Our guest tells us about speaking from the centre of our voice in order to communicate authentically with others and to allow others to be comfortable with us.  He also shares what he has discovered about Shakespeare, and will be sharing this information in his performance which he sings songs based on the Bard’s works, like ‘West Side Story’, and ‘The Lion King’, including some sonnets put into songs.

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Our guests tell us about the Chinese Jazz movement  in the country, the trials and tribulations.  With more venues available for live music performances, opportunities open up for singers in the vernacular to find their audience and to find collaborators.

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In-your-face performances of poetry take centre stage in ‘100 Thousand Poets for Change 2016’. Our guest tells why the written word can be persuasive, more so when it is performed often by people who are not necessarily performers but who are honestly trying to share an ideal.

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We caught up with David Glass on his visit to KL running a workshop on physical theatre. But isn’t theatre by definition physical? David Glass clarifies and tells why theatre must continue to innovate to engage, just like anything else.

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Celebrating its fourth international drumming festival, Hands Percussion has invited three acts from overseas. Bernard Goh brings with him US-based Targapa of Burkina Faso (Africa) to share with us the group’s drumming and dancing. Dafra Drum has its roots in the ancient Manding Empire.

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A beverage company is anchoring an art exhibition of works in conjunction with the country’s celebrating of August 31 and September 16. This exhibition is co-curated by three practicing artists who chose in a blind selection the works to be exhibited. Fritilldea’s design for the beverage company’s limited edition Malaysian can launch in March this year was the model from which submitting artists took inspiration. The curators tell about contemporary art in the country and where Malaysian identify comes to play.

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A silver-prize winner in the established-artist category of the United Overseas Bank Painting of the Year last year, Azizi Latiff, explains how and why he creates his works. He also points to the role art competitions play in the lives of artists and explains the need for competition.

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We find out what is a sonic poem from one of the creators and the creative producer of Toccata Studio that runs artists residency programs. While each word in ‘sonic poem’ has clear denotative meanings, when yoked together they offer something else. The artist tells what prompts such a project and what he and his collaborator, Kok Siew-Wai, were exploring.

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The artist tells how growing up under the influence of his mother, it is inevitable that he is a photographer, and one who is interested in questions about life. He responds to art critics who categorizes his works as ‘disturbing’ turning the attention back on these art writers.  The artist will hold his Malaysian debut in October at Wei-Ling Contemporary

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After ‘Shakespeare’s Women’ it’s a matter of equality to stage ‘Shakespeare’s Men’. Two from the production share what all is involved and which scenes will be staged and in what context. They tell how as actors they participated in the creation of this work.

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