In “Southern Cooking Comes to Portugal,” Gravy producer Adwoa Gyimah-Brempong takes listeners to Porto, the second largest city in Portugal, which anchors the northern region. Porto is famous for its wine and its hearty francesinha sandwiches. But this city of a quarter million people has a food scene whose depth might surprise you. Porto runs the gamut from picturesque century-old markets to hipster bakeries whose joelho pastries and glazed cornflake croissants frequently spawn lines out the door. And it’s also home to not one, but two Black Alabamian women reinventing what it means to be a Southern chef. While Gravy is a show about the changing American South, this is a story about the malleability of Southern identity—and changing American Southerners.

Angela Sellers is the owner of Piccolo Cameo, a Mediterranean fusion restaurant focusing on bright, seasonal pastas. The restaurant happened almost by accident, but it has grown to be one of the

Bridget and Angela are among the thousands of Americans currently living in Portugal, as is Adwoa, this episode’s producer. Not long after Adwoa moved to Porto, a friend told her that the city felt like the opening scene of Beauty and the Beast: everybody waking up to say "bonjour" (or "bom dia," as the case may be). People's manners feel familiar to her in a way that puts her at ease.  

For Bridget, that southern adjacency is also reflected in the food: Portuenses eat similarly to American Southerners, fatback and ham hock included. But Angela has found freedom in redefining what

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In “We Sure Eat Good When Someone Dies,” Gravy producer Caleb Johnson takes listeners back to August 2024, when his extended family gathered inside a Baptist church in Arley, Alabama, to mourn the loss of their matriarch—his grandmother, Celia Sampley. Before the funeral service, the church served lunch for the family, including chicken and dumplings, green-bean casserole, and plenty of desserts. A particular cake caught Caleb’s eye that day, called a pea picking cake. In this episode, Caleb steps into the kitchen of the woman who baked that memorable cake and explores how eating something sweet helps us process grief.

The cook’s name is Sandra Stewart, and she was a good friend of Caleb’s grandmother. They attended Bethel Baptist Church together for many years. When it came time to bake something for the funeral wake, Sandra looked through her large recipe book. She chose a pea picking cake because all the ingredients she needed were already in her pantry. Her choice was mainly for convenience.

Traditionally, recipes for pea picking cake call for using a box cake mix. The first box cake mix was created in the 1930s, but it didn’t become popular until after World War II. Caleb talks with food historian KC Hysmith about the mysterious origins of the pea picking cake and how it fits into a tradition of fancy box cakes that grew popular in the second half of the twentieth century, a time when home cooks started using more store-bought, convenience ingredients.

Caleb also speaks with Dr. Candi K. Cann, a professor of religion at Baylor University and a self-described death scholar, about funeral traditions involving food around the world. She explains that these traditions help mourners revisit meaningful relationships. However, despite the close link between funerals and foodways, Dr. Cann says Americans aren’t taught how to navigate grief, partly because individualism is a key part of the Protestant faith. She believes this has led to less emphasis on communal meals like the one served at Caleb’s grandmother’s wake.

***

This episode was reported by Caleb Johnson. Johnson is the author of the novel Treeborne, and a frequent contributor to the Gravy podcast and magazine. He teaches creative writing at Appalachian State University. 

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In “Virginia Public Schools Serve Indigenous Cuisine,” Gravy producer Anya Groner takes listeners to the second annual Indigenous Peoples

Coming up with the menu wasn’t easy. Centuries of forced assimilation, land grabs, and genocide prevented cultural knowledge from being passed down through generations. Designed by Chef Diosa Hall from the Mohawk

Scaling up the supply chain to make these ingredients available to hundreds of schools could take two or three decades. Dr. Troy Wiipongwii is the Director of Innovation and Entrepreneurship in Conservation at the College of William and Mary and a founding member of the Traditional Eastern Woodlands Foodways Alliance, the intertribal group leading this program. He says sustainable foods cost almost double to produce, but they’re

Chef Hall believes making native foods available in public schools will give indigenous students a sense of belonging. That’s especially important because schools haven’t always been welcoming places for Native

Listen to find out what it will take to keep indigenous food traditions visible in the nation’s cultural landscape—and how kids rate acorn grits and butternut squash against the typical school lunch.

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This week, Gravy is excited to share a special episode from a show we think you’ll love: Culinary Characters Unlocked. Hosted by David Page, the creator of Diners, Drive-Ins and Dives, the show highlights bold food makers whose stories might surprise you. 

In this episode, we meet chef Marisa Baggett, a Black, Jewish, female sushi chef whose journey began in a Mississippi café where she’d never even seen sushi before. One question from a customer launched her into a new world, eventually leading her to train at the California Sushi Academy and write two cookbooks that make sushi more accessible to home cooks everywhere. Marisa’s story is one of passion, persistence, and breaking expectations—both cultural and culinary. We think you’ll be as fascinated by Marisa's story as we are. 

If you like what you hear, tune in every Tuesday for new episodes of Culinary Characters Unlocked.

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While immigration is at the forefront of today’s news cycle,

While Harris County has many resources for assistance, transitioning into the workplace in a new country and culture is rarely easy for even the most skilled, educated, and adaptable English-speaking arrivals. But for those arriving from rural and agrarian backgrounds, it is even more difficult. There are few options for finding dignified work.

One charity that is working to fill this void is Plant It Forward. They empower refugees to build income through sustainable urban farming businesses. Plant It Forward secures land access, provides mentorship, and facilitates sales opportunities at area markets.

In this episode, we’ll take a trip to America’s fourth-largest

One of these new farmers is Constant Ngouala. A native of

What is the sustainable food movement’s viability in Houston? Gravy explores how, by working the land, Plant It Forward’s farmers may represent a continuum in keeping with the region’s culture and history.

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In “What's Brewing in Memphis?” Gravy producer and reporter

Kelvin Kolheim, founder of Beale Street Brewing Company, is

Kevin Asato, executive director of the National Black

Despite challenges, Kolheim has brought a new perspective and attention to Memphis’ craft beer scene. His beer is a fast-selling local brand with plans to expand.

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In “There’s No Business Like Hansen’s Sno Bliz-ness,” Gravy producer Eve Troeh takes us to New Orleans, home of the sno-ball. In the South you need strategies to beat the summer heat, and ice plays a big role. Street vendors used to shave big blocks of ice by hand and add flavored syrup—a treat that became known as a sno-ball in the Big Easy.

In the late 1930s, a local man, Ernest Hansen, invented a machine that changed the tradition. Sharp blades, encased in metal, turned chunks of ice into the most fluffy, fine “snow,” and he eventually patented this creation. While he kept his day job in New Orleans’ manufacturing industry, Ernest’s wife Mary ran with her husband’s invention. She set up shop at home and eventually moved to a brick-and-mortar, dishing up fresh “snow” and dousing them with signature flavored syrups that she made by hand. They called their place Hansen’s Sno-Bliz.

Remarkably, Ernest’s hand-built machines are still in use today, as are many of Mary’s syrup recipes, and the business continues to cool off customers with some “air-conditioning for your tummy.” Hansen’s Sno-Bliz is now in its 86th year, with Ernest and Mary’s granddaughter, Ashley Hansen, at the helm. Ashley’s was a long and loving journey to take on the business. She learned alongside her grandparents day by day. In a city that practically worships tradition, she honors her family and her customers by maintaining not just the original 1930s ice-shaving mechanics and syrup recipes, but also by cultivating the warm hospitality her grandparents always extended to anyone who entered.

The cinder block corner shop on New Orleans’ Tchoupitoulas Street looks humble, but you’ll always find a line of customers stretching outside around the corner. The James Beard Foundation even bestowed Hansen’s with its prestigious title of American Classic. New Orleanians from every corner of the city—and visitors from all around the world—eagerly line up to experience Hansen’s, and form an of-the-moment community with each other as they choose their flavors and chat.

In this cool edition of Gravy, Ashley Hansen shares the history, innovation, and spirit of her family’s institution, always with Hansen’s Sno-Bliz motto in mind: “There are no shortcuts to quality.”

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Few companies have inspired more fanatical devotion among Texans than the convenience chain Buc-ee’s. Described by the New York Times as both a “Disneyland of roadside capitalism” and the “through line of America’s second most sprawling state,” its iconic, buck-toothed beaver mascot has been spotted not just on billboards, but on wedding cakes and tattooed arms of its most loyal customers. Founded as a small-town gas station, today it boasts 47 locations across the South known for massive floor spaces brimming with souvenirs, fudge, BBQ stations, cases of jerky, and walls of branded snacks like “beaver nuggets.” 

Yet unlike other treasured Lone Star enterprises like Whataburger, Blue Bell, or the grocery chain H-E-B, Buc-ee’s ascendance has been a fast, recent phenomenon. They are also far from the first convenience chain to endear themselves to travelers through reliably clean restrooms, kitschy gifts and road food. In fact, one could argue they stand on the shoulders of the Georgia-born Stuckey’s, whose nutty treats sparked a mid-century rest stop empire. 

Today, both brands find themselves at a crossroads. Buc-ee’s is rapidly expanding, while following years of corporate mismanagement and decline, Stuckey’s is rebuilding itself one pecan log roll at a time. 

In this episode we’ll ride shotgun with Gravy producer Evan Stern as he explores how food has shaped these companies' brand identities, how they’re grappling with change, and what their stories reveal about the past, present, and future of snacking on the American road.

Along the way, we’ll step inside a Buc-ee’s that sprawls over 65,000 square feet, get to know some devoted customers, and hear from journalist Eric Benson, who argues this chain has come to symbolize 21st-century Texas. We’ll also meet Stephanie Stuckey, who, following a career in politics and environmental law, now serves as the chair of Stuckey’s. She shares her grandfather’s journey from pecan broker to gas station magnate, how she envisions Stuckey’s evolving, and why the road trip remains ingrained in the company’s DNA.

The resulting piece is a profile of two brands that have shaped and continue to make American highways a “corridor of consumption.”

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In “Oh, Snapper! Mislabeled Mississippi Seafood,” Gravy producer Boyce Upholt takes listeners to Biloxi, Mississippi—a town that has

What makes this story particularly fascinating is the public's reaction, or lack

Biloxi's seafood industry once thrived on genuine abundance. Indigenous peoples had harvested oysters here for thousands of years, and by 1904, the town earned its “seafood capital” moniker through a booming cannery industry that shipped Gulf oysters nationally and internationally. But the same forces that built Biloxi's reputation—industrialization and globalization—eventually undermined it. Imported seafood began dragging down local prices in the 1980s, and disasters like Hurricane Katrina and the Deepwater Horizon oil spill further devastated

Mary Mahoney’s fraud, meanwhile, turned out to be just the tip of an iceberg. A consulting group used genetic testing and found that out of 44 area restaurants, only 8 were properly labeling their shrimp. Yet Biloxi's dining scene is also experiencing a renaissance. Chefs like Alex Perry at Vestige and Austin Sumrall at White Pillars have earned James Beard nominations while championing local ingredients and sustainable sourcing. Even at more casual spots like Bradley's—located inside a gas station—proprietors prove that serving authentic Gulf seafood can be both affordable and profitable.

What parts of Biloxi’s identity matter? What does it mean, really, to be local? As Biloxi transforms from a working fishing port into a tourist destination dotted with casinos and chain restaurants, the town faces a choice about what parts of its heritage to preserve. The seafood fraud scandal serves as a mirror, reflecting not just economic pressures but cultural ones—revealing how a community that built its identity on the ocean’s bounty must now decide whether that connection still matters.

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Gravy podcast is excited to share a special episode of a new podcast called Buzzkill, from our friends at FERN, the Food and Environmental Reporting Network. Buzzkill explores the dramatic decline of pollinators, including the American bumblebee, whose numbers have plummeted by 90% in just two decades. The series, hosted by Teresa Cotsilos, delves into how industrial monocultures, rampant chemical use, and unsustainable land practices threaten pollinators—and, by extension, three-fourths of the food crops we grow. This show is the first episode in the six-part series.

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