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Global Critics Venice Voice, hosted by internationally renowned film critic Rita Di Santo, is the daily podcast of the 82nd Venice International Film Festival, produced by FRED Film Radio directly from the Lido di Venezia.

Each episode takes listeners inside the Festival with exclusive and thoughtful conversations with leading international film critics, and in-depth analysis of the year’s most anticipated films.

Rita Di Santo and her guests bring to life the unique atmosphere of Venice, offering a rare insider’s view of the stories, talent, and cinematic moments that make the Mostra one of the world’s most celebrated cultural events.

In this episode of Global Critics Venice Voice Rita Di Santo hosts:

Brian Viner (The Daily Mail, UK), Max Borg (The Film Verdict, Switzerland) and Daniel Kothenschulte (Frankfurter Rundschau, Germany).

The post Highlights and film critics from the 82nd Venice Film Festival – episode 2/09 appeared first on Fred Film Radio.

“Past Future Continuous”: Ahmadvand and Khosrovani Discuss Technology, Hope, and the Iranian Diaspora

At the 82nd Venice Film Festival, we had the opportunity to speak with director Morteza Ahmadvand and Firouzeh Khosrovani about their film “Past Future Continuous (Gli uccelli del monte Qaf)“, which premiered in the Giornate degli Autori section. Our interview explored the film’s themes of technology, displacement, and the longing for home within the Iranian diaspora.

Firouzeh Khosrovani shared insights into their innovative use of surveillance cameras in the film. Rather than highlighting surveillance’s negative aspects, they aimed to transform this technology into a symbol of love and connection. The cameras serve as a way for a family to maintain bonds with their daughter living abroad, offering a sense of closeness despite geographical distance.

“We wanted to use this technological device in a way that transforms it,” Khosrovani explained. “To repurpose it for something else.” This approach emphasizes the potential of technology to foster emotional connections rather than surveillance or control.

Morteza Ahmadvand discussed the significance of the Iranian legend of Mount Qaf, which can only be crossed when 30 birds fly together. He explained that this metaphor represents the collective hope of Iranians who have been forced to leave their homeland. The filmmakers hope that one day, these individuals will be able to return to Iran.

“We, as Iranians inside the country, hope that people can return to their homeland,” Ahmadvand stated. He also clarified that “Seymour means 30 birds,” reinforcing the symbolism of unity and hope.

When asked about the Iranian government’s recent calls for expatriates to return home, Ahmadvand acknowledged the complexities involved. While they share the desire for Iranians abroad to come back, they recognize the risks and uncertainties tied to such a decision. The filmmakers express caution, mindful of the potential consequences faced by returnees, especially those involved in political activism or opposition groups—a concern echoed in recent discussions by Fred Film Radio on the hardships faced by Iranian artists abroad.

Khosrovani highlighted the emotional core of the film—the absence of the daughter, Mariam, and the void her departure creates within the family. The film captures the emotional toll of exile, emphasizing that “you leave half of yourself behind.” This feeling resonates deeply with many Iranians experiencing displacement.

*“Past Future Continuous” sheds light on Iran’s ongoing situation, especially for younger audiences unfamiliar with its recent history. The film also addresses themes of paranoia and insecurity faced by returnees, who may be at risk if involved in activism or political dissent.

Both Ahmadvand and Khosrovani reflected on their personal experiences navigating these complex issues. Ahmadvand expressed the uncertainty surrounding their potential return to Iran:

“We will be back in Tehran next week, and we hope there are no problems, but we need to see what happens.”

The post “Past Future Continuous”, Interview with Morteza Ahmadvand and Firouzeh Khosrovani appeared first on Fred Film Radio.

Interview during the 82nd edition of Venice International Film Festival with Vicky Krieps and Mayim Bialik, actresses of the film “Father Mother Sister Brother”, by director Jim Jarmusch. The production, in competition in Venice Film Festival 2025, is composed by three stories about families that reflect on their love and relationships.

During their interview with FRED Film Radio, our guests talk about the importance of families as a dramatic vehicle to tell compelling stories in cinema. Besides, they describe Jim Jarmusch as a director on the set: “He’s most of all a human being and very much like a child. And I think he’s making his movies the same way he was making them when he started”, told Mayim Bialik.

“Father Mother Sister Brother” starts with story of two sibling -Bialik and Adam Sandler- that travel to a confined cabin in order to pay a visit to their father (Tom Waits); in the second story, two sisters -Vicky Krieps and Cate Blanchett- pay their anual visit to their mother (Charlotte Rampling) for afternoon tea; in the final one, two siblings -Indya Moore and Luka Sabatt- mourn their lost parents.

The post “Father Mother Sister Brother”, interview with actresses Vicky Krieps and Mayim Bialik appeared first on Fred Film Radio.

Interview during the 82nd edition of Venice International Film Festival with Mona Fastvold, director of the film “The testament of Ann Lee”, and actress Amanda Seyfried. The production, in competition in Venice Film Festival 2025, shows us the journey of the leader of a religious cult, in the middle of the XVIII century, from Europe to the United States.

During their interview with FRED Film Radio, our guests talked about the historical importance of Ann Lee, a women forgotten in our present that gave shape to a diverse and inclusive community. When asked by the opportunity to change the minds of the viewers with the film, Amanda Seyfried answered that she still believed in an audience that could relate strongly with the movies.

“The testament of Ann Lee” depicts the journey of the protagonist and the consolidation of the ‘shakerism’ in America. The film is a musical that extracts the lyrics for the songs from the prayers of the community. Alongside with Seyfried, Thomasin McKenzie and Lewis Pullman are part of the cast.

The post “The testament of Ann Lee”, interview with director Mona Fastvold and actress Amanda Seyfried appeared first on Fred Film Radio.

Global Critics Venice Voice, hosted by internationally renowned film critic Rita Di Santo, is the daily podcast of the 82nd Venice International Film Festival, produced by FRED Film Radio directly from the Lido di Venezia.

Each episode takes listeners inside the Festival with exclusive and thoughtful conversations with leading international film critics, and in-depth analysis of the year’s most anticipated films.

Rita Di Santo and her guests bring to life the unique atmosphere of Venice, offering a rare insider’s view of the stories, talent, and cinematic moments that make the Mostra one of the world’s most celebrated cultural events.

In this episode of Global Critics Venice Voice Rita Di Santo hosts:

Nicholas Barber (BBC. UK), Ben Croll (Varity, Canada) and Kerem Akca (Post, Turchia).

The post Highlights and film critics from the 82nd Venice Film Festival – episode 1/09 appeared first on Fred Film Radio.

A groundbreaking new film is making waves at the Venice Italy film festival, blending science fiction with African storytelling. During Giornate degli Autori, filmmaker Damien Hauser and actress Shandra Apondi discussed the innovative approach behind “Memory of Princess Mumbi“, emphasizing its role in shaping the future of African cinema and its recognition on the international stage. With themes of humanism, AI, and experimental visuals, the film marks a significant departure from traditional narratives, promising to influence both local and global cinematic landscapes.

“Memory of Princess Mumbi” stands out as a visionary project that marries science fiction with deep human themes. The creators highlighted how the film explores a futuristic vision rooted in African perspectives, diverging from conventional sci-fi tropes. “It’s very different from anything I’ve ever made before,” one filmmaker shared. “I wanted to blend elements of humor, family moments, and a sense of humanism, all while imagining possible futures.” This experimental approach aims to elevate African cinema to new heights, opening doors for stories grounded in local culture but reaching an international audience.

The film’s narrative centers on building complex characters, inspired by real-life experiences and personal stories. “I didn’t follow any particular story; I tried to be that girl — authentic and unique,” a director explained. The focus on genuine character-building, set against a backdrop of futuristic footage, creates a distinctive visual and emotional experience. This approach allows audiences to connect deeply with characters grappling with themes like technology and human relationships, all within an African context.

Festival attendees emphasized the significance of this movie for African cinema’s global recognition. “This film is a reflection of how African cinema can innovate and inspire,” remarked one participant. The filmmakers expressed a hopeful outlook that this film could inspire a new wave of African sci-fi movies, further positioning the continent as a hub for creative filmmaking. They noted that African cinema is emerging as a vibrant, experimental force capable of engaging audiences worldwide.

The filmmakers also discussed the role of artificial intelligence in bringing “Memory of Princess Mumbi” to life. They acknowledged both its potentials and challenges. “I’m scared because AI is growing so rapidly, and it’s powerful,” one artist admitted. Yet, they also recognized AI’s positive role in expanding creative possibilities, especially for producing science fiction on limited budgets. “Without this technology, making a sci-fi film like this would be almost impossible,” they added. The integration of AI signifies a new era in filmmaking, offering innovative tools but also raising questions about authenticity and control.

As “Memory of Princess Mumbi” garners attention at international festivals, its creators hope it signals a broader shift in African genre cinema. The film’s experimental nature and thematic depth showcase a fresh voice ready to challenge stereotypes and traditional storytelling methods. “There will be many films like this to come,” they affirmed, shattering misconceptions about what African cinema can accomplish.

In summary, “Memory of Princess Mumbi” exemplifies a bold step forward for African filmmakers aiming to combine science fiction with cultural specificity. Its innovative approach, combined with emerging technologies like AI, promises to influence future generations and elevate African stories on the global stage.

The post “Memory of Princess Mumbi”, interview with director Damien Hauser and actress Shandra Apondi appeared first on Fred Film Radio.

“A sad and beautiful world“ by Cyril Aris offers a fresh perspective on human resilience and personal journeying, captivating audiences with its intimate portrayal of life’s challenges. Debuting at the prestigious Giornate degli Autori in Venice Film Festival, this film stands out as a powerful testament to resilience, exploring deep themes with sensitivity and authenticity. Its participation reinforces Venice’s reputation as a platform for innovative and meaningful cinema.

“A sad and beautiful world” delves into the emotional landscapes of individuals navigating difficult circumstances. Through evocative storytelling, the film captures the complexities of human experience, emphasizing personal growth and hope amid adversity. Its narrative structure combines heartfelt moments with subtle humor and tension, creating a relatable and immersive experience that resonates with viewers.

Since its premiere, “A sad and beautiful world” has garnered praise for its honest representation of human struggles and its compelling visual storytelling. Festival goers have expressed appreciation for its emotional depth and thoughtful narration, which challenge viewers to reflect on their own lives. Critics highlight the film’s capacity to balance profound themes with accessibility, positioning it as a must-watch at Venice.

Premiering at Venice underscores the importance of “A sad and beautiful world” within the global film community. The festival’s acclaim positions the film as a noteworthy contender in this year’s lineup, signaling its potential for wider recognition and distribution. It also marks a significant milestone for the filmmakers, spotlighting their talent and dedication to authentic storytelling.

With its strong festival reception, “A sad and beautiful world” promises to continue making an impact beyond the Venice stage. Its universal themes and heartfelt execution suggest it will resonate with diverse audiences worldwide. As the film moves forward in its distribution journey, viewers can expect a film that not only entertains but also provokes meaningful thought on life’s resilience and the human spirit.

The post “A sad and beautiful world”, interview with director Cyril Aris appeared first on Fred Film Radio.

“Ish” shines a powerful spotlight on the enduring hardships and resilience of young immigrants people in UK, making it a vital yet heartrending addition to current cinema. Debuted at Venice Critics Week, “Ish” by Imran Perretta delves into the realities faced by those living in the conflict-ridden region, capturing stories that resonate worldwide.

This compelling movie offers viewers an immersive experience into life of the youngest, revealing the day-to-day challenges amidst ongoing violence and political turmoil. The film’s creators succeed in humanizing a landscape often described solely through headlines, emphasizing personal narratives over abstract conflict. Through honest storytelling and intimate visuals, “Ish” provides a poignant look at how individuals navigate trauma, hope, and survival.

“Ish” is more than a grim account; it’s a testament to resilience. The filmmakers highlight stories of resistance, community bonding, and the unyielding spirit of the residents, despite the hardships. The movie portrays a complex tapestry of human emotions—fear, love, determination—chronicling their struggle to maintain normalcy amid chaos.

Premiering at such a significant venue underscores “Ish” relevance in today’s global discourse. Its timely release comes amid ongoing conflicts in the region, drawing international attention to issues often obscured by political rhetoric. The film prompts viewers to look beyond the headlines and understand the human stories behind the headlines.

The response from critics and audiences at the festival has been overwhelmingly positive. Many praise the film’s raw honesty and visual storytelling, which avoids sensationalism while shedding light on urgent humanitarian concerns. The filmmakers have crafted a compelling narrative that not only educates but also evokes empathy in viewers around the world.

“Ish” stands out as a significant contribution to current filmmaking, capturing the complex human realities behind one of the most persistent conflicts today. Its screening at prestigious festivals like Venice Critics Week signals its importance in contemporary cinema, offering a vital perspective on resilience amid adversity. As the film continues to resonate with viewers, it reminds us of the enduring human spirit fighting to survive and hope against all odds.

The post “Ish”, interview with director Imran Perretta appeared first on Fred Film Radio.

During the 82nd edition of Venice International Film Festival we spoke with director Stephan Komandarev, director the film “Made in EU”, presented in Venice 82 in the Venezia Spotlight section. The film is an exploration of the bulgarian countryside, where a textile factory a woman struggles with an unknown disease. Once it’s discovered that it’s the first Covid case in the Country, her life becomes the outburst of a series of accusations that try to blame her for the poor working conditions of the factory itself.

During our interview with FRED Film Radio, our guest Stephan Komandarev expressed his thoughts on how aggressive capitalism can be, on how every workers deserve dignity and how to shed a light on the exploited workers of eastern Europe, that are hidden behind the apparently safe label “made in Europe”.

The post “Made in EU”, interview with director Stephan Komandarev appeared first on Fred Film Radio.

Global Critics Venice Voice, hosted by internationally renowned film critic Rita Di Santo, is the daily podcast of the 82nd Venice International Film Festival, produced by FRED Film Radio directly from the Lido di Venezia.

Each episode takes listeners inside the Festival with exclusive and thoughtful conversations with leading international film critics, and in-depth analysis of the year’s most anticipated films.

Rita Di Santo and her guests bring to life the unique atmosphere of Venice, offering a rare insider’s view of the stories, talent, and cinematic moments that make the Mostra one of the world’s most celebrated cultural events.

In this episode of Global Critics Venice Voice Rita Di Santo hosts:

Fernando Lima (film critic former artistic director of Mar Del Plata, Agentina) and Kevin Maher (The Times London, UK).

The post Highlights and film critics from the 82nd Venice Film Festival – episode 31/08 appeared first on Fred Film Radio.