FRED Film Radio - English Channel

PODCAST | Chiara Nicoletti interviews Iris C. Permuy, founder Traducarte.

As Arsad is approaching, Iris C.Permuy joins FRED to talk about her work in accessibility. With a BA in Translation, a postgraduate degree on International Culture Management and an MA in Screen Translation, Iris C. Permuy is currently pursuing a PhD in Translation and Intercultural Studies, focusing on media accessibility for the hard of hearing and the visually impaired. In 2014 She also founded her own Translation, Culture and Accessibility Services company called TraducArte, focused on artistic production and events. With Gonzalo Iturregui-Gallardo, she will present at ARSAD a model proposal for audio introductions of opera productions with the title “A standard for opera AD”. THe aim is to allow both the blind and the sighted audiences to be prepared for the performance about to be enjoyed.

Since its beginning in 2007, the international seminar on audio description ARSAD has been a meeting point for all key agents interested in both research and practice in audio description. Its sixth edition, to be held in Barcelona on March 16th (all day) and 17th (morning) 2017, aims to take stock of recent advances while looking at the future of the field. ARSAD 2017 would like to engage practitioners, researchers, trainers, trainees, regulators, broadcasters, users, social activists, cultural managers, and anyone interested in audio description in a fruitful discussion on the past, present and future of audio description.

To follow the program click here.

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PODCAST | Chiara Nicoletti interviews Gian Maria Greco, Accessibility Expert and Researcher at UAB/TransMedia Catalonia

Gian Maria Greco, accessibility expert expert and researcher at the Universitat Autonoma de Barcelona, will attend the upcoming ARSAD, The Advanced Research Seminar on Audio Description, to chair the introductive panel “Audio Describing Art” and will contribute to the conference with an explorative research On The audio description of comic books. Gian Maria Greco is also involved , with Anna Matamala and Pilar Orero, in MAP – the Media Accessibility Platform, a unified atlas charting the worldwide landscape of research, policies, training and practices in this field.

Since its beginning in 2007, the international seminar on audio description ARSAD has been a meeting point for all key agents interested in both research and practice in audio description. Its sixth edition, to be held in Barcelona on March 16th (all day) and 17th (morning) 2017, aims to take stock of recent advances while looking at the future of the field. ARSAD 2017 would like to engage practitioners, researchers, trainers, trainees, regulators, broadcasters, users, social activists, cultural managers, and anyone interested in audio description in a fruitful discussion on the past, present and future of audio description.

To follow the program click here.

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PODCAST | Samantha Sartori interviews David Ruf, director of the film Land of Light.

We met David Rug in New York and we talked about Land of Light his documentary based on theater workshops with Syrian refugee children living in the Turkish-Syrian border town Reyhanli. The film tells the story of five children that flee, when their village is destroyed. Acted completely by Syrian children who themselves fled to Turkey, this film is a parable on how war affects children, crossing the borders between documentary and fiction. It was premiered and won two awards at the FILEMON International Childrens Film Festival in Brussels, Belgium (Best Feature Film by Childrens Jury and Best Feature Film by Teenager Jury) Its German premiere was at Max Ophüls Festival (out of competition) The next screening is on the 2nd of March on the Fantasporto Film Festival in Porto, Portugal (Official Selection – Out of Competition) After that next festival is the Goldener Spatz Festival in Erfurt – 11th to 17th of June 2017

Land of Light: Raisa’s every day life is war. But somewhere, the eleven years old girl believes, there is the Land of Light – a place where all wishes and dreams are fullfilled. When Raisa’s father disappears and her grandmother is killed, she leaves her village together with her small brother and sets forth to find this place. Every child that she meets, Raisa takes on the journey and tells him about the Land of Light, where all people are equal, no matter what group or religion they belong to. In this peaceful land children can play without worries and their parents take care for them. While the other children start to believe Raisa’s prophecy and follow her on the dangerous journey, the colorful group grows tightly together. But soon the war overhauls them. Distrusts divides the group and feeds the fear, that the Land of Light might not exist and that their journey could fail…

Official website here.

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PODCAST | Chiara Nicoletti interviews Maren Ade, director of the film Toni Erdmann.

Maren Ade is back on FRED to talk about the last successful months after Toni Erdmann was presented at the Cannes Film festival. The film won 5 EFA Awards, the Lux Film Prize and it was nominated for an Oscar ( best Foreign film). ON the occasion of the film’s release in Italy the director gets deeper into the father-daughter relationship theme and analyzes the key elements that made the film so successful abroad.

Toni Erdmann: Winfried doesn’t see much of his working daughter Ines. The suddenly student-less music teacher decides to surprise her with a visit after the death of his old dog. It’s an awkward move because serious career woman Ines is working on an important project as a corporate strategist in Bucharest. The geographical change doesn’t help the two to see more eye to eye. Practical joker Winfried loves to annoy his daughter with corny pranks. What’s worse are his little jabs at her routine lifestyle of long meetings, hotel bars and performance reports. Father and daughter reach an impasse, and Winfried agrees to return home to Germany. Enter flashy „Toni Erdmann“: Winfried’s smooth-talking alter ego. Disguised in a tacky suit, weird wig and even weirder fake teeth, Toni barges into Ines’ professional life, claiming to be her CEO’s life coach. As Toni, Winfried is bolder and doesn’t hold back, but Ines meets the challenge. The harder they push, the closer they become. In all the madness, Ines begins to understand that her eccentric father might deserve some place in her life after all.

Official website here.

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PODCAST | Bryerly Long, actress and producer.

Bryerly talks about her experiences at Berlinale Talents, meeting people from around the world, and some of the challenges in the career of an actress.

Official website here.

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PODCAST | Angelo Acerbi interviews Wieland Speck, director of the Panorama Section.

Angelo Acerbi talks with Wieland Speck, the director and father of the Panorama section at the Berlinale. This year’s attention was focused on politics and its importance in the movies, in terms of treating central social issues and raising awareness in the audience. Such importance was well analyzed by Wieland, and consequently well represented by all the films selected in this year’s program.

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PODCAST | Chiara Nicoletti interviews Raoul Peck, director of the film The Young Karl Marx.

FRED’s Chiara Nicoletti meets Raoul Peck, at the Berlinale with two films, his Oscar Nominee docuimentary film I’m Not Your Negro and The Young Karl Marx, screening in the Berlinale Special Gala Section. Peck reveals how analyzing Karl Marx’s early life and society at the time, can help people in the present not to make the same mistakes. Thre are so many similiarities in what happened in 1844 and what happens now and The Young Karl Marx, in Raoul Peck’s idea, should be seen as an educational film from which we should learn from. Peck also comments and elaborates on his decision of making a fiction film about Karl Marx, his friendship with Engels and the origins of the international Socialist movement, instead of a documentary.

The Young Karl Marx: 26 year-old Karl Marx embarks with his wife, Jenny, on the road to exile. In 1844 Paris, he meets Friedrich Engels, an industrialist’s son, who investigated the sordid birth of the British working-class. Engels, the dandy, provides the last piece of the puzzle to the young Karl Marx’s new vision of the world. Together, between censorship and the police’s repression, riots and political upheavals, they will lead the labor movement during its development into a modern era.

For the film page on the festival website click here.

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PODCAST | Chiara Nicoletti interviews Michael Chernus and Kurtwood Smith, actors of the film Patriot.

FRED’s Chiara Nicoletti meets Michael Chernus and Kurtwood Smith, in Berlin to present at the 67th Berlinale the first 2 episodes of PATRIOT , a new Amazon original TV series. The two actors describe their characters,respectively the older brother and the boss of the protagonist John ( Michael Dorman) and comment on the presence of a TV show in a renowned film festival which can be seen as a sign that Tv Series are finally considered as important as films in the audiovisual world.

Patriot follows the complicated life of intelligence offi cer John Tavner (Australian newcomer Michael Dorman, Wonderland). His latest assignment is to prevent Iran from going nuclear, requiring him to forgo all safety nets and assume a perilous “non-offi cial cover”—that of a mid-level employee at a Midwestern industrial piping fi rm. A bout with PTSD, the Federal government’s incompetence and the intricacies of keeping a day job in the “front” industrial piping company cause a barrage of ever-escalating fi ascos that jeopardize Tavner’s mission. Patriot is in large part about the lesser known, unglamorous aspects of life as an intelligence offi cer deep undercover with work that frequently places John in untenable situations where he’s often forced to choose between bad alternatives. The unraveling of a plan, and the eff ort to conceal that unraveling, causes matters to complicate further.

For the film page on the festival website click here.

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PODCAST | Chiara Nicoletti interviews Steve Conrad and Charlie Gogolak, director and producer of the film Patriot.

FRED’s Chiara Nicoletti meets director Steven Conrad, the writer of The Pursuit of Happyness, The Weather Man, and The Secret Life of Walter Mitty and producer Charlie Gogolak to talk about the new Amazon Original TV show PATRIOT with Michael Dorman, Kurtwood Smith, Michael Chernus and Terry O’Quinn. The first 2 episodes have been presented i the Berlinale Special section at the 67th edition of the Festival. Conrad and Gogolak talk about the meaning of the title “Patriot” and the challenges of directing and producing a Tv show that mixes various genres such as drama, thriller, musical and black comedy.

Patriot follows the complicated life of intelligence offi cer John Tavner (Australian newcomer Michael Dorman, Wonderland). His latest assignment is to prevent Iran from going nuclear, requiring him to forgo all safety nets and assume a perilous “non-offi cial cover”—that of a mid-level employee at a Midwestern industrial piping fi rm. A bout with PTSD, the Federal government’s incompetence and the intricacies of keeping a day job in the “front” industrial piping company cause a barrage of ever-escalating fi ascos that jeopardize Tavner’s mission. Patriot is in large part about the lesser known, unglamorous aspects of life as an intelligence offi cer deep undercover with work that frequently places John in untenable situations where he’s often forced to choose between bad alternatives. The unraveling of a plan, and the eff ort to conceal that unraveling, causes matters to complicate further.

For the film page on the festival website click here.

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PODCAST | Chiara Nicoletti interviews Michael Dorman, actor of the film Patriot.

Berlinale has been of the first film festivals to open its doors to TV series and the 67th Berlinale presented the new tv show produced by Amazon, The Patriot directed by Steve Conrad with Australian actor and musician Michael Dorman as the protagonist. Dorman tells FRED’s Chiara Nicoletti about his first reaction to Conrad’s proposal and his first impression to the script of The Patriot as it is very innovative in mixing various genres, from black comedy to thriller with some musical moments. Michael Dorman is also a singer and Conrad used this occasion to introduce some musical numbers in every episodes in which John, the protagonist, a spy under cover, plays guitar and sings all the events he went through during war and his missions.

Patriot follows the complicated life of intelligence offi cer John Tavner (Australian newcomer Michael Dorman, Wonderland). His latest assignment is to prevent Iran from going nuclear, requiring him to forgo all safety nets and assume a perilous “non-offi cial cover”—that of a mid-level employee at a Midwestern industrial piping fi rm. A bout with PTSD, the Federal government’s incompetence and the intricacies of keeping a day job in the “front” industrial piping company cause a barrage of ever-escalating fi ascos that jeopardize Tavner’s mission. Patriot is in large part about the lesser known, unglamorous aspects of life as an intelligence offi cer deep undercover with work that frequently places John in untenable situations where he’s often forced to choose between bad alternatives. The unraveling of a plan, and the eff ort to conceal that unraveling, causes matters to complicate further.

For the film page on the festival website click here.

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