George talks with UK-based voiceover engineer and demo producer Henry Willard about the rise of virtual engineering and why more actors are bringing their own engineers into remote directed sessions. Henry explains how having someone handle recording, playback, timing, and client requests can free the actor to stay where they belong: in the performance.
They also explore Henry’s approach to creating authentic commercial demos, why overproducing auditions can backfire, the never-ending battle with mouth noise, common home-studio mistakes, and the realities of producing audiobooks by hand in an increasingly automated world. And because two audio engineers can only behave themselves for so long, there’s plenty of talk about Pro Tools, headphones, plugins, noise reduction, Macs vs. PCs, and keeping your processing chain simple.
Timeline
00:00 Sponsor and Sound Check
01:00 Meet Henry Willard
03:00 Running an Audio Business with Two Young Kids
05:00 The Reality of Working from a Home Studio
07:00 Why Voice Actors Are Hiring Their Own Engineers
10:00 What a Virtual Engineer Actually Does
11:00 Henry’s Start in Remote Recording
14:00 How COVID Changed the Voiceover Workflow
16:00 Building a Freelance Voiceover Engineering Business
19:00 Getting Into Voiceover Demo Production
20:00 Making a Demo Sound Authentic—not Overproduced
22:00 Music Choices That Can Ruin a Demo
24:00 Henry’s “Palette Call” for Building Personalized Demos
27:00 Why Demo Spots Need a Beginning, Middle, and End
28:00 Mouth Noise, Perfectionism, and Over-Editing
29:00 Mac vs. Windows for Voiceover Recording
34:00 How Much Mouth Noise Should You Actually Remove?
35:00 RX Mouth De-click and the Problem with Overprocessing
37:00 Alternatives to RX and When Your Headphones Are Too Good
39:00 Fix the Room and Mic Technique Before Adding Plugins
40:00 The Wrong Mic, the Wrong Input—and Other Common Mistakes
43:00 Henry’s Approach to Audiobook Production
46:00 Punch and Roll vs. Continuous Recording
49:00 AI Proofing vs. Actually Listening to the Audiobook
51:00 Why Henry Takes a Premium Approach to Audiobook Editing
53:00 Henry’s Favorite Tools: Pro Tools, Editus Keys, and Headphones
58:00 Keeping Plugins Simple
59:00 Waves NS1 and Noise Reduction
1:00:00 Apollo C-Vox and Real-Time Noise Reduction
1:02:00 More Audio Geekery—and an Invitation to Pro Audio Suite