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Title: Storms Beneath the Skin
Subtitle: Slam Poetry
Author: Regie Gibson
Narrator: Regie Gibson
Format: Original Recording
Length: 48 mins
Language: English
Release date: 04-18-13
Publisher: EM Press
Ratings: 3.5 of 5 out of 7 votes
Genres: Drama & Poetry, Poetry
Publisher's Summary:
National Poetry Slam champ and subject of the loosely autobiographical film Love Jones, Gibson's Storms Beneath the Skin is a musical homage to his heros, written and read with soul, erotic reveries, and cosmic sensibility. Gibson's stage presence is akin to Mick Jagger's; he is easily one of the best slam poets to ever take the stage. This collection includes two versions of his famous poem "Jimi Christ".
"You sing and chant for all of us. Nobody gets left out."
Kurt Vonnegut, 1998
Editorial Reviews:
Slam poetry is primarily a spoken art, which is why listeners must absorb a vocal performance in order to experience the full effect of the words. In Storms Beneath the Skin, Regie Gibson, winner of the 1998 National Slam Competition and inspiration for the movie Love Jones, performs his poems in front of a live audience. His joyful, funny, and energetic delivery is clearly bolstered by the enthusiastic responses of the crowd. A listener can hear how the blues, jazz, and Jimi Hendrix have all influenced the award-winning performer, not only through the melodious nature of Gibsons slam poetry itself, but also through the strength of several musical accompaniments.
Members Reviews:
Poetry Beyond the Speed of Sound
The initial release of EM Press did not simply fly a few feet for a few seconds; it broke free from the earths gravity and flew to the moon. This is like NASA, instead shooting mammals into orbit, making it to the moon on the first try. Storms Beneath the Skin is Regie Gibsons long overdue first poetry book. The meandering Slam minstrel has not stood still long enough in the last ten years for his words to be crystallized in print. For the poet described by Kurt Vonnegut as singing and chanting for all of us, Storms Beneath the Skin represents an audacious and auspicious debut in print. Behind the cover design by Gregory Harms featuring four epidermal close-ups is the first collection of poetry from one entrenched in the pantheon of Slam Poetry. The greatest poetry is elusively familiar, spiritually sensual, and harrowingly gentle. The 38 selections in Storms Beneath the Skin are divided into five sections: Chants, an invocation, coos, suite, and Canticles and Curses. Storms irradiates with dangerous diversity of word and theme. The initial poem, Alchemy, is a succinct critique of tone-deaf academicians who reduce language to grammar in the same way materialists reduce spirit to matterIn great poetry, language startles us, gyrating in new combinations: cotton-myth our stories; daughter of desert/and dostoyevski; sightraped hunter and musebruise. Storms startles us, from the chants to the haikus: u came on snake wings u red turjid gitar licks u left d same way.The Old Guard snivels at the New Poetic Proletarians like Regie Gibson. The Old Guard doubts that the word can make the transition from the stage to page. The fireworks on stage, they believe, conceal deep deficiencies in poetic formation. When you [Regie] perform, writes Vonnegut, you are supersonic and in the stratosphere, where you can see that the earth really is a ball, moist, blue-green. Audiences in the Slam World are dazzled by Gibsons bewitchingly/bleedin performance of the eulogy of jimi Christ, an ode to Jimi Hendrix. The Old Guard views Slam Poetry as a mutation of their hallowed Tradition of Pretentiousness and Less Than Effusive Presentations of the Word.