratchett, and then roughly two hours (cut down to a reasonable time) gushing about the rest of the book in the spoiler section so we can't talk about it. Vimes kind of has magic powers, his wife Sybil actually does things in the plot, and there's a character named Stinky (that's really all you need to know).

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Thanks to the following musicians for the use of their songs:

- Amarià for the use of “Sérénade à Notre Dame de Paris”
- Josh Woodward for the use of “Electric Sunrise”

Licensed under Creative Commons: By Attribution 4.0 License

Your hosts discuss witchcraft and religion in their conversation about The Year of the Witching by Alexis Henderson. They talk about familiar conflicts in fantasy settings, surprising (and not so surprising) character arcs, and whether rivers of blood or rivers of bones would be scarier.

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Thanks to the following musicians for the use of their songs:

- Scott Buckley for the use of “Twilight Echo”

- Darkest Child by Kevin MacLeod

Licensed under Creative Commons: By Attribution 4.0 License

Your hosts were thoroughly unimpressed by the selection of works they read from Great Tales of Horror by H.P. Lovecraft. They talk about trying to avoid bias going into a work, and racist mthrfckrs. They also discuss cosmic horror, Cthulhu's tentacles, and Lovecraft's reputation. Did they read the wrong works? Maybe.

In this episode, they discuss:
The Call of Cthulhu
The Color From Out of Space
Pickman's Model
The Shadow Over Innsmouth (kind of, like maybe a quarter of it)

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Thanks to the following musicians for the use of their songs:

- Darkest Child by Kevin MacLeod

Licensed under Creative Commons: By Attribution 4.0 License