After a play on damaging corporate HR policies, Theatre Sauce takes on clinical depression in” 4.48 Psychosis” a work by British playwright, Sarah Kane. It was her last work. Our guests tell how to present a play that has “has no explicit characters or stage directions.” Kane herself suffered from clinical depression. She died at her own hands.

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The guests share on a family-friendly play--based on a “wittily written”book by Anna Kemp and “cheerily illustrated”by Sara Ogilvie--about a dog, a ballerina. Or more precisely, a dog that thinks he’s one for ballet. Biff like “moonlight and music and walking on his tiptoes.”

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Taking the host of phonetic and linguistic slippages provided by M (Malaysia, Merdeka, Malaya, Malay, and of course, Mama) as entry points, Tan Zi Hao mulls over the delicate relationship between language and nation, between his mother-tongue and mother-nation. The curator, Vincent Leong, points to those slippages and unravels the tensions.

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The artistic director of the company and a practitioner of the Japanese art form gives us a look into the upcoming Butoh festival, which will not only involved dancers but also photographers and painters. He also informs of the presence of a Butoh master, Koichi Tamano who will be here with Hiroko Tamano to run workshops and performances.

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The young musician plays a concert to raise funds for UNICEF and for Bentley Music Academy’s education and outreach programmes. She tells about her journey to become a musician and about the music she has chosen, classical and with some jazz crossover.

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The playwright tells about the evolution of his work, written in 2004, which was first staged in the island-nation south in 2008. Then again in 2011. After more than ten years after the writing, the play comes to Kuala Lumpur in English. In 2016, the play was performed in Mandarin. The actors weigh in on a discussion of performance in English language by tropical bodies.

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The newly formed Cendana has announced that it will start its first arts funding programme in November. The founding CEO Izan Satrina lays bare for the arts and the community, answering questions which will becoming from the community.

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Our guest makes her annual pilgrimage to KL to collaborate with Malaysian contemporary dancers. She tells what she has choreographed on the impulses of Beethoven’s Symphony No. 9 and how the dance is about people without seasons.

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The Vocal Fest (“VoxFest”) is a music community service project in its 4th year running. Our guests tell about this three-day programme which provides a platform for vocalists to come together and learn from practitioners in the industry. They peel the skin back on this event to show how it works and how it builds a community.

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A play that takes us back to the Renaissance and about the relationship between the ‘virgin’ Elizabeth I and the oft-married Mary Queen of Scots. Two veteran actors, playing two queens, tell about their own friendship and how that seeps into the performance.

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