Frank Skinner's Poetry Podcast

Frank views the world from a tree house, with the fabulous Kathleen Jamie. The poem referenced is “The Treehouse” from a collection called “The Treehouse” by Kathleen Jamie.

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The lead singer of Frank’s favourite band introduced him to the poetry of Richard Brautigan, and it is a gift that keeps on giving.

TW: mention of suicide

The novel referenced is “Trout Fishing in America”. The collection of poems referenced is “The Pill Versus the Springhill Mine Disaster”. The poems referenced are “Widow’s Lament”, “Love Poem”, “Kafka’s Hat”, “I Cannot Answer You Tonight in Small Portions” and “The Winos on Potrero Hill”.

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Frank gets excited about the brilliant 17th Century poet, George Herbert. The poems referenced are “The Collar” and “The Pulley”, both by George Herbert.

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Frank explores poems stowed away in prose, as revealed by Nicole Sealey and Emma Filtness. The collections referenced are “The Ferguson Report: An Erasure” by Nicole Sealey and “This Savage Language” by Emma Filtness. The poems referenced are “Page 260” and “Page 5”.

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Frank celebrates the joys of wallowing in a big fat poetry anthology, in this case "A Century of Poetry in the New Yorker: 1925-2025". The poems referenced are “My Great-Grandmother’s Bible” by Spencer Reece and “How to Listen” by Major Jackson.

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Frank loves the clay, machinery and scary religion in the poetry of Jack Clemo. The poems reference are ‘A Calvinist in Love’, ‘Christ in the Clay-Pit’, ‘The Excavator’ and ‘Sufficiency’.

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The poet, Greta Stoddart, instructs Frank on the deeper meanings of three tulips in a milk bottle. The poems referenced are ‘Fool’ and ‘Three Tulips in a Milk Bottle’.

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Frank joins a secret society with Pebbles Flintstone and the poet, Scott McKendry. The poems referenced are ‘Keepers of the Pedigree’ and ‘Hi-Vis’.

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Frank finds the beauty in Amy Clampitt's poetry and written-off cars. The poem referenced is ‘Salvage’ from ‘The Kingfisher’.

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The poet, Rebecca Goss, shows Frank life in a rearview mirror. The poems referenced are ‘Pheasant in Rear-View Mirror’ and ‘Sylvia’

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