Is Steely Dan's Gaucho more perfect than Aja? Maybe even ... too perfect? Two years in the studio. The greatest session musicians alive asked to play take after take after take until it was exactly right. And sometimes that STILL wasn't enough for Donald Fagen and Walter Becker.

On today's episode of You'll Hear It, jazz pianists Peter Martin and Adam Maness are breaking down the 1980 album track by track: the jazz harmony hiding inside those smooth grooves, the abstract poetry of the lyrics, and the insane stories behind how this thing got made. Including the $150,000 drum machine invented specifically for this record, the interview quote that cost them a third of a song, and the drum track that took 85 takes and 35 tape edits to piece together.

And after all that, we didn't get another Steely Dan record for 20 years.

Was it worth it?

Read about the simple mistake that would haunt Steely Dan for 44 years in this week's edition of the You'll Read It newsletter: https://youllhearit.com/newsletter

Watch our FULL breakdown of Steely Dan's Aja: https://youtu.be/G10mYohR6T4

00:00 - Steely Dan's Gaucho: A Monument to Perfect
01:15 - "Babylon Sisters"
11:00 - What Makes Steely Dan Genius
13:35 - The Precision of Purdie's Drums on Babylon Sisters
16:10 - Abstract Lyrics
19:35 - "Hey Nineteen"
22:25 - Pristine Rhodes
25:25 - Isolated Vocal Stems on "Hey Nineteen"
33:00 - "Glamour Profession"
38:55 - The Mingus Influence
40:10 - "Gaucho"
43:20 - The Keith Jarrett Lawsuit
48:50 - Gaucho Chorus Deep Dive
54:10 - "Time Out Of Mind"
57:50 - Monument to Perfectionism (Lead Boots)
1:01:35 - Perfectionism and Jazz
1:05:05 - Is Gaucho More Perfect Than Aja?
1:06:25 - "My Rival"
1:10:40 - Bowie / Steely Dan Side-By-Side
1:14:00 - Too Fussy?
1:19:05 - Open Studio Plays "Glamour Profession"