Paul Schrader talks with scholars from the Fuller community in an extended conversation on filmmaking, screenwriting tips, and the complex connections between spirituality and film. 

For more resources for a deeply formed spiritual life, visit Fuller.edu/Studio

Award-winning screenwriter and director Paul Schrader revisits his landmark book “Transcendental Style in Film” and lectures on the intersections of spirituality, cinema, and time. The lecture was part of a screening of Schrader’s film “First Reformed” sponsored by Reel Spirituality, an initiative of the Brehm Center for Worship, Theology, and the Arts.

Learn more about Reel Spirituality here: http://www.brehmcenter.com/initiatives/reelspirituality/

For more voices on faith and film, visit https://fullerstudio.fuller.edu/faith-film/

For more resources for a deeply formed spiritual life, visit Fuller.edu/Studio

In this featured podcast, Irene Cho is joined by worship leaders Angie Hong, SueAnn Shiah, and Julie Tai to discuss Asian American worship—what it looks like, where it starts, and what its future is. This episode originally aired on Centering: The Asian American Christian Podcast.

Subscribe to Centering: The Asian American Christian Podcast on soundcloud.​com/centeringpodcast or any other podcast service

Shannon Sigler, executive director of Brehm Cascadia, urges churches to collaborate with their artists in creating welcoming, non-didactic spaces of worship and relationship for their communities.

The theme of the 2019 Brehm Conference, “Worship, Theology, and the Arts in a Divided World,” focused on how worship, theology, and the arts might be vehicles for reconciliation and forge unity across divides—whether political or economic, racial or relational, linguistic or cultural, in the academy or in the public square, inside the church or outside of it. David M. Bailey, founder and executive director of Arrabon, was the conference’s keynote speaker. The celebration included lectures, conversations, worship and more, and was sponsored by the Brehm Center for Worship, Theology, and the Arts. 

For more resources for a deeply formed spiritual life, visit Fuller.edu/Studio

Maria Fee, adjunct professor of theology and culture, shares about her experience of helping students explore theology through artistic discipline and the power art has to enable criticism through praxis.

The theme of the 2019 Brehm Conference, “Worship, Theology, and the Arts in a Divided World,” focused on how worship, theology, and the arts might be vehicles for reconciliation and forge unity across divides—whether political or economic, racial or relational, linguistic or cultural, in the academy or in the public square, inside the church or outside of it. David M. Bailey, founder and executive director of Arrabon, was the conference’s keynote speaker. The celebration included lectures, conversations, worship and more, and was sponsored by the Brehm Center for Worship, Theology, and the Arts. 

For more resources for a deeply formed spiritual life, visit Fuller.edu/Studio

Makoto Fujimura, director of Fuller’s Brehm Center for Worship, Theology, and the Arts, speaks about the importance of creating diversity in a polarized culture.

The theme of the 2019 Brehm Conference, “Worship, Theology, and the Arts in a Divided World,” focused on how worship, theology, and the arts might be vehicles for reconciliation and forge unity across divides—whether political or economic, racial or relational, linguistic or cultural, in the academy or in the public square, inside the church or outside of it. David M. Bailey, founder and executive director of Arrabon, was the conference’s keynote speaker. The celebration included lectures, conversations, worship and more, and was sponsored by the Brehm Center for Worship, Theology, and the Arts. 

For more resources for a deeply formed spiritual life, visit Fuller.edu/Studio

Todd E. Johnson, William K. and Delores S. Brehm Associate Professor of Worship, Theology, and the Arts, reflects on the misinterpretation of symbols and the importance of conversing with grace amidst misunderstanding and disagreement.

The theme of the 2019 Brehm Conference, “Worship, Theology, and the Arts in a Divided World,” focused on how worship, theology, and the arts might be vehicles for reconciliation and forge unity across divides—whether political or economic, racial or relational, linguistic or cultural, in the academy or in the public square, inside the church or outside of it. David M. Bailey, founder and executive director of Arrabon, was the conference’s keynote speaker. The celebration included lectures, conversations, worship and more, and was sponsored by the Brehm Center for Worship, Theology, and the Arts. 

For more resources for a deeply formed spiritual life, visit Fuller.edu/Studio

Edwin Willmington, director of the Brehm Center’s Fred Bock Institute of Music, lectures on the problems of excluding children from Sunday worship and offers practical ways of welcoming them into the larger church community.

The theme of the 2019 Brehm Conference, “Worship, Theology, and the Arts in a Divided World,” focused on how worship, theology, and the arts might be vehicles for reconciliation and forge unity across divides—whether political or economic, racial or relational, linguistic or cultural, in the academy or in the public square, inside the church or outside of it. David M. Bailey, founder and executive director of Arrabon, was the conference’s keynote speaker. The celebration included lectures, conversations, worship and more, and was sponsored by the Brehm Center for Worship, Theology, and the Arts. 

For more resources for a deeply formed spiritual life, visit Fuller.edu/Studio

Kutter Callaway, assistant professor of theology and culture, meditates on faith, uncertainty, and how the atheistic vision might inform the Christian imagination.

He is joined by the Illumine Playback Theatre and January Lim, on violin.

The theme of the 2019 Brehm Conference, “Worship, Theology, and the Arts in a Divided World,” focused on how worship, theology, and the arts might be vehicles for reconciliation and forge unity across divides—whether political or economic, racial or relational, linguistic or cultural, in the academy or in the public square, inside the church or outside of it. David M. Bailey, founder and executive director of Arrabon, was the conference’s keynote speaker. The celebration included lectures, conversations, worship and more, and was sponsored by the Brehm Center for Worship, Theology, and the Arts. 

For more resources for a deeply formed spiritual life, visit Fuller.edu/Studio

W. David O. Taylor, director of Brehm Texas and assistant professor of theology and culture, discusses the Curse Psalms as faithful articulations of anger and how they point the way to healing.

The theme of the 2019 Brehm Conference, “Worship, Theology, and the Arts in a Divided World,” focused on how worship, theology, and the arts might be vehicles for reconciliation and forge unity across divides—whether political or economic, racial or relational, linguistic or cultural, in the academy or in the public square, inside the church or outside of it. David M. Bailey, founder and executive director of Arrabon, was the conference’s keynote speaker. The celebration included lectures, conversations, worship and more, and was sponsored by the Brehm Center for Worship, Theology, and the Arts. 

For more resources for a deeply formed spiritual life, visit Fuller.edu/Studio