Florida Press Podcast

Pauulu’s Diaspora: Black Internationalism and Environmental Justice (University Press of Florida, 2020) by Quito Swan is an enchanting, magisterial, broadly researched monograph that illuminates the social life of Black Power politics across the African diaspora from the 1950s through the 1980s. Told through Bermudian activist and engineer Pauulu Kamarakafego’s life, Swan takes readers on a journey through Black radical diaspora in the Caribbean, the United States, western, eastern, and southern Africa, and Oceania. A global history of Pan-African organizing, Swan examines various dimensions of Black radicalism, and importantly demonstrates the centrality of environmental activism to Black Power and anticolonial politics. As Swan reconstructs this complex web of global Black radicalism, he also uncovers the ways that Black activists and organizations pivoted in response to international networks of Western surveillance and subterfuge. Readers come to appreciate how Black radicalism shaped anticolonial independence struggles in Vanuatu and Papua New Guinea, for instance, while evaluating how those struggles in turn, reformulated global Black Power. Scholars seeking to understand the enduring and far-reaching entailments of Black radical politics should study this path-breaking book on Black internationalism.

Amanda Joyce Hall is a Ph.D. Candidate in History and African American Studies at Yale University. She is writing an international history on the global movement against South African apartheid during the 1970s and 1980s. She tweets from @amandajoycehall

Matthew Hild and Keri Leigh Merritt discuss their new edited volume, Reconsidering Southern Labor History: Race, Class, and Power (University Press of Florida, 2018), the nexus of race, class and power in the history of labor in the South, and how a new generation of southern labor scholars are changing our understanding of labor's past, present and future in the region.

The American Dream of reaching success through sheer sweat and determination rings false for countless members of the working classes. This volume shows that many of the difficulties facing workers today have deep roots in the history of the exploitation of labor in the South. Contributors make the case that the problems that have long beset southern labor, including the legacy of slavery, low wages, lack of collective bargaining rights, and repression of organized unions, have become the problems of workers across the country.

Spanning nearly all of U.S. history, the essays in this collection range from West Virginia to Florida to Texas. They examine vagrancy laws in the early republic, inmate labor at state penitentiaries, mine workers and union membership, and strikes and the often-violent strikebreaking that followed. They also look at pesticide exposure among farmworkers, labor activism during the civil rights movement, and foreign-owned auto factories in the rural South. They distinguish between different struggles experienced by women and men, as well as by African American, Latino, and white workers.

Beth A. English is director of the Liechtenstein Institute's Project on Gender in the Global Community at Princeton University. She also is a past president of the Southern Labor History Association.

Professor Evan Bennett of Florida Atlantic University, author of When Tobacco Was King: Families, Farm Labor, and Federal Policy in the Piedmont (University Press of Florida, 2015) discusses the development and demise of family tobacco farms, tobacco farming culture, and the New Deal's Federal Tobacco Program.

Tobacco has left an indelible mark on the American South, shaping the land and culture throughout the twentieth century. In the last few decades, advances in technology and shifts in labor and farming policy have altered the way of life for tobacco farmers: family farms have largely been replaced by large-scale operations dependent on hired labor, much of it from other shores. However, the mechanical harvester and the H-2A guestworker did not put an end to tobacco culture but rather sent it in new directions and accelerated the change that has always been part of the farmer’s life.

In When Tobacco Was King, Bennett examines the agriculture of the South’s original staple crop in the Old Bright Belt—a diverse region named after the unique bright, or flue-cured, tobacco variety it spawned. He traces the region’s history from Emancipation to the abandonment of federal crop controls in 2004 and highlights the transformations endured by blacks and whites, landowners and tenants, to show how tobacco farmers continued to find meaning and community in their work despite these drastic changes.

Beth A. English is director of the Liechtenstein Institute's Project on Gender in the Global Community at Princeton University. She also is a past president of the Southern Labor History Association.

Today we are joined by Gregg Bocketti, Professor of History at Transylvania University, and author of The Invention of the Beautiful Game: Football and the Making of Modern Brazil(University Press of Florida, 2016). In our conversation, we discussed the transplantation of European sports to Brazil, the rising success of the Brazilian national team in the 1920s and 1930s, and the development of O Jogo Bonito style of play.

In The Invention of the Beautiful Game, Bocketti takes on the traditional nationalist narrative of Brazilian football, which suggests that their successful teams of the interwar and postwar era, which occurred following the shift from foot-ball to futebol in Brazil, arose from the countries specific cultural and racial heritage. Brazilian soccer’s triumphs emerged from the successes of its racial democracy. Bocketti’s unique organization illustrates the contradictions in this national myth through five thematic chapters. He analyses the grafting of European sports in Brazil, the role of elite clubs in Rio and Sao Paulo played in shaping Brazilian social classes, the internationalization of Brazilian football, the function of women and respectability in shaping the fan environment, and the rise of O Jogo Bonito (the beautiful game) style of play. He shows that the so-called beautiful game era did not inaugurate uncomplicated gender and racial relations in sports. Similarly, the elite sportsmen that founded Brazil’s most esteemed sporting clubs were neither as close-minded as previous histories assume and even as players of color made their appearance on the Brazilian National Team, white, upper class men maintained their influence throughout the Vargas era.

Bocketti’s work will appeal to readers interested in Brazilian soccer but also more broadly to people in the fields of Brazilian and Latin American history and scholars of sports during the 19th and 20th centuries.

Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His manuscript, entitled A Nation in Play: Physical Culture, the State, and Society during France’s Dark Years, 1932-1948, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at [email protected]

As the title suggests, Jerry T. Watkins III’s Queering the Redneck Riviera: Sexuality and the Rise of Florida Tourism (University Press of Florida, 2018) re-queers this North Florida tourist destination showing how people who defied gender and sexual normalcy found their space in the “Sunshine State” after the Second World War. Despite concerted efforts to police and control what was perceived as sexual deviance in the region, the tourism economy also created opportunities for queer socialization, while queer people played a crucial role in making the Redneck Riviera (now the Emerald Coast) a major tourist destination. Watkins re-creates queer life during this period, drawing from a variety of sources including newspaper articles, advertising, oral history narrations, government documents, and interrogation transcripts from The Florida Legislative Investigation Committee (The Johns Committee), uncovering stories of queer beach parties, bars, and friendship networks. The book clearly places this story in broader national, regional, and local contexts while telling touching personal stories with fascinating characters, making it accessible for a broader audience. It also includes rare photos from the Emma Jones Society, a Pensacola-based group that boldly hosted gatherings and conventions in public places which would eventually lead to one of the most important events in the country’s LGBTQ calendar. By showing how the Redneck Riviera become the Gay Riviera and the role of pink money (or the “flaunting of gay capital”) played in that process, Queering the Redneck Riviera offers new insights about the relationships between sexuality and capitalism.

Isabel Machado is a Brazilian historian, living and teaching in Mexico, while writing about U.S. Carnival. She is currently working on Now You Do Whatcha Wanna: Marked Bodies and Invented Traditions in Mobile’s Mardi Gras, which uses Carnival as a vehicle to understand social and cultural changes in that U.S. southern city. Her new project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León Mexico. She also works as an Assistant Producer for the Sexing History podcast.

When "Dirty Harry" first premiered in 1971, it was both praised and condemned for its portrayal of a rogue policeman fighting crime by ignoring many of the rules and procedures of the profession. Yet director Don Siegel denied any attempt to make a political statement with the film. Joe Street’s book Dirty Harry’s America: Clint Eastwood, Harry Callahan, and the Conservative Backlash (University Press of Florida, 2016) discusses all five "Dirty Harry" films and helps to better explain the importance of them both cinematically and socially.

As scholars and readers, we often view literary history in rigid, simplistic terms. We imagine that nineteenth-century aesthetic and thematic preoccupations withered away as 1899 became 1900, only to be replaced immediately by a new literature of the twentieth century. In their dynamic, wide-ranging collection Melanie V. Dawson and Meredith L. Goldsmith challenge this conventional understanding of American literary history. Drawing together a diverse range of essays focused on iconic turn-of-the century writers such as Edith Wharton, Jack London and Sarah Piatt, as well as lesser-known authors like Jessie Fauset and Laura Jean Libbey, American Literary History and the Turn toward Modernity (University Press of Florida, 2018) encourages readers to reconsider their understanding of literary “modernity.” The essays contained in this wonderful new collection, published just this year by the University Press of Florida, interrogate the popular construction of literary culture between 1880 and 1930. Paying close attention to issues of culture, race, class and periodisation, Dawson and Goldsmith’s collection demonstrates that rather than representing a rejection of Victorian values, the period can instead be seen instead as a complex negotiation of both the new experimental literary forms that were emerging at the time and the entrenched values of the nineteenth century. In this episode, Melanie and Meredith join Miranda Corcoran for a discussion of expanding disciplinary boundaries and the complexities of turn-of-the-century literary culture.

Miranda Corcoran received her Ph.D. in 2016 from University College Cork, where she currently teaches American literature. Her research interests include Cold-War literature, genre fiction, literature and psychology, and popular culture. She has published articles on paranoia, literature, and Cold-War popular culture in The Boolean, Americana, and Transverse, and contributed a book chapter on transnational paranoia to the recently published book Atlantic Crossings: Archaeology, Literature, and Spatial Culture. She blogs about literature and popular culture HERE and can also be found on Twitter.

In their new edited volume Reconsidering Southern Labor History: Race, Class, and Power (University Press of Florida, 2018), Keri Leigh Merritt and Matthew Hild provide an interdisciplinary approach to understanding the historical development of southern labor. The essays in this volume demonstrate that the “southern working class”–far from being a kind of white, Trump-supporting monolith–is actually a complicated beast.

Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty.

The World War II era was a transformative period for the United States’ relationship to the rest of the world. Exporting liberal democracy was an important goal for the American government. Yet in places like Florida, the promise of liberal democracy was yet to be fulfilled for African Americans. In her 2015 book Democracy Abroad, Lynching at Home: Racial Violence in Florida (University Press of Florida, 2105), Tameka Bradley Hobbs explores this contradiction by telling the stories of four African American men–Arthur C. Williams, Cellos Harrison, Willie James Howard, and Jessie James Payne–who were lynched in the Panhandle of Florida between 1941-1945. Using a plethora of court documents, white and black press editorials, and oral histories to find the voices of those living in the aftermath of the lynchings, Dr. Hobbs targets the narrative of Florida “exceptionalism” in the American South to show that Florida was actually, per capita, the state where Black Americans were most likely to be lynched.

Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Fellow at the University of Delaware. He can be reached on Twitter @CulturedModesty.

Combining memoir with auto-ethnography, historical study and sociocultural analysis, Halifu Osumare draws on her decades of experience to explore the complexities of black dance in the United States. Starting in San Francisco during the rise of the Black Arts and Black Power Movements as well as of hippie counterculture, Osumare’s narrative follows her subsequent journeys to twenty-three countries across Europe, Africa and North America. Throughout Dancing in Blackness: A Memoir (University Press of Florida, 2018), she reflects on her subjectivity as a black woman traveling through and performing in diverse national/cultural contexts. Drawing on her academic grounding in black studies as well as her artistic experiences as a professional dancer, Osumare underscores the relationship between art, performance, and the black struggle for recognition, justice and self-empowerment.

Dr. Osumare is professor emerita of African American and African Studies at the University of California, Davis, is the author of The Hiplife in Ghana: West African Indigenization of Hip-Hop and The Africanist Aesthetic in Global Hip-Hop: Power Moves.

Sitara Thobani is Assistant Professor in the Residential College in the Arts and Humanities, Michigan State University. Her research focuses on the performance arts in colonial and postcolonial South Asia and its diasporas, especially as these relate to formations of nation, gender, sexuality and religion. She received her DPhil in Social and Cultural Anthropology form Oxford University, and is the author of Indian Classical Dance and the Making of Postcolonial National Identities: Dancing on Empire’s Stage (Routledge 2017).