Our mini-series devoted to the live action films of Wes Anderson continues with his sophomore effort, the 1998 cult classic, Rushmore.

The failure of Bottle Rocket lead director Wes Anderson to something more important than financial success: a “cool” factor. After a screening of the film for friends of James L. Brooks, everyone wanted Wes Anderson’s next movie. Luckily, Anderson and Wilson could ablige with a script about two Tycoons, one of business and the other of extracurricular activities. Once Disney stepped in to greenlight the film, Wes Anderson was finally united with two of his constant collaborators: actors Bill Murray and Jason Schwartzman. But did Rushmore ultimately fair any better than its predecessor?

Joining Nick and Scott to talk about elaborate stage plays, unrequited love triangles, and generational friendship is writer Austin Yoder.

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Nick and Scott are back with a brand new mini-series devoted to the live action films of director Wes Anderson, and it all begins with Anderson’s 1996 debut feature, Bottle Rocket.

It all started with a short film starring his friends the Wilson brothers that took Sundance by storm and landing Anderson a development deal at Columbia Pictures for $700 per week, more money than Anderson and co-writer Owen Wilson had ever seen before. But when the feature version of the successful short film fails to live up to the hype (or make any money), what is a fledgling director to do, and how will he continue to make a mark on Hollywood?

Joining Nick and Scott to talk about romanticized crime sprees, delusional planners, and finding success in failure is guest Chris Callaghan.

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It’s a Betweenisode!

Join Nick & Scott as they look back at Spy Kids, discuss Robert Rodriguez as a filmmaker, and figure out what the future of the franchise should look like in an inevitable reboot.

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Franchise Potential: The Adventures of Sharkboy & Lavagirl (2005) episode now available on PATREON!

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The SPY KIDS era comes to a thrilling conclusion as Nick and Scott take on their toughest mission yet!

Inspired by working with Jessica Alba on 2010’s MACHETE, Writer-Director-Guitarist Robert Rodriguez crafted a starring vehicle for the actress and attempted to re-activate his beloved SPY KIDS series in one fell swoop with 2011’s ALL THE TIME IN THE WORLD. Inexplicably released in 4D “smell-o-vision”, the film forces its young viewers to experience all manner of unpleasant stinks and stenches as new agents Rebecca and Cecil help their secret agent step-mom Marissa stop the mysterious Time Keeper from robbing humanity of its precious time. Is choice an illusion? Can the ache of yearning be lessened through mastery of our perception of time and space? Is that Jeremy Piven? Our hosts try to make sense of it all in this week’s FRANCHISOGRAPHY.

No guests! Just vibes!

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Our SPY KIDS mini-series enters a new dimension as the franchise takes things to the NEXT LEVEL.

After being shown the future of 3D by James Cameron, Writer- Director- Editor- Composer- Production Designer- Visual Effects Supervisor Robert Rodriguez decided to bet big on the retro format with 2003’s SPY KIDS 3D: Game Over Juni Cortez is out of the OSS and making end’s meet as a gumshoe wandering the streets of Austin. But when the OSS needs his help to save Carmen from a video game prison created by the villainous Toymaker, Juni has no choice but to get back in the game. Rodriguez takes his crusade of digital effects to new heights in this dizzying third chapter. Is there still a story beneath all the visual effects? Press Start and find out on this week’s FRANCHISOGRAPHY.

Joining Nick and Scott to talk about bad graphics, guide book prophecies, and Sylvester Stallone is writer/comedian, Hunter Canedy.

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Who, what, when, where and why? This week’s FRANCHISOGRAPHY answers all these questions and MORE.

After the first SPY KIDS became a surprise smash, Writer-Director-Editor-Cinematographer-Production Designer Robert Rodriguez decided to get bigger and weirder with the sequel, 2002’s ISLAND OF LOST DREAMS. Fueled by a childhood love of Ray Haryhausen and half a script of rejected SPY KIDS 1 ideas, Rodriguez whipped this next installment into theaters in less than a year. Is that a… good thing? And between the giant monsters and mysterious islands, does that even still feel like a SPY KIDS movie? The only way to get to the bottom of these mysteries is to dive head first into the active volcano that is FRANCHISOGRAPHY.

Joining Nick and Scott to talk about animal hybrids, professional rivalries, and Ricardo Montalban is screenwriter, podcaster, and our first returning guest, Sam Gasch (Ideal Remake).

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The SPY KIDS era starts NOW. Nick and Scott kick off a brand new mini-series with 2001’s Spy Kids.

Writer-Director-Editor-Cinematographer Robert Rodriguez was ready to get back to his home movie roots after directing action/horror studio flicks like FROM DUSK TILL DAWN and THE FACULTY, but instead he made a surprise blockbuster that changed the course of his career. Carmen and Juni Cortez are two just two ordinary siblings with two ordinary parents…Or so they think. Soon, Carmen and Juni are swept up on an adventure full of spies, danger, and gadgets. Lots of gadgets. Is SPY KIDS really the children’s classic millennials think that it is? Find out in this fully declassified episode of FRANCHISOGRAPHY

Joining Nick and Scott to talk about child entertainers, thumb people, and Robert Rodriguez’s garage is podcaster, Gary Roby (The New Republic Archives).

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It’s a Betweenisode!

Join Nick & Scott as they discuss the conclusion of Hot Mutant Summer, rank all thirteen X-Men movies, and look to the future of the franchise in the hands of Marvel Studios.

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Franchise Potential: Daredevil (2003) episode now available on PATREON!

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Send us your SPY KIDS-related memories, questions, or feelings and we’ll read them in the next Betweenisode! [email protected]