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In 1915, Georgia O'Keeffe radically redefined herself as an artist. Rejecting all she had done before, she found her voice with a series of black and white charcoal drawings she collectively titled, Specials. Her great Charleston friend, Anita Pollitzer, took these drawings, unbeknownst to the artist, and showed them to Alfred Stieglitz (noted American photographer, gallery owner, and promoter of modern art) who proclaimed, "At last, a woman on paper." This was the beginning of one of the most important careers in all of American art.
Will South, of the Columbia Museum of Art, and Dr. Erika Doss, of the University of Notre Dame, talk about O’Keeffe’s life and work, including the Specials, which she created while teaching at Columbia College in 1915 and 1916. They’ll also talk about the ongoing O’Keeffe exhibition at the Museum, Her Carolina Story.
-- All Stations: Fri, Sep 25, 12 pm | News Stations: Sun, Sep 27, 4 pm --
4.8
167167 ratings
In 1915, Georgia O'Keeffe radically redefined herself as an artist. Rejecting all she had done before, she found her voice with a series of black and white charcoal drawings she collectively titled, Specials. Her great Charleston friend, Anita Pollitzer, took these drawings, unbeknownst to the artist, and showed them to Alfred Stieglitz (noted American photographer, gallery owner, and promoter of modern art) who proclaimed, "At last, a woman on paper." This was the beginning of one of the most important careers in all of American art.
Will South, of the Columbia Museum of Art, and Dr. Erika Doss, of the University of Notre Dame, talk about O’Keeffe’s life and work, including the Specials, which she created while teaching at Columbia College in 1915 and 1916. They’ll also talk about the ongoing O’Keeffe exhibition at the Museum, Her Carolina Story.
-- All Stations: Fri, Sep 25, 12 pm | News Stations: Sun, Sep 27, 4 pm --
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