FRED Film Radio - English Channel

PODCAST | Chiara Nicoletti interview Pia Lundberg, vice-president of European Film Promotion at the 69th Cannes Film Festival

Pia Lundberg of the Swedish Film Institute as Vice President of the European Film Promotion comments on FRED about the secret of the success of the networking platform Producers on the Move, which celebrates its 17th edition this year. She also announces two new initiatives the EFP will carry on: Future Frames at the Karlovy Vary International Film Festival and the 10 Women Directors to watch at the Sydney Film Festival. The latter initiative marks the first time EFP, the Sydney Film Festival and Variety have joined forces to initiate “European Cinema: 10 Women Filmmakers to Watch,” presenting ten exceptional European women storytellers.

20 of the most energetic, emerging producers from across Europe are selected to participate in the networking platform PRODUCERS ON THE MOVE at the Cannes International Film Festival. EFP has set a high standard for participation and creates a tightly focused working environment involving project pitchings, 1:1 meetings as well as extensive promotion of the producers via profiles in the international trade papers. The aim of this initiative is to assist European producers in finding partners for their upcoming projects, to strengthen industry networking opportunities and to offer a platform where the producer’s potential is recognised.

The post Pia Lundberg, VP of European Film Promotion #Cannes2016 appeared first on Fred Film Radio.

PODCAST | Chiara Nicoletti interviews Martin Schweighofer, president of European Film Promotion, at the 69th Cannes Film Festival.

Straight from the presentation of the 2016 edition of Producers on the Move at the 69th Cannes Film Festival, FRED Film Radio steals a moment away from the uber busy Martin Schweighofer, president of European Film Promotion, the institution that, among doing other things, organizes this annual networking event for emerging and talented European film producers. This year is no different. Producers on the Move returned to Cannes and we seized the opportunity to find out more about its selection criteria and the ultimate goal that Producers on the Move represents. We also ask Schweighofer how he feels the role of the film producer has changed throughout the years, especially the past 17 years in which Producers on the Move has been active.

20 of the most energetic, emerging producers from across Europe are selected to participate in the networking platform PRODUCERS ON THE MOVE at the Cannes International Film Festival. EFP has set a high standard for participation and creates a tightly focused working environment involving project pitchings, 1:1 meetings as well as extensive promotion of the producers via profiles in the international trade papers. The aim of this initiative is to assist European producers in finding partners for their upcoming projects, to strengthen industry networking opportunities and to offer a platform where the producer’s potential is recognised.

The post Martin Schweighofer, president of European Film Promotion #Cannes2016 appeared first on Fred Film Radio.

PODCAST | Chiara Nicoletti interviews Helen Ahlsson, film commissioner of the Swedish Film Institute at the 69th Cannes Film Festival

FRED Film Radio, this year, followed closely the Producers on the Move networking platform. Therefore, it is a pleasure to be joined by a former participant, to tell us what impact this initiative had on her subsequent career. Helen Ahlsson started as a film producer and was a “Producer on the Move” ten years ago, in 2009. Now, she is a film commissioner at the Swedish Film Institute. In this interview, she tells us how being a film producer helped the way in which she selects the film projects to finance with the film commission in Sweden, and more.

20 of the most energetic, emerging producers from across Europe are selected to participate in the networking platform PRODUCERS ON THE MOVE at the Cannes International Film Festival. EFP has set a high standard for participation and creates a tightly focused working environment involving project pitchings, 1:1 meetings as well as extensive promotion of the producers via profiles in the international trade papers. The aim of this initiative is to assist European producers in finding partners for their upcoming projects, to strengthen industry networking opportunities and to offer a platform where the producer’s potential is recognised.

The post Helen Ahlsson, film commissioner of the Swedish Film Institute #Cannes2016 appeared first on Fred Film Radio.

PODCAST | Chiara Nicoletti interview Alex Brendemuhl and Louis Garrel, actors in the film From the Land to the Moon by Nicole Garcia, presented at the 69th Cannes Film Festival.

FRED catches up with Alex Brendemuhl once again, this time with Louis Garrel, to talk about the film From the Land to the Moon (Mal de Pierre) by director Nicole Garcia. The film was presented in the main competition of the 69th Cannes Film Festival. Here, the two actors play respectively husband and lover of Gabrielle, played by Marion Cottillard. The film is an adaptation of an Italian novel titled Mal di Pietre. The two actors comment on working with Nicole Garcia and of the way in which they were directed for their roles.

FROM THE LAND TO THE MOON (Mal de Pierre): Gabrielle comes from a small village in the South of France, at a time when her dream of true love is considered scandalous, and even a sign of insanity. Her parents marry her to José, an honest and loving Spanish farm worker who they think will make a respectable woman of her. Despite José’s devotion to her, Gabrielle vows that she will never love José and lives like a prisoner bound by the constraints of conventional post-World War II society until the day she is sent away to a cure in the Alps to heal her kidney stones. There she meets André Sauvage, a dashing injured veteran of the Indochinese War, who rekindles the passion buried inside her. She promises they will run away together, and André seems to share her desire. Will anyone dare rob her of her right to follow her dreams?

The post Alex Brendemuhl and Louis Garrel on their roles in “From the Land to the Moon” #Cannes2016 appeared first on Fred Film Radio.

PODCAST | Angelo Acerbi interviews Jerome Paillard, head of the Marché du Film (Cannes Film Market) at the 69th Cannes Film Festival.

We talked with the director of the Marché du Film (Cannes Film Market) to get a grasp of some of the figures and facts of this year’s edition of one of the most important film markets in the world. Jerome Paillard has been head of the market for years, and therefore compares this year’s edition with previous edition, also discussing some of the market’s newest features and the impressions that he got of the current state of the industry, as well as its constantly changing trends, innovations and techniques.

The post An overview of this year’s Marché du Film from its head, Jerome Paillard #Cannes2016 appeared first on Fred Film Radio.

PODCAST | Chiara Nicoletti interviews Maren Ade, director of the film Toni Erdmann from the 69th Cannes Film Festival.

To listen to the interview, click on the ► icon on the right, just above the picture of the film

Toni Erdmann is a film which, to cite director Maren Ade’s words, deals with a “conflict of values.” The conflict of values between a post-war father and his daughter, whom he things is conducting a career-driven life. Maren Ade also elaborates on the comic tones of her new film, presented in competition at the 69th Cannes Film Festival, since for her, comedy is something that comes from drama; like all good comedy, TonI Erdmann is fundamentally very serious.

TONI ERDMANN: Practical joker Winfried disguises himself as flashy “Toni Erdmann” to get busy Ines’ attention and change her corporate lifestyle. The father-daughter challenge reaches absurd proportions until Ines begins to see that her eccentric father deserves a place in her life…

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PODCAST | Angelo Acerbi interviews Pascal Diot, head of the Venice Film Market from the 69th Festival de Cannes

Pascal Diot, head of the Venice Film Market, the relatively new market of the annual Venice Film Festival, was at the 69th Festival de Cannes. We caught up with him to get a preview of what its next edition has in store and some of the new features that will define it, including a new name and a new space dedicated to literature..

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PODCAST | Angelo Acerbi interviews Boo Junfeng, director of the film Apprentice from the Un Certain Regard section of the 69th Festival de Cannes.

To listen to the interview, click on the ► icon on the right, just above the picture of the film

Through his masterful handling of characters and plot, director Boo Junfeng brings us inside a solid drama about a young man’s obsession with his father’s killer. The twist comes when he realizes that the perpetrator of his father’s death is not the monster he thought he was. Apprentice is a film about death penalties, analyzed from the inside and seen from an unusual point of view. Profoundly affecting.

APPRENTICE: Aiman, a 28-year-old correctional office, is tranferred to the territory’s top prison. He strikes up a friendship with Rahim, who is revealed to be the chief executioner of the prison, and one of the world’s most prolific. Can Aiman overcome his conscience and a past that haunts him to become the executioner’s apprentice?

The post Boo Junfeng, director of “Apprentice” #Cannes2016 appeared first on Fred Film Radio.

PODCAST | Chiara Nicoletti interviews Hayley Squires, actress in the film I, Daniel Blake by Ken Loach from the 69th Cannes Film Festival.

To listen to the interview, click on the ► icon on the right, just above the picture of the film

Our interview with Hayley Squires, actress in Ken Loach’s film I, Daniel Blake, in the main competition of the 69th Cannes Film Festival. Squires takes us through the whole process of the making of the film, from the auditions to the preparation of the role and the challenges of Ken Loach’s technique – the director is known for revealing very little info and details on his film and the characters before shooting. Hayley Squires also reflects on how the situation her character, Katie, is struggling with is relatable and it is something that could happen to everybody.

I, DANIEL BLAKE: Daniel Blake, 59, has worked as a joiner most of his life in Newcastle. Now, after a heart attack and nearly falling from a scaffold, he needs help from the State for the first time in his life. He crosses paths with a single mother Katie and her two young children, Daisy and Dylan. Katie’s only chance to escape a one-roomed homeless hostel in London has been to accept a flat in a city she doesn’t know some 300 miles away. Daniel and Katie find themselves in no-man’s land caught on the barbed wire of welfare bureaucracy as played out against the rhetoric of ‘striver and skiver’ in modern day Britain

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