Freya's Singing Tips: Train Your Voice | Professional Singers | Singing Technique | Mindset

What sets you apart from the average singer? What are the elements that make you more interesting as an artist. 

Letting your guards down and bringing down the walls that keep you from truly connecting with your audience is one important step so you can begin being yourself in front of your audience. 

Keep stretching yourself and take risks more often!

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Have you ever asked yourself if you're stuck with the way your voice sounds for the rest of your life, or if there's actually a chance that it will get stronger?

How much of the way your voice sounds is actually predetermined anatomically, and how much can you influence the sound? 

The great news is that there's definitely room to develop and strengthen your voice over time. However, this should be treated as a long-term endeavor, since there are no quick fixes. If you have a weak voice, you will have to train it for some years for it to be noticably stronger. 

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Are you in love with your voice? That's an important question when it comes to you gaining any confidence about your voice. And confidence is a very important aspect of being a great singer and performing artist. 

If you hate the sound of your voice, how is your audience supposed to love it? The first step to success as a singer is learning to love your voice with all of its individuality and uniqueness. Knowing your strengths and building on them, as well as knowing your weaknesses and constantly working on impoving will help you to never be stagnant in your development. Your voice will always change, so you need to learn to embrace that fact and begin to truly fall in love with the beauty that lies in your voice.

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It seems to be the case that many singers are great vocalists, but don't have a lot of musical training per se, and thus have some issues when it comes to the more technical side of basic musicianship, for instance timing. 

Since timing isn't only important when you practice on your own, but especially crucial when you are part of an ensemble - choir or band - it's one of the skills you must work on continually in order to perform at your best. Because, let's face it: even if you have a perfect voice - if the timing is off and you just come in on the wrong count, this will be your most limiting factor of putting on a great performance.  

I don't think I've had a lot of students who did not have some issues with head voice. Either it's hard to get into head voice, or it's hard to get out of head voice. Then there are the transitions between head voice and chest voice, the different spaces when singing more classical or popular music, and expanding the range to the top. Whatever the case may be, head voice is an important part  of your voice and should not be neglected. Just like strength training for a muscle should not happen without also stretching, it's important that you train your voice on both ends of the spectrum on a regular basis, both high and low. 

Only then will you achieve maximum flexibility, strength and accuracy - and that's what every singer needs to be working on throughout their singing career. There are some facts I want you to be aware of so you can be the master of your head voice, and not let it dictate what you can and cannot sing!

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It will happen: you have a gig coming up and feel a cold coming on. Now what? Cancelling in the last thing you want to do, and apart from the money you need from doing the gig, there'a also no substitute you can find to do the gig. Plus, you're already on the posters and newspaper announcements and have been claimed the guest star of the event.

As long as you just have a common cold and not laryngitis, there's hope! You can take measures to help your body recover faster, and your voice to not get worse. Most times, you will be fine - even if you think there's no way you can give your best. When it doubt, see your doctor to make sure you don't have any serious condition that goes beyond a common cold.  

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In a singer's life, there are always times when there are a lot of rehearsals going on, presenting the problem that we only have limited endurance as far as our vocal cords are concerned. Especially when you're part of a big production that includes other singers, a band or orchestra, costumes, staging, acting, props, lighting, etc., you can't always sing through all of these rehearsals with full voice.

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Everybody has dreams, but there are things that we keep holding on to throughout our lives, which also give us the feeling of great fulfillment, and the thought of not fulfilling that specific dream leaves us feeling sad and disappointed. 

If you have ever dreamed about becoming a singer and actually making money with your talent, you may have had people around you who were not very understanding and supportive, because they think this dream of yours is too lofty, and that you should have a "real" job. 

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I have been writing songs since I was a six years old, and I would like to share with you some possible strategies on how a great song can be created. 

It's one of the best feelings in the world to listen to your song after it's fully produced, knowing you've left something to the world. Songs are like ships you send out into the world, and they can take on a life of their own, especially when you're not the only one singing them, but when others perform them. 

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