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Even from a young age, I was always confused by the relationship between nerves and performance. There were times, for instance, when I’d be nervous and sound pretty terrible. But then there were other times when I’d be nervous and play better than ever. And then there were times when I’d be calm and sound very uninspired and mediocre.
It all felt like a crapshoot, and none of it ever made sense. Like, why were nerves sometimes helpful and sometimes not helpful? Should I be trying harder to calm down? And even if I could, given some of my subpar calm performances, was that even the answer?
If you’ve ever had questions like this, today’s article has some answers!
Get all the nerdy details and learn where the optimal anxiety level might be:
Finding Your Optimal Anxiety Level: Why Calm Isn’t Always Better
More from The Bulletproof Musician
By Noa Kageyama4.9
156156 ratings
Even from a young age, I was always confused by the relationship between nerves and performance. There were times, for instance, when I’d be nervous and sound pretty terrible. But then there were other times when I’d be nervous and play better than ever. And then there were times when I’d be calm and sound very uninspired and mediocre.
It all felt like a crapshoot, and none of it ever made sense. Like, why were nerves sometimes helpful and sometimes not helpful? Should I be trying harder to calm down? And even if I could, given some of my subpar calm performances, was that even the answer?
If you’ve ever had questions like this, today’s article has some answers!
Get all the nerdy details and learn where the optimal anxiety level might be:
Finding Your Optimal Anxiety Level: Why Calm Isn’t Always Better
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