Walter Edgar's Journal

Abraham Lincoln, February 9, 1864(Anthony Berger / Library of Congress)

This week, we offer you an encore of an episode from our broadcast archive: A fascinating conversation with Dr. Vernon Burton, the Judge Matthe w J. Perry Jr. Distinguished Professor of History at Clemson University, and Dr. Peter Eisenstadt, affiliate scholar in the Department of History at Clemson University.

Walter will be talking with Peter and Vernon about their book, Lincoln’s Unfinished Work: The New Birth of Freedom from Generation to Generation, a collection of essays from a conference that they directed at Clemson University which discussed many of the dimensions of Lincoln’s “unfinished work” as a springboard to explore the task of political and social reconstruction in the United States from 1865 to the present day.

The conference was not solely about Lincoln, or the immediate unfinished work of Reconstruction, or the broader unfinished work of America coming to terms with its tangled history of race; it investigated all three topics – as does our conversation.

"Where the Shrimp Pickers Live," 1940, oil on canvas.(Dusti Bongé (1903-93) / Mississippi Museum of Art, Jackson, MS. Gift of Dusti Bongé Art; Foundation, Inc. 1999.012 )

This week we will be talking with Jonathan Stuhlman and Martha Severens about their book, Southern/Modern: Rediscovering Southern Art from the First Half of the Twentieth Century (2024, UNC Press). Jonathan Stuhlman is the Senior Curator of American Art at the Mint Museum in Charlotte, NC, and Martha Severens is in independent scholar based in the upstate of South Carolina. Together they have created a book that springs from an exhibition at the Mint but is so much more than just a catalog for the exhibit.

Featuring twelve essays, this lavishly illustrated volume includes all the works from the exhibition and assesses a broader body of contextual pieces to offer a fascinating, multipronged look at modernism's thriving presence in the South—until now, something largely overlooked in histories of American art.

Photomontage of members of the first South Carolina legislature following the Civil War.( Library of Congress)

In their book, Reconstruction beyond 150: Reassessing the New Birth of Freedom, Vernon Burton and Brent Morris have brought together the best new scholarship, synthesizing social, political, economic, and cultural approaches to understanding a crucial period in our country’s history. They talk with us about how the their project came about, and about how many "reconstructions" our country has seen since the Civil War.

(Timothy J / Flickr )

This week, we will be talking with Dr. Judith Bainbridge about her book, A Short History of Greenville (2024, USC Press). The book is a concise and engaging history that traces Greenville, SC's development from backcountry settlement to one of America's best small cities

In our conversation with Judith we will concentrate the growth Greenville's textile industry and its demise, the economic decline of the city, and its rebirth as a haven for business and tourism in the twenty-first century.

Dizzy Gillespie, New York, N.Y., ca. May 1947(Ky / Flickr)

In his new book, The Miraculous Art of Jazz, Benjamin Franklin V, Distinguished Professor of English, Emeritus, at the University of South Carolina, has gathered reviews of hundreds of recordings written over his 40-year career as a jazz writer.

In our conversation his love for jazz and blues shines through. And the reviews he has collected in his book are as vital and important as ever – for listeners new to Jazz as well as long-time listeners who want to take a deeper dive into the music.

J. Drew Lanham, Ornithologist, Naturalist, and Writer, 2022 MacArthur Fellow, Clemson, SC( John D. and Catherine T. MacArthur Foundation)

This week, we will be talking with J. Drew Lanham, about his new book, Joy Is the Justice We Give Ourselves (2024, Hub City Press). The book is a sensuous collection of Drew's signature mix of poetry and prose, a lush journey into wildness and Black being. Drew Lanham notices nature through seasonal shifts, societal unrest, and deeply personal reflection and traces a path from bitter history to present predicaments, mining along the way the deep connection to ancestors through the living world.

"Death of Major Ferguson at King's Mountain." (The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection, The New York Public Library / The New York Public Library Digital Collections)

This week on the Journal we will be talking with Alan Pell Crawford about his book, This Fierce People: The Untold Story of America's Revolutionary War in the South (2024, Alfred A. Knopf). In his book Alan tells the story of three-plus years in the Revolutionary war, and of the fierce battles fought in the South that made up the central theater of military operations in the latter years of the War.

And it was in these bloody battles that the British were, in essence, vanquished.

"Ichnography of Charleston, South Carolina"(Library of Congress)

For centuries residents of Charleston, SC, have made many attempts, both public and private, to manipulate the landscape of the low-lying peninsula on which Charleston sits, surrounded by wetlands, to maximize drainage, and thus buildable land and to facilitate sanitation. In her book, Lowcountry at High Tide: A History of Flooding, Drainage, and Reclamation in Charleston, South Carolina (2020, USC Press), Christina Rae Butler uses three hundred years of archival records to show not only the alterations to the landscape past and present, but also the impact those efforts have had on the residents at various socio-economic levels throughout its history.

In this encore of a broadcast conversation from 2020, Butler explores the ways in which Charleston has created land with Dr. Edgar, and they talk about challenges facing the city in the face of rising sea levels.

One of the Davis brothers who operated the Davis Battery Electric company in Greenville, 1930.


(Courtesy of Bobbie Jean Rovner, Greenville)

This week we will be talking with Diane Vecchio about her book, Peddlers, Merchants, and Manufacturers: How Jewish Entrepreneurs Built Economy and Community in Upcountry South Carolina (2024, USC Press).

In the book, Diane examines the diverse economic experiences of Jews who settled in Upcountry (now called Upstate) South Carolina. Like other parts of the so-called New South, the Upcountry was a center of textile manufacturing and new business opportunities that drew entrepreneurial energy to the region. Working with a rich set of oral histories, memoirs, and traditional historical documents, she explores Jewish community development and describes how Jewish business leaders also became civic leaders and affected social, political, and cultural life. The Jewish community's impact on all facets of life across the Upcountry is vital to understanding the growth of today's Spartanburg-Greenville corridor.

Cover illustration from Payne-ful Business: Charleston’s Journey to Truth (2024, Evening Post Books)(Painting by John W. Jones)

Margaret Seidler thought she knew her family’s history. Then, a genealogical search on-line led her to connect with a cousin who, unlike Margaret, was Black. Determined to find as much as she could about her lineage, Margaret soon came face to face with more than just an expanded family tree. And what she found led her to devote years to historical research and many difficult conversations about the centrality of the institution of slavery in Charleston, and the part some of her ancestors played in helping it flourish.

This week we talk with Margaret Seidler about how this journey into history challenged her and about her new book, Payne-ful Business: Charleston’s Journey to Truth (2024, Evening Post Books).

In the book, Seidler has written about the realities of Charleston’s racial history while highlighting the historians, journalists, and community members who work to reconcile those truths. And the enslaved individuals whom she found advertised for sale in ante bellum newspapers are brought to vivid life by artist John W. Jones. He truly uncovers the humanity hidden beneath those detached advertisements.