Florida Press Podcast

In The Making of Florida's Universities: Public Higher Education at the Turn of the Twentieth Century (UP of Florida, 2023), Carl Van Ness describes the remarkable formative years of higher education in Florida, comparing the trajectory to that of other states and putting it in context within the broader history and culture of the South. Central to this story is the Buckman Act of 1905, a state law that consolidated government support to three institutions and prompted decades of conflicts over where Florida’s public colleges and universities would be located, who would head them, and who would manage their affairs.

Van Ness traces the development of the schools that later became the University of Florida, Florida State University, and Florida A&M University. He describes little-known events such as the decision to move the University of Florida from its original location in Lake City, as well as a dramatic student rebellion at Florida A&M University in response to attempts to restrict Black students to vocational education and the subsequent firing of the president in 1923. The book also reflects on the debates regarding Florida’s normal schools, which provided coursework and practical training to teachers, a majority of whom were women. Utilizing rare historical records, Van Ness brings to light events in Florida’s history that have not been examined and that continue to affect higher education in the state today.

Carl Van Ness is university librarian emeritus at the University of Florida George A. Smathers Libraries.

Katie Coldiron is based at Florida International University. She is Outreach Program Manager for the Digital Library of the Caribbean at FIU Libraries and doctoral student in the FIU Department of History.

This book examines the Pan-Africanism of Mary McLeod Bethune through her work, which internationalized the scope of Black women's organizations to create solidarity among Africans throughout the diaspora. Broadening the familiar view of Bethune as an advocate for racial and gender equality within the United States, Ashley Preston argues that Bethune consistently sought to unify African descendants around the world with her writings, through travel, and as an advisor.

Preston shows how Bethune's early involvement with Black women's organizations created personal connections across Cuba, Haiti, India, and Africa and shaped her global vision. Bethune founded and led the National Council of Negro Women, which strengthened coalitions with women across the diaspora to address issues in their local communities. Bethune served as director of the Division of Negro Affairs for the Franklin D. Roosevelt administration and later as associate consultant for the United Nations alongside W.E.B. DuBois and Walter White, using her influence to address diversity in the military, decolonization, suffrage, and imperialism. 

Ashley Robertson Preston's book Mary Mcleod Bethune the Pan-Africanist (UP of Florida, 2023) provides a fuller, more accurate understanding of Bethune's work, illustrating the perspective and activism behind Bethune's much-quoted words: "For I am my mother's daughter, and the drums of Africa still beat in my heart." Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

Through historical and ethnographic research, Blackness in Mexico: Afro-Mexican Recognition and the Production of Citizenship in the Costa Chica (UP of Florida, 2023) delves into the ongoing movement toward recognizing Black Mexicans as a cultural group within a nation that has long viewed the non-Black mestizo as the archetypal citizen. Anthony Jerry focuses on this process in Mexico's Costa Chica region in order to explore the relational aspects of citizenship and the place of Black people in how modern citizenship is imagined. Jerry's study of the Costa Chica shows the political stakes of the national project for Black recognition; the shared but competing interests of the Mexican government, activists, and townspeople; and the ways that the state and NGOs are working to make "Afro-Mexican" an official cultural category. He argues that that the demand for recognition by Black communities calls attention to how the mestizo has become an intuitive point of reference for identifying who qualifies as "other." Jerry also demonstrates that while official recognition can potentially empower African descendants, it can simultaneously reproduce the same logics of difference that have brought about their social and political exclusion. One of few books to center Blackness within a discussion of Mexico or to incorporate a focus on Mexico into Black studies, this book ultimately argues that the official project for recognition is itself a methodology of mestizaje, an opportunity for the government to continue to use Blackness to define the national subject and to further the Mexican national project.

Anthony Russell Jerry is Assistant Professor of anthropology at the University of California, Riverside. 

Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

In this first full biography of former United States attorney general Janet Reno (1938–2016), Judith Hicks Stiehm describes the independent and unconventional life of a woman who grew up on a rural South Florida homestead and rose to occupy one of the top positions in the United States government, whose ethics and example served as inspiration for women in law and politics across the nation.        

In Janet Reno: A Life (UP of Florida, 2023), Stiehm incorporates personal details from her full and exclusive access to family papers and photos, as well as inside information from Reno’s own materials and interviews with over 40 of Reno’s personal and professional acquaintances. Stiehm begins by tracing Reno’s free-range childhood, her college years at Cornell and experience at Harvard Law School as one of 16 women in a class of over 500, the challenges she faced as a woman lawyer launching her career in 1960s Miami, and her 15 years as Miami-Dade state attorney.            

In 1993, Reno was appointed to serve in Washington as United States attorney general in the Clinton administration, the first woman to occupy the position in the history of the nation. Stiehm tells how Reno engaged with the East Coast elite as an outsider, seen by many as outspoken and eccentric—yet scrupulous, uncompromising, and immune to influence. Stiehm explores the reasons behind Reno’s decisions in cases she handled during her tenure, including the siege of the Branch Davidians in Waco, Texas; Kenneth Starr’s Whitewater investigation; the Oklahoma City bombing; and the Elián González controversy.            

Janet Reno’s life was an illustration to many that it is possible to hold high office while consistently speaking and acting on principle. This biography examines the guiding forces that shaped Reno’s character, the trails blazed by Reno in her professional roles, and the lasting influence of Reno on American politics and society to this day.

In To Tell a Black Story of Miami (UP of Florida, 2022), Tatiana McInnis examines literary and cultural representations of Miami alongside the city's material realities to challenge the image of South Florida as a diverse cosmopolitan paradise. McInnis discusses how this favorable "melting pot" narrative depends on the obfuscation of racialized violence against people of African descent.

Analyzing novels, short stories, and memoirs by Edwidge Danticat, M.J. Fievre, Carlos Moore, Carlos Eire, Patricia Stephens Due, and Tananarive Due, as well as films such as Dawg Fight and Moonlight, McInnis demonstrates how these creations push back against erasure by representing the experiences of Black Americans and immigrants from Caribbean nations. McInnis considers portrayals of state-sanctioned oppression, residential segregation, violent detention of emigres, and increasing wealth gaps and concludes that celebrations of Miami's diversity disguise the pervasive, adaptive nature of white supremacy and anti-Blackness.

To Tell a Black Story of Miami offers a model of how to use literature as a primary archive in urban studies. It draws attention to the similarities and divergences between Miami's Black diasporic communities, a historically underrepresented demographic in popular and scholarly awareness of the city. Increasing understanding of Miami's political, social, and economic inequities, this book brings greater nuance to traditional narratives of exceptionalism in cities and regions.

Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

Mark Axel Tveskov and Ashley Ann Bissonnette's Conflict Archaeology, Historical Memory, and the Experience of War: Beyond the Battlefield (UP of Florida, 2023) presents approaches to the archaeology of war that move beyond the forensic analysis of battlefields, fortifications, and other sites of conflict to consider the historical memory, commemoration, and social experience of war. Leading scholars offer critical insights that challenge the dominant narratives about landscapes of war from throughout the history of North American settler colonialism.

Grounded in the empirical study of fields of conflict, these essays extend their scope to include a commitment to engaging local Indigenous and other descendant communities and to illustrating how public memories of war are actively and politically constructed. Contributors examine conflicts including the battle of Chikasha, King Philip’s War, the 1694 battle at Guadalupe Mesa, the Rogue River War, the Dakota-U.S. War of 1862, and a World War II battle on the island of Saipan. Studies also investigate the site of the Schenectady Massacre of 1690 and colonial posts staffed by Black soldiers.

Chapters discuss how prevailing narratives often minimized the complexity of these conflicts, smoothed over the contradictions and genocidal violence of colonialism, and erased the diversity of the participants. This volume demonstrates that the collaborative practice of conflict archaeology has the potential to reveal the larger meanings, erased voices, and lingering traumas of war.

Philip Blood is a British historian residing in Germany. His specialist research covers military culture, war, security, genocide and the Holocaust.

Bertha Maxwell-Roddey: A Modern-Day Race Woman and the Power of Black Leadership (UP of Florida, 2022) examines a life of remarkable achievements and leadership in the desegregated South. Sonya Ramsey modernizes the nineteenth-century term "race woman" to describe how Maxwell-Roddey and her peers turned hard-won civil rights and feminist milestones into tangible accomplishments in North Carolina and nationwide from the late 1960s to the 1990s.

Born in 1930, Maxwell-Roddey became one of Charlotte's first Black women principals of a white elementary school; she was the founding director of the University of North Carolina at Charlotte's Africana Studies Department; and she cofounded the Afro-American Cultural and Service Center, now the Harvey B. Gantt Center for African-American Art + Culture. Maxwell-Roddey founded the National Council for Black Studies, helping institutionalize the field with what is still its premier professional organization, and served as the 20th National President of Delta Sigma Theta Sorority, Inc., one of the most influential Black women's organizations in the United States.

Using oral histories and primary sources that include private records from numerous Black women's home archives, Ramsey illuminates the intersectional leadership strategies used by Maxwell-Roddey and other modern race women to dismantle discriminatory barriers in the classroom and the boardroom. Bertha Maxwell-Roddey offers new insights into desegregation, urban renewal, and the rise of the Black middle class through the lens of a powerful leader's life story.

Today I spoke to Anjanette Delgado, a Puerto Rican writer and journalist based in Miami who has compiled emblematic stories and essays by writers from many countries who congregate in the city of Miami and the state of Florida. The stories are about those who have been touched by the Florida and Miami experience, and who have made the state their home. Her anthology titled Home in Florida. Latinx Writers and the Literature of Uprootedness published by the University of Florida Press Gainesville in 2021 has won the silver medal for the Independent Publishing Book awards. She is also the author of The Heartbreak Pill: A novel and the The Clairvoyant of Calle Ocho. She has written for the The New York Times “Modern Love” column, Vogue, NPR, HBO, the Kenyon Review and the Hong Kong Review.

Through this corpus on the immigrant experience, the reader will get the distillation of Florida’s multiculturalism and also gain insights on the in betweenness of the minority and majority in America.

On the one hand there are those who feel Miami is a city lost to the American heartland but continue to flock there to enjoy the café cortadito and the myriad joys of having the foreign in the midst of Sameness. And then there the displaced and uprooted in a “halfway house” of exile. A variety of genres: poetry, love letters, prose songs, jokes all hang together in this poignant compilation of the involuntary wanderer.

Minni Sawhney is a professor of Hispanic Studies at the University of Delhi

Told in personal interviews, A Punkhouse in the Deep South: The Oral History of 309 (University Press of Florida, 2021) is the collective story of a punk community in an unlikely town and region, a hub of radical counterculture that drew artists and musicians from throughout the conservative South and earned national renown. The house at 309 6th Avenue has long been a crossroads for punk rock, activism, veganism, and queer culture in Pensacola, a quiet Gulf Coast city at the border of Florida and Alabama. In this book from Aaron Cometbus and Scott Satterwhite, residents of 309 narrate the colorful and often comical details of communal life in the crowded and dilapidated house over its 30-year existence. Each voice adds to the picture of a lively community that worked together to provide for their own needs while making a positive, lasting impact on their surrounding area. Together, these participants show that punk is more than music and teenage rebellion. It is about alternatives to standard narratives of living, acceptance for the marginalized in a rapidly changing world, and building a sense of family from the ground up.

Learn more about the 309 Punk Project here. 

Scott Satterwhite is a historian, educator, and journalist who teaches writing and literature at the University of West Florida.

Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations.

Marianne Hem Eriksen (Associate Professor, School of Archaeology and Ancient History, University of Leicester) speaks with Michèle Hayeur Smith (Research Associate, Haffenreffer Museum of Anthropology, Brown University) about Smith's recent book, The Valkyries’ Loom: The Archaeology of Cloth Production and Female Power in the North Atlantic (University Press of Florida, 2020).

Textile production across the north Atlantic rested in the hands of women for centuries. Even the Valkyries participated, although those mythical Norse maidens who collect dead warriors on the battlefield, have been depicted in Njál's Saga, in the poem, The Darraðarljóð --weaving “men’s fates” on a ‘broad loom of Slaughter’. Closely tied with women’s magic and reproductive powers, cloth served as a ‘second skin’ of protection and cultural distinction. The work of spinning yarn and weaving cloth acquired symbolic associations with creation and destruction long ignored by researchers. In this ambitious analysis, Hayeur Smith unites literary, historical, and archaeological sources to investigate both the meaning and the material remains of cloth production across the Norse settlements of the North Atlantic from Scotland to Greenland. She examines the archaeological remains of textiles and weaving technologies, finding evidence that women’s work intersected with family roles, social hierarchies, religious ideals, colonialism, domestic economies and export trade. Incorporating a wide range of methodologies, Hayeur Smith persuasively argues that textiles reveal the remarkable ethnic and technological diversity that characterized communities across the North Atlantic, while changes in production register climate change and social transformation. Women produced vaðmál, cloth currency that provided the foundation of Iceland’s economy from the early medieval era through the seventeenth century. Join us for this conversation about the warp and weft of women’s work across centuries in the Norse world of the North Atlantic.