FRED Film Radio - English Channel

PODCAST | Chiara Nicoletti interviews Teresa Kotyk, director of Home Is Here from the 2017 Lecce European Film Festival.

After presenting it at Tallinn’s Black Nights Film Festival, Teresa Kotyk brought her feature directorial debut Home Is Here in Lecce for the annual European Film Festival, where it was featured in the main competition.

Home is Here makes a peculiar connection: a link between two lonely people, two lonely souls, both looking for a place, a real home, and stronger concrete feelings. The two protagonists of the film never meet. Kotyk plays with the paradox of connections and relationships that grow out of little rituals, such as the exchange of little and few but significant messages. Although the title could partially give away the intent of the film, Home Is Here elaborates on what “home” means and how it is more of a place inside ourselves, a place where we may discover who we really are.

HOME IS HERE. Young Hannah is temporarily living with her mother and her little brother in the Olympic Village at Innsbruck. One day she breaks in at Max’s, who lives alone in a modern villa. Time and again Hannah secretly explores his seemingly austere house, until Max begins to notice subtle changes. He lets himself into a playful form of communication with Hannah that ultimately moves them both to see life is not about searching for a particular place or relationship, but instead that you can only find home in yourself: HOME IS HERE.

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PODCAST | Chiara Nicoletti interviews Mehmet Can Mertoglu, director of Album from the 2017 Lecce European Film Festival.

Mehmet Can Metroglu represents Turkish cinema in the main competition of the European Film Festival in Lecce, Italy. The young director was present at the celebration of European cinema with Album, his first feature film, which premiered at last year’s Critics’ Week in Cannes.

Album examines how adoption is a practice that Turkish society has difficulties accepting.

Despite the prominence of Turkish directors in world cinema, including Nuri Bilge Ceylan who is one of the protagonists of this year’s edition of the festival, Mertoglu reveals to us that his cinematic references and influences are more from contemporary Romanian cinema and such directors as Cristi Puiu and Corneliu Porumboiu.

ALBUM. A childless couple prepares a photo album of a fake pregnancy period – at the beach, at work, lounging at home. This way, their adopted child will eventually be able to recognize them as loving biological parents. And of course, they’ll have real documentation to share with friends and co-workers. Bahar and Cuneyt are an average middle-class couple with beliefs, dreams and preoccupations of their provincial urban environment. A child would complete their perfect lifestyle image, but adoption can be a long bureaucratic process, especially for picky parents. However, persistence and the right connections pay off. The proud couple goes all the way with the family history façade by staging snapshots in the hospital with their adopted baby boy. The earnest couple’s next step is to start a new life with their new baby. History teacher Cuneyt’s requested reassignment to a faraway city comes in quickly with his bureaucratic influence. But the couple panics when they discover…

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PODCAST | Chiara Nicoletti interviews Marion Döring, EFA director and president of the jury of the 2017 Lecce European Film Festival.

FRED Film Radio meets Marion Döring once again. We caught up with the director of the European Film Academy (EFA) in Lecce, Italy at the European Film Festival, where she served as president of the jury of the main competition.

As a representative of EFA, Döring fully supports the cause of director Oleg Sentsov and, along with filmmaker Agnieszka Holland, accompanied Askold Kurov, the director of the documentary The Trial: The State of Russia Vs. Oleg Sentsov, in his presentation of the film to the Italian audiences.

Döring analyzes the role of filmmakers and in general of European cinema to build consciences, to generate awareness on the social and political situation surrounding us all. As the Young Audience Awards ‘ ceremony is approaching, Döring also talks about how important it is to educate, form and develop an audience for European films starting from young students who are ready and prepared to watch independent films.

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PODCAST | Chiara Nicoletti interviews filmmaker Agnieszka Holland, who received a career award at the Lecce European Film Festival 2017.

Having met her earlier this year at the Berlinale 2017, filmmaker Agnieszka Holland is back on FRED Film Radio. This time, we met her at the European Film Festival in Lecce, Italy, where she presented her new film Spoor to the Italian audience and was the first “Protagonist of European Cinema” of this year’s edition – being the subject of a special retrospective put together by the festival.

The Polish director of such works as Europa, Europa also received a Career Award, the Ulivo d’Oro, after a masterclass that took place at Lecce’s Cinema Massimo, chaired by film critic and curator Massimo Causo.

As chairwoman f the European Film Academy (EFA), Holland accompanied Askold Kurov along with Marion Doring, director of the EFA, to introduce to Italian audiences in attendance in Lecce the new documentary The Trial – The State of Russia Vs. Oleg Sentsov. She strongly supports, along with the EFA, Sentsov’s cause and they are all fighting and hoping for his release from prison.

AGNIESZKA HOLLAND. The recipient of two Academy Award nominations (in 1985 for Best Foreign Language Film with Angry Harvest and in 1990 for Best Adapted Screenplay with Europa Europa (1990), winner of the  Golden Globe), Agnieszka Holland began her career in Poland as an assistant for Krzysztof Zanussi and later worked with Andrzej Wajda. Provincial Actors, one of the key films of the so-called “cinema of moral anxiety”, received the critics’ award at Cannes in 1980. In 1981 the director moved to France.

Holland has also worked on many TV productions, including well-known TV series such as House of Cards, The Wire, Cold Case, and Treme. The European Film Festival will present a selection of her films, chosen together with the director herself, including Spoor (Pokot), which screened at the last edition of the Berlinale to great critical acclaim.

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PODCAST | Chiara Nicoletti interviews Esmeralda Azkarate-Gaztelu Carro, from the Aptent Soluciones SL and Teatro Accesible.

Esmeralda Azkarate-Gaztelu Carro is currently the Director of Accesibility and Translation contents at Teatro Accesible (Aptent Soluciones). She also teaches theatre audio description at the MA in Audiovisual Translation, Localisation, Subtitling and Dubbing from the Universidad de Cádiz (Spain). At ARSAD 2017 she presented her Teatro Accesible, a project that has been running for over 5 years now, providing accessibility services in different theatres, festivals and cities throughout Spain. On FRED she describes her first steps in accessibility and how difficult, challenging but rewarding it is to audiodescribe a theatre play.

Since its beginning in 2007, the international seminar on audio description ARSAD has been a meeting point for all key agents interested in both research and practice in audio description. Its sixth edition, to be held in Barcelona on March 16th (all day) and 17th (morning) 2017, aims to take stock of recent advances while looking at the future of the field. ARSAD 2017 would like to engage practitioners, researchers, trainers, trainees, regulators, broadcasters, users, social activists, cultural managers, and anyone interested in audio description in a fruitful discussion on the past, present and future of audio description.

To follow the program click here.

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PODCAST | Chiara Nicoletti interviews Natalia Kiser, from the University of Warsaw about the Live audio description to the 2017 Samba Carnival Parade in Florianópolis, Brazil

Natalia Kiser is a PhD student at the Faculty of Applied Linguistics at University of Warsaw. At ARSAD 2017 she presents her experience in audio describing the 2017 Samba Carnival Parade in Florianópolis, Brazil. On FRED she reveals how she ended up in Brazil after studying in Warsaw and how she approached this particular work at the Accessibility Centre at the Federal University of Santa Catarina.

Since its beginning in 2007, the international seminar on audio description ARSAD has been a meeting point for all key agents interested in both research and practice in audio description. Its sixth edition, to be held in Barcelona on March 16th (all day) and 17th (morning) 2017, aims to take stock of recent advances while looking at the future of the field. ARSAD 2017 would like to engage practitioners, researchers, trainers, trainees, regulators, broadcasters, users, social activists, cultural managers, and anyone interested in audio description in a fruitful discussion on the past, present and future of audio description.

To follow the program click here.

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PODCAST | Chiara Nicoletti interviews Elisa Perego, from the University of Trieste for the AD-LAB PRO Project

Elisa Perego is a researcher and lecturer at the University of Trieste (Italy), in the Department of Language, Translation and Interpreting Studies. She is also the coordinator of the European project ADLAB PRO (2016-2019) which she presented at ARSAD 2017 and on FRED. ADLAB PRO is a three year project financed by the European Union under the Erasmus+ Programme, Key Action 2 – Strategic Partnerships. Despite the incessant advocacy of an inclusive society and the growing need for accessible audiovisual products, the professional figures working in the field of AD are still few, often untrained and not well defined. Furthermore, the provision of AD is uneven across Europe. ADLAB PRO aims to fill this gap and it will define a curriculum for ensuring professional Europe-wide AD implementation in all cultural and media sectors through the creation of training materials to develop the new AD professional profile.

Since its beginning in 2007, the international seminar on audio description ARSAD has been a meeting point for all key agents interested in both research and practice in audio description. Its sixth edition, to be held in Barcelona on March 16th (all day) and 17th (morning) 2017, aims to take stock of recent advances while looking at the future of the field. ARSAD 2017 would like to engage practitioners, researchers, trainers, trainees, regulators, broadcasters, users, social activists, cultural managers, and anyone interested in audio description in a fruitful discussion on the past, present and future of audio description.

To follow the program click here.

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PODCAST | Chiara Nicoletti interviews David Vialard, from the Texas State University and the Illinois State University.

David Vialard is a PhD candidate in Technical Communication and Rhetoric at Texas Tech University and he is also an Instructional Assistant Professor in the English Department at Illinois State University. At Arsad 2017, he presented his research and study on “Audio description as a pedagogical tool in composition and writing”. On FRED, he reveals how he started to look at Audio description in a different light and how he decided to use it in other ways. In his presentation, Vialard explores the many ways in which AD can pedagogically add to English Literature, Theatre, and Technical Writing courses through practical means of teaching analysis and discursive means of examining the roles language and social practice play in constructing social models of disability and access.

Since its beginning in 2007, the international seminar on audio description ARSAD has been a meeting point for all key agents interested in both research and practice in audio description. Its sixth edition, to be held in Barcelona on March 16th (all day) and 17th (morning) 2017, aims to take stock of recent advances while looking at the future of the field. ARSAD 2017 would like to engage practitioners, researchers, trainers, trainees, regulators, broadcasters, users, social activists, cultural managers, and anyone interested in audio description in a fruitful discussion on the past, present and future of audio description.

To follow the program click here.

The post David Vialard – ARSAD 2017 appeared first on Fred Film Radio.

PODCAST | Chiara Nicoletti interviews Gion Linder, Head of access service and Robin Ribback, Innovation Manager.

Gion Linder and Robin Ribback are respectively Head of access service and Innovation Manager at Swiss Text and have been working in providing access services across Europe for many years. On FRED during ARSAD 2017, they talk about their experience in accessibility through the years and how things have been changing and improving so far. The aim of Arsad for Gion Linder is to improve their work by increasing quality and decreasing cost for access services. As for the status of accessibility, Robin Ribback answers that we will never be where we would like to be but there are always more technologic driven projects each time Arsad takes place. Conferences like Arsad are important to exchange and consolidate these ideas and new projects.

Since its beginning in 2007, the international seminar on audio description ARSAD has been a meeting point for all key agents interested in both research and practice in audio description. Its sixth edition, to be held in Barcelona on March 16th (all day) and 17th (morning) 2017, aims to take stock of recent advances while looking at the future of the field. ARSAD 2017 would like to engage practitioners, researchers, trainers, trainees, regulators, broadcasters, users, social activists, cultural managers, and anyone interested in audio description in a fruitful discussion on the past, present and future of audio description.

To follow the program click here.

The post Gion Linder, Robin Ribback – ARSAD 2017 appeared first on Fred Film Radio.

PODCAST | Chiara Nicoletti interviews Anna Jankowska and Agnieszka Szarkowska, from the Jagiellonian University, Krakow – University of Warsaw.

Anna Jankowska and Agnieszka Szarkowska met during an ARSAD conference years ago and now they’re back for the 6th edition to present the OpenArt project, a research project aimed at creating both accessible technology and accessible content through designing an application for smartphones and tablets developed within the framework of Universal Design (UD) to suit the needs of both the visually and hearing impaired as well as sighted and hearing people. On FRED they talk about the genesis of OpenArt and discuss on how and why they became involved in accessibility projects and in particular in the field of audiodescription.

Since its beginning in 2007, the international seminar on audio description ARSAD has been a meeting point for all key agents interested in both research and practice in audio description. Its sixth edition, to be held in Barcelona on March 16th (all day) and 17th (morning) 2017, aims to take stock of recent advances while looking at the future of the field. ARSAD 2017 would like to engage practitioners, researchers, trainers, trainees, regulators, broadcasters, users, social activists, cultural managers, and anyone interested in audio description in a fruitful discussion on the past, present and future of audio description.

To follow the program click here.

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